台湾电影巨匠蔡明亮回到他的出生地，马来西亚一座小镇，此行的目的是追忆家人，还有一部对他有深远影响的老电影。此片在回忆蔡导个人历史的过程中，将古典主义与创新风格良好的进行了平衡。

台湾新电影三十周年之际，导演谢庆龄从台北飞往清迈、巴黎、东京、香港、北京、鹿特丹甚至布宜诺斯艾利斯，背景完全不同的导演、影评、艺术家们，娓娓道來台湾新电影与他們的关系，那么远、那么近。

NHK赴清迈采访制作的阿彼察邦专访，谈乡村生活，谈自己的电影，谈体制抗争，谈自己的同性恋身份。

Six authorities of cinema describe their approach to transcendence, mysticism, spirituality and life after dead.

Prominent film critic Tony Rayns has long been a supporter of Korean cinema. This film illustrates Rayns’ affection for Korean cinema through interviews of Korean cineastes that have a special affinity for him, including JANG Sun-woo, LEE Chang-dong and HONG Sang-soo among others.

The "digital revolution" reached the cinema late and was chiefly styled as a technological advancement. Today, in an era where analog celluloid strips are disappearing, and given the diversity of digital moving picture formats, there is much more at stake: Are the world's film archives on the brink of a dark age? Are we facing the massive loss of collective audiovisual memory? Is film dying, or just changing?

Canadian actor and filmmaker Connor Jessup profiles Apichatpong Weerasethakul, a maverick of Thai cinema who explores the slippery nature of time and consciousness with a sublimely idiosyncratic, often surreal approach to film form. Shot in the Colombian jungle, where Apichatpong was scouting locations last year for his next project, this rare glimpse at the director's creative world delves into the dreams and desires that fuel his work.

第68届戛纳国际电影节法国当地时间2015年5月24日，第68届戛纳国际电影节落下帷幕。 法国导演雅克·欧迪亚的《流浪的迪潘》摘得金棕榈大奖，匈牙利导演拉斯洛·杰莱斯的处女作《索尔之子》获得评审团大奖，华语导演侯孝贤凭借《刺客聂隐娘》赢得最佳导演奖。法国文森特·林顿凭借《市场法律》获得最佳男演员奖，美国影片《卡罗尔》中的鲁妮·玛拉和法国影片《我的国王》中的艾玛纽尔·贝克特则并列获得最佳女演员。最佳剧本由墨西哥导演米歇尔·弗兰克的《慢性》获得，希腊导演欧格斯·兰斯莫斯凭借《龙虾》获得评委会奖。贾樟柯导演的《山河故人》则最终颗粒无收。