一个超高频电视频道的新经理性格古怪，试图通过一系列奇特的节目来挽救电视台，使其免于破产。

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others.
Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection.
Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses.
Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

2017年11月15日，被认为是意大利艺术家列奥纳多·达·芬奇（1452-1519）作品的画作《救世主》以前所未有的4.5亿美元的价格售出。对艺术界肮脏的秘密以及一件艺术品如何引发个人和政治利益冲突的令人惊讶的故事进行了检查。

为了利用新的工作作为公共卫生部门的雇员，朱莉安娜从伊塔乌纳内城移到康塔在巴西的大城市镇。在等待她的丈夫加入了她，她适应她的新生活，结识朋友和发现新的视野，努力克服她的过去。

A small film crew goes through several locations including Europe, New York and Mexico.

The inhabitants of the Brazilian city of Contagem yearn for a better life. At the core of it all is Selma, a woman dreaming about the heart of the world: it could be anywhere, as long as it's a place where to feel happier.