A major figure in contemporary feminism and the first Frenchwoman to win the Nobel Prize for Literature, Annie Ernaux is seen by many as a source of individual and collective emancipation, blending the intimate with the universal. Filmmaker Claire Simon has devoted an original portrait to her, giving students and teachers a voice.

身体总是痛苦之源，不谈宗教，不论修行，老老实实走进医院寻问病人，聆听他们身体的故事。 一切最后都关乎爱与希望、各种恐惧和挣扎、生命及欲望。

15-year-old Livia gets back on her feet after falling from her horse with the help of Jean, a volunteer fireman with whom she falls in love. A few days later, vacation begins. June 24. The girl, alone and exasperated, will stop at nothing to conquer this older man; her passion burns more and more. Her love consumes her, driving her into a mounting frenzy, until she commits an irreparable act.

Every day, Ismael (Reda Kateb) is dazzled, fascinated and exhausted by his favourite place: the Gare du Nord in Paris.

Set on a series of long walks through the streets of Nice and the mountain village of Saorge, Mimi charts the psychogeography of the filmmaker’s long time friend Mimi Chiola. Simon allows her subject to guide the conversation, pulling the viewer into Mimi’s discursive, enveloping stories of love, sex, work, life and friendship. (from Metrograph.com)

随着与男友关系的升温，德雅米拉想服用避孕药；泽爱的母亲向她提供保险套，却把她当婊子对待；尼吉玛把避孕药藏了起来，因为母亲会搜她的包；伊莲娜太容易怀孕，让克莱蒙害怕；艾德林想保住孩子，玛戈也如此；玛丽亚想知道所怀孩子的父亲是谁；安娜选择了爱情与自由。安娜、德尼斯、玛尔塔、雅思米、米雷娜每天接待并倾听这些困惑女孩的心声。在上帝的办公室，有苦也有笑。阳台上有人跳舞有人抽烟，在这儿谈论自己的寻常或不寻常的故事。

在从事电影行业之前，克莱尔·西蒙是一名编辑，后来她开始了短片和纪录片的创作，并同时以摄像师和演员的身份活跃在电影行业中。这部影片聚焦在几个伊夫里的十一年级学生上，他们的家庭背景，和父母的关系，对于未来的爱与梦想，都被摄像机记录了下来。短暂的十七岁充满了磕磕碰碰，它也带来了慰藉，这也是克莱尔想要她睿智而敏感的方式想要说明的：人会因为知道自己并不孤独而感觉到慰藉。

与玛格丽特·杜拉斯相伴两年后，扬·安德烈亚感到有必要和她倾诉：他与这位女作家之间的恋爱关系让他不再有任何自由，他需要用语言表达他的喜悦和痛苦。他请一位记者朋友对他进行采访，以便使她能更清楚地了解情况。他清晰而真诚地描述了他的故事的复杂性、他们的爱情以及他所受到的禁忌，那些千百年来女性所忍受的禁忌......