俄勒冈州，1933年。塞缪尔·墨菲被强行从女儿身边带走，送往一座残酷的劳役营。典狱长克兰西以提前释放为诱饵，要求他穿越危机四伏的荒野走私黄金。为再次见到孩子，墨菲甘愿冒何等风险？

Take a behind-the-scenes look into the most pivotal elements of THE BLACK PHONE production, including adapting the story and achieving the vision of director Scott Derrickson.

Live from his virtual underground political bunker, Stephen reacts in real-time as state-by-state results are tallied.“It’s going to be a great night although my therapist has reminded me America has to WANT to change,” says Colbert.

“The American Revolution”是一场多重性质的战争——它不仅是争取独立的战争，也是征服之战、内战以及世界大战。这场战争既在美国的农田上打响，也在远隔重洋的全球大国之间展开。它影响了从佛蒙特州绿山到南卡罗来纳州沼泽地，从印第安领土到伊比利亚半岛的数百万人的生活。通过击败大英帝国并创立一个新国家，美国革命颠覆了世界的格局。大西洋沿岸的十三个殖民地在反抗中团结一心，赢得了独立，并建立了至今仍在延续的共和国。
《The American Revolution》是一部六集、总时长十二小时的纪录剧集，讲述了美国建国时期的斗争历史。它将呈现革命时代男女的故事，探索他们在胜利与失败中的人性，以及他们所经历的种种危机。通过交织美国政治领导人与其英国对手的叙述，并结合普通百姓在战争中的亲身经历，《The American Revolution》将为观众呈现一个全面、公正的视角，深刻剖析争取独立与美国诞生过程中所蕴含的美德与矛盾。

　　故事从小男孩亨利的视角讲述：1857年，他是堪萨斯的一名黑奴，他的主人与著名废奴主义领导人约翰·布朗起了冲突，布朗带走了亨利，以为亨利是女孩，给了他一条裙子穿，并给他起了“小洋葱”的外号。途中亨利挣扎求生，并逐渐融入布朗的大家庭中。直到1859年，他参与了布朗发起的著名事件：哈普斯渡口袭击，这是美国南北内战的主要导火索。

追随公民记者李·雷邦（Lee Raybon）粗粝的冒险故事。这位自称塔尔萨的“真相考据家”，对真相的执着总是让他陷入麻烦。

Athina Rachel Tsangari and Richard Linklater first met in Austin, Texas – just before he made Slacker (1990), in which she appears briefly on screen. Over two decades later, Linklater was shooting the third instalment of his Before trilogy in Tsangari’s native Greece – and once again invited her to join the production. In After Before, Tsangari turns her camera on Linklater (injured leg, worn Criterion Collection T-shirt), Julie Delpy, and Ethan Hawke during what may be their final day inhabiting the roles of Céline and Jesse.

A new piece in which Linklater and actor-cowriters Julie Delpy and Ethan Hawke discuss the trilogy, moderated by critic Kent Jones.

　　布伦屋热门恐怖片《黑色电话》续集《黑色电话2》定档2025年6月27日北美上映，阵容和剧情暂未曝光。

这部纪录片系列结合了现身说法和沉浸式运镜，讲述经历过战争的人们生命中那些非凡、私密且发人深省的人性故事，并探讨美国如何因为战争而改头换面。

1943年3月31日晚，在传奇性的萨尔迪酒吧里，著名的歌词作家洛伦茨·哈特独自面对着他破碎的自信心。就在同一时刻，他的前合作伙伴理查德·罗杰斯却正在庆祝他们昔日合作的延续——具有里程碑意义的音乐剧《俄克拉荷马！》的盛大首演。

映画監督・是枝裕和が世界の大女優カトリーヌ・ドヌーブを迎えてフランスでの新作撮影に挑んだ。
敬愛する女優・樹木希林さんの突然の死や、言葉と文化の大きな壁に直面しながらも、映画の未来を捜し求めた1年間に密着。是枝流の演出術は、ジュリエット・ビノシュ、イーサン・ホークら名優たちとどんな化学反応を起こすのか？そして是枝の挑戦は日本映画界に何をもたらすのか？
※初回生産限定のBlu-ray豪華版コンプリート・エディションにも収録される

当史蒂文·格兰特，一名举止温和的礼品店员工，经常失去意识并被另一个人的生活记忆困扰，他发现自己患有多重人格障碍，并与雇佣兵马克·斯佩克特共同拥有一副身体。随着史蒂文/马克的敌人向他们逼近，他们一边要驾驭自己复杂的身份，一边被卷入了一场埃及强大众神的神秘危机。

《吉米·法伦今夜秀》是美国的一档深夜脱口秀节目，由吉米·法伦主持，于NBC播出。

伊桑·霍克将主演限定剧《白鲸》(The Whites)，杰斯·巴特沃斯(《极速车王》《明日边缘》《007：幽灵党》)编剧并和霍克、莱恩·约翰逊等执行制作，Showtime出品。
基于理查德·普莱斯所著同名小说，讲述每个侦探都被他们的白鲸所困扰，白鲸是因司法系统故障而逃脱的肇事者。比利(霍克)曾经是他所在部门的新星，也是一群备受尊敬被称为“野鹅”的警察的前成员，他从纽约警局凶杀案部门转到守夜部门，每次打卡下班时他的案子就结束了。但当一起看似直截了当涉及白鲸的谋杀案揭露后，他的过去卷土重来，威胁到了他的职业生涯、持久的友谊和家庭。

The Coast of Utopia is a 2002 trilogy of plays: Voyage , Shipwreck , and Salvage , written by Tom Stoppard with focus on the philosophical debates in pre-revolution Russia between 1833 and 1866. It was the recipient of the 2007 Tony Award for Best Play . The title comes from a chapter in Avrahm Yarmolinsky 's book Road to Revolution: A Century of Russian Radicalism (1959).

The trilogy, nine hours in total, premiered with Voyage on 22 June 2002 at the National Theatre's Olivier auditorium in repertory, directed by Trevor Nunn . The openings of Shipwreck and Salvage followed on 8 July, and 19 July, completing its run on 23 November 2002. In 2006, directed by Jack O'Brien , the plays debuted on Broadway at the Vivian Beaumont Theater at Lincoln Center , New York City , where it closed on May 13, 2007 after a combined total of 124 performances.

The trilogy has also been performed in Russia; it opened at Moscow 's Russian Academic Youth Theatre in October 2007, directed by Alexey Borodin.

The trilogy received its Japanese premiere at Theater Cocoon, Bunkamura in Tokyo on 12 September 2009 and completed its run (including 10 one-day marathon performances) on 4 October 2009. The production was directed by Yukio Ninagawa .

True West is about the sibling rivalry between two estranged brothers who have reconnected. Austin, the younger brother, is a Hollywood screenwriter writing a screenplay while house sitting for his mother, who is vacationing in Alaska. His older brother, Lee, appears at the house after the two have not seen each other for years. Lee is a drifter and thief and has been living in the desert. The two are not on good terms, but Austin attempts to appease his older brother, who is more dominant.
The play starts out with the two characters, Austin and Lee, sitting in their mom’s house-this is the first time they’ve seen one another in five years. We learn that their Mom is on vacation in Alaska and Austin is house-sitting for her. Austin is trying to work on his screenplay but Lee continually distracts him with non-sense questions. The two brothers seem on edge with one another and at one point Austin suggests Lee leaves but Lee threatens to steal things from their mother’s neighborhood. Austin tries to calm him down and the night ends with the two of them on neutral terms.
Austin and Lee sit in their mother’s house and Lee talks about the security level of their mother’s house, and how Lee went into the desert to find their dad. Austin then tells Lee that he needs to leave the house because a film producer is coming by to look at Austin’s screenplay about a “period piece.” Lee says he will leave if Austin gives him the keys to his car. Austin is reluctant at first but eventually gives Lee the keys to his car and Lee promises that he will have it back by six. Lee departs.
Saul and Austin have a conversation discussing the agreement they have made when Lee suddenly walks in with a stolen television set. Saul and Lee start up a conversation about golfing and make plans to go the next day. Austin is embarrassed because he does not know how to play golf, and he also does not want Lee to be involved in the relationship he has with Saul. Lee proposes a script idea to Saul and Saul likes it.
Austin begins writing Lee’s story as he tells it out loud. Austin stops Lee and tells him that his story is bad because it doesn’t resemble real life. The two brothers begin to fight and eventually Austin asks Lee for his car keys back. Lee assumes this means Austin is trying to kick him out, and Lee makes the point that he can’t be kicked out. Austin says he wouldn’t kick him out because he’s his brother, and Lee suggests that being brothers means nothing because in family murders are the most common. Austin says they couldn’t be driven to murder over a movie script. The two admit to being jealous of each other’s lives, and Austin kindly returns the car keys. The scene closes with Austin typing Lee’s story again.
Lee returning from his game of golf with Saul. He continues to tell Austin that Saul is going to give him an advance and continue with his idea from the outline that Austin had written for him. They begin celebrating but the celebration comes to a halt when Lee informs Austin that he is going to also be writing the screenplay for his idea. Austin questions this knowing he has his own work to be completed but Lee continues to inform him that Saul has chosen to drop Austin's idea for a screen play and just continue forward with his own idea. Austin informs Lee that he needs to be careful with who he messes with in this line of work and tells Lee that he has a lot at stake on his own project. The scene ends with Austin threatening to leave and go to the desert as Lee tries to calm him down before the lights go out and the scene ends.
Austin confronts Saul about his decision to buy Lee’s screenplay. He argues that Saul only offered to buy the screenplay because he lost a bet. Saul wants Austin to write both his and Lee’s story but Austin refuses to do both. Austin thinks that Lee’s story is illegitimate and not relevant to the time period. Due to Austin’s rejection to the job, Saul decides to drop Austin’s story and to find a different writer for Lee’s story. The scene ends with Saul making plans for lunch with Lee and then exiting.
Austin is drunk and annoying Lee, who is now the one trying to concentrate and create a screenplay. Lee makes a bet with Austin and Austin appears to be going crazy. Austin resolves to leave the house and they continue to bicker about the authenticity of Lee's ability as a screen writer. Lee finally gets frustrated and asks for Austin's help writing the script and starts drinking with him.
Austin is polishing toasters that he stole while Lee is smashing a typewriter early in the morning. The two continue to do this while they are carrying on a conversation. Austin is proud of what he has done. Lee wants to see a woman, but Austin refuses because he is married. Lee throws a fit while on the phone with the operator because he cannot find a pen to write down what the operator is saying. Austin begs Lee to go to the desert with him because he thinks there is nothing for him where he is. The brothers make a deal that Austin will write the play for Lee if Lee takes him to the desert.
In the final scene, the house is ransacked and Lee and Austin are working vigorously on their script. The mom comes in and Lee first takes notice to her. She seems confused by her son’s appearances and the state of her house. Austin tells her that he and Lee are going to take off into the desert, but then Lee says they might have to postpone the trip. He doesn’t think Austin is cut out for the desert life-style. Austin gets upset and starts strangling Lee. The mother is in disarray and storms out of the house. Austin finally lets go of Lee, and is worried for a second that he’s killed his brother. As Austin moves for the door, Lee rises. The two brothers face one another as the lights fade.

True West is about the sibling rivalry between two estranged brothers who have reconnected. Austin, the younger brother, is a Hollywood screenwriter writing a screenplay while house sitting for his mother, who is vacationing in Alaska. His older brother, Lee, appears at the house after the two have not seen each other for years. Lee is a drifter and thief and has been living in the desert. The two are not on good terms, but Austin attempts to appease his older brother, who is more dominant.
The play starts out with the two characters, Austin and Lee, sitting in their mom’s house-this is the first time they’ve seen one another in five years. We learn that their Mom is on vacation in Alaska and Austin is house-sitting for her. Austin is trying to work on his screenplay but Lee continually distracts him with non-sense questions. The two brothers seem on edge with one another and at one point Austin suggests Lee leaves but Lee threatens to steal things from their mother’s neighborhood. Austin tries to calm him down and the night ends with the two of them on neutral terms.
Austin and Lee sit in their mother’s house and Lee talks about the security level of their mother’s house, and how Lee went into the desert to find their dad. Austin then tells Lee that he needs to leave the house because a film producer is coming by to look at Austin’s screenplay about a “period piece.” Lee says he will leave if Austin gives him the keys to his car. Austin is reluctant at first but eventually gives Lee the keys to his car and Lee promises that he will have it back by six. Lee departs.
Saul and Austin have a conversation discussing the agreement they have made when Lee suddenly walks in with a stolen television set. Saul and Lee start up a conversation about golfing and make plans to go the next day. Austin is embarrassed because he does not know how to play golf, and he also does not want Lee to be involved in the relationship he has with Saul. Lee proposes a script idea to Saul and Saul likes it.
Austin begins writing Lee’s story as he tells it out loud. Austin stops Lee and tells him that his story is bad because it doesn’t resemble real life. The two brothers begin to fight and eventually Austin asks Lee for his car keys back. Lee assumes this means Austin is trying to kick him out, and Lee makes the point that he can’t be kicked out. Austin says he wouldn’t kick him out because he’s his brother, and Lee suggests that being brothers means nothing because in family murders are the most common. Austin says they couldn’t be driven to murder over a movie script. The two admit to being jealous of each other’s lives, and Austin kindly returns the car keys. The scene closes with Austin typing Lee’s story again.
Lee returning from his game of golf with Saul. He continues to tell Austin that Saul is going to give him an advance and continue with his idea from the outline that Austin had written for him. They begin celebrating but the celebration comes to a halt when Lee informs Austin that he is going to also be writing the screenplay for his idea. Austin questions this knowing he has his own work to be completed but Lee continues to inform him that Saul has chosen to drop Austin's idea for a screen play and just continue forward with his own idea. Austin informs Lee that he needs to be careful with who he messes with in this line of work and tells Lee that he has a lot at stake on his own project. The scene ends with Austin threatening to leave and go to the desert as Lee tries to calm him down before the lights go out and the scene ends.
Austin confronts Saul about his decision to buy Lee’s screenplay. He argues that Saul only offered to buy the screenplay because he lost a bet. Saul wants Austin to write both his and Lee’s story but Austin refuses to do both. Austin thinks that Lee’s story is illegitimate and not relevant to the time period. Due to Austin’s rejection to the job, Saul decides to drop Austin’s story and to find a different writer for Lee’s story. The scene ends with Saul making plans for lunch with Lee and then exiting.
Austin is drunk and annoying Lee, who is now the one trying to concentrate and create a screenplay. Lee makes a bet with Austin and Austin appears to be going crazy. Austin resolves to leave the house and they continue to bicker about the authenticity of Lee's ability as a screen writer. Lee finally gets frustrated and asks for Austin's help writing the script and starts drinking with him.
Austin is polishing toasters that he stole while Lee is smashing a typewriter early in the morning. The two continue to do this while they are carrying on a conversation. Austin is proud of what he has done. Lee wants to see a woman, but Austin refuses because he is married. Lee throws a fit while on the phone with the operator because he cannot find a pen to write down what the operator is saying. Austin begs Lee to go to the desert with him because he thinks there is nothing for him where he is. The brothers make a deal that Austin will write the play for Lee if Lee takes him to the desert.
In the final scene, the house is ransacked and Lee and Austin are working vigorously on their script. The mom comes in and Lee first takes notice to her. She seems confused by her son’s appearances and the state of her house. Austin tells her that he and Lee are going to take off into the desert, but then Lee says they might have to postpone the trip. He doesn’t think Austin is cut out for the desert life-style. Austin gets upset and starts strangling Lee. The mother is in disarray and storms out of the house. Austin finally lets go of Lee, and is worried for a second that he’s killed his brother. As Austin moves for the door, Lee rises. The two brothers face one another as the lights fade.

咱们走吧。

　　咱们不能。

　　为什么不能？

　　咱们在等待戈多。

　　第一幕：黄昏时分，两个流浪汉戈戈和狄狄，迷离恍惚，浑浑噩噩，他们在乡间小道上等待着从来没有见过的戈多，但戈多迟迟不来，等来的却是波卓和幸运儿。波卓随意虐待幸运儿，幸运儿也惟命是从。波卓吃饱喝足，逼幸运儿为他们跳了一通舞后才牵着幸运儿和流浪汉告别。天将黑时，戈多的信使小男孩来到，他传达戈多的旨意：今天不来了，明天一定来。

　　第二幕：次日黄昏，还是同样的小路，同样的流浪汉，同样的目的──等待戈多。等待得无聊至极，彼此争吵谩骂，但仍不见戈多来。以至于烦闷得想到自杀。总算等到了人，却是眼瞎了的波卓，哑巴的幸运儿。接着还是信使小男孩来，宣布戈多今天不来了，明天一定来。两个无望的流浪汉又想起了上吊，解下裤带子，但一拉就断了。死又死不成，只好明天再等，再等……。

《麦克白》故事发生在处于战乱连年的遥远苏格兰。3个命运女巫的出现，道出了改变命运的预言。麦克白和班柯，两员英勇无畏的大将在战斗中力挽狂澜。国王邓肯将叛变的考顿爵士的封号和领地转封给麦克白，将王位传给了长子马尔康。麦克白和夫人合谋杀害了邓肯国王。因为惧怕班柯泄露命运女巫的预言，也杀害了班柯。女巫们提醒他要小心已逃亡到英格兰的麦克德夫。麦克白为求心安，最后还是杀害了麦克德夫的妻儿。马尔康和麦克德夫从英格兰请到了援军，直逼麦克白所在的城堡。3个命运女巫的预言原是一种双关语，麦克德夫最终杀死了麦克白，马尔康得到王位，成为苏格兰的国王。