A three-part anthology film. Story 1: A released convict traces his girlfriend and other people who were responsible for his imprisonment. Story 2: A factory worker Pantic comes to Belgrade where he befriends a waiter. Having no overnight lodge, Pantic spends the night in the bar where his new acquaintance works, and becomes a victim of group of people who start picking on him. The initially protective waiter joins their harassment, and that's when Pantic pulls out a knife. Story 3: A female reporter gets back from the province without getting job done. On her way back, she meets an abused woman who lives with her husband in a trailer, making grill. The two will run away together, facing many hazards and trials.

War. A city under the siege. The truce has been recently signed, and the squad known as the 'Blacks', who used to do the dirty jobs, needs to be disbanded. Ivo, the squad commander who has lost three of his soldiers, prepares the action to retrieve their dead bodies from the forest and, despite the ceasefire, blow up the dam, thus causing a great damage to the enemy: The survived members of the squad, tortured by their personal doubts and guilt, move into action. On the battlefield, they find the enemy they are searching for is in the place they least expect - inside themselves.

The journey of a Chinese woman and her fellow countrymen as they travel in search of a better place to live, only to end up struggling for survival in the Balkans.

Stanko (30) has to kill a man, for the first time. The same day, his younger brother Vojo (16) has to have sex for the first time. Roads of the two brothers will cross the same day several times, in an unusual way

Wealthy guy from Australia travels to his birthplace in Bosnia so he'd make a giant wedding with Yugoslavia's biggest star Lepa Brena. Although it's a Brena doppelganger, media rush to publish the story so Lepa Brena must run across the country to stop the false wedding and tell everyone the true.

2007 film by Ognjen Sviličić

A lonely composer committed suicide in his apartment in Belgrade. Unaware of the camera catching them, neighbours and other people, shows their inappropriate behavior.

At the traditional Muslim funeral service for his father Fikret Varupa, sixteen year old boy from Sarajevo, learns that his father owes money to Hamid, a man he does not even know. The debt is considerable and Hamid does not want it to go to the grave with the body, so the debt automatically passes from the father to the son. Since in Bosnia this way of collecting debts, at a funeral, is considered to be utterly humiliating, it is never, ever applied. Fikret and his entire family become subjects of ridicule. Fikret, who is practically still a child, is decisive to "redeem his father's soul". Wishing to repay his father's debt and to secure the forgiveness, Fikret wanders into the real world of Sarajevo, the world that is ruled by post-war chaos, misery and poverty and becomes an ideal target for two corrupted policemen who wish to "help" him: they plant the kidnapped girl on him.

Family Susic lives everyday Bosnian story. Father Muhamed (63) is employed in a reputable company; mother Marija (60) is retired. Son Sasa (35), who spent the war in Army of Bosnia and Herzegovina, lives with his parents, while their daughter Senada (40) lives in Slovenia. Their life begins to fall apart because of father's dissatisfaction after his company is sold on the stock exchange, Sasa's negligent attitude towards work and family, Marija's breast cancer diagnose. When problems begin to line up Muhamed and Sasa realize that actually only family is important, that it is man's last oasis

Spanning decades, the film follows lovers Lovro and Nenad and their friends Stevan and Ivan, a group of gay partisans who fought against the Ustashas and Nazis. Sixteen years later, they became renowned filmmakers navigating life in post-WWII Communist Yugoslavia. As they rise to fame, they are forced to create propaganda for the regime, risking everything to protect their identities and each other. In 1957 their sexual orientation raises suspicion, and a communist party loyalist named Emir is assigned to sabotage their careers and lives, a party loyalist hiding his own secrets, whose loyalties begin to falter. The pursuit of freedom becomes a fight for survival for the artists, while Emir's beliefs are challenged. Lush, intimate, and politically charged (and with startling parallels to our current political climate), Beautiful Evening, Beautiful Day is a poignant story of resistance — against oppression, against silence, and for the freedom to live and love without fear.

Tito's break-up with Stalin in 1948 marked the beginning of not only confusing, but also very dangerous years for many hard-core Yugoslav communists. A careless remark about the newspaper cartoon is enough for Mesha to join many arrested unfortunates. His family is now forced to cope with the situation and wait for his release from prison.

Story about a forty-something Sarajevo taxi driver named Fudo (Saša Petrović) who decides to take control of his own destiny. Fudo doesn't earn much, so he supplements his income by offering tips to the local criminal syndicate and turning a blind eye to their nefarious dealings. One day, after offering a particularly bad bit of advice to a violent gangster, Fudo is badly beaten. When Fudo's wife Azra (Daria Lorenci) discovers what has happened, she decides to take the couple's infant son and move out. Now determined to win his wife back and restore peace in the home, Fudo decides to go straight. But cleaning up his act isn't going to be easy, because after borrowing enough cash from black market dealer Sejo (Emir Hadžihafizbegović) to purchase a van and then refusing to aid him in any underhanded dealings, the only person willing to cut him any slack is the sympathetic Azra.

The story of a Bosnian family. The parents worry about their son being perverse, but the sone not that malicious even though he causes troubles. Father, mother, and younger brother all try to do their best in each position, but family harmony is not easy. The opening film of the Sarajevo Film Festival.

Zeko, a barber and ex-soldier suffering from PTSD, invites his brother Braco and his friend Švabo to Eid festivities. He intends to take advantage of the festive mood and ask his brother, a gambler and an alcoholic, to change his ways. Braco doesn’t want to listen and won’t take the conversation seriously. Zeko puts his razor under his brother’s neck, forcing him to promise he will change. Braco leaves furious, telling him that he will never see him again, and Švabo suggests that he see a psychiatrist. Alone, without his only friend and brother, Zeko takes a bomb in his hands. He decides to kill himself until Muki , a young man selling books door-to-door, stops him from his intention.

The armed conflicts of the 1990s not only visibly destroyed the land of the former Yugoslavia, but also left the deepest wounds in the memory of each of its belligerent nations. There are as many different interpretations of that bleak past as there are countries affected. It is therefore hard to expect absolute harmony when, less than two decades since the war ended, a diverse group of veterans gathers at a remote mountain hotel for a therapy session over several days. On the contrary, such a dangerously volatile situation can suddenly ignite by just one thoughtless word, or a seemingly dirty look. That’s because the former soldiers, obstinately holding on to their fundamental masculinity and their prejudices, refusing to expose the inhumanity of the atrocities perpetrated. However, this quietness is just about to be broken and hidden emotions are to be faced.

A teen raised in the Netherlands by her single mother travels to their native Bosnia to visit the father who left them, as he’s been admitted to a rural hospital. Joined by her cousin and his best friend, they hit the road.

The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.

2020 film directed by Jasmila Žbanić