The enchanting comic strip that introduced adult readers to the wonderful world of Moomin
Tove Jansson is revered around the world as one of the foremost children's authors of the twentieth century for her illustrated chapter books regarding the magical worlds of her creation, the Moomins. The Moomins saw life in many forms but debuted to its biggest audience ever on the pages of the world's largest newspaper, the London Evening News, in 1954. The strip was syndicated in newspapers around the world with millions of readers in forty countries. Moomin Book One is the first volume of Drawn & Quarterly's publishing plan to reprint the entire strip drawn by Jansson before she handed over the reins to her brother Lars in 1960. This is the first time the strip will be published in any form in North America and will deservedly place Jansson among the international cartooning greats of the last century.
The Moomins are a tight-knit family-hippo-shaped creatures with easygoing and adventurous outlooks. Jansson's art is pared down and precise, yet able to compose beautiful portraits of ambling creatures in fields of flowers or on rock-strewn beaches that recall Jansson's Nordic roots. The comic strip reached out to adults with its gentle and droll sense of humor. Whimsical but with biting undertones, Jansson's observations of everyday life, including guests who overstay their welcome, modern art, movie stars, and high society, easily caught the attention of an international audience and still resonate today.

Everyone knows the Moomins sleep through the winter. But this year, Moomintroll has woken up early. So while the rest of the family slumber, he decides to visit his favorite summer haunts. But all he finds is this strange white stuff. Even the sun is gone! Moomintroll is angry: whoever Winter is, she has some nerve. Determined to discover the truth about this most mysterious of all seasons, Moomintroll goes where no Moomin has gone before.

The final volume in the series drawn by Tove Jansson
Moomin Book Five: The Complete Tove Jansson Comic Strip features the final strips drawn by Tove Jansson and written by her brother Lars for the London Evening News, before Lars took over both the art and the writing. The first "Moomin Winter" returns with more unwanted guests than in Book One, especially the curious and secret-spilling Nibling, sending the Moomin household into a tizzy of secrecy and closed doors. In "Moomin Under Sail," theMoomins find themselves without a new adventure until Too-Ticky's compass gives them the idea to build a boat and head to sea. Finally, we meet the Fuddler in "Fuddler's Courtship."Mymble captures poor Fuddler's heart, and his bumbling drives her straight into the arms of Dr.Hatter, the local psychiatrist. Delightfully quirky, the Moomin family does not fare well under the gaze of someone trained in correcting odd behavior.

In
Tove Jansson distills the essence of the summer—its sunlight and storms—into twenty-two crystalline vignettes. This brief novel tells the story of Sophia, a six-year-old girl awakening to existence, and Sophia’s grandmother, nearing the end of hers, as they spend the summer on a tiny unspoiled island in the Gulf of Finland. The grandmother is unsentimental and wise, if a little cranky; Sophia is impetuous and volatile, but she tends to her grandmother with the care of a new parent. Together they amble over coastline and forest in easy companionship, build boats from bark, create a miniature Venice, write a fanciful study of local bugs. They discuss things that matter to young and old alike: life, death, the nature of God and of love. “On an island,” thinks the grandmother, “everything is complete.” In
, Jansson creates her own complete world, full of the varied joys and sorrows of life.
Tove Jansson, whose Moomintroll comic strip and books brought her international acclaim, lived for much of her life on an island like the one described in
, and the work can be enjoyed as her closely observed journal of the sounds, sights, and feel of a summer spent in intimate contact with the natural world.

In the second volume of Tove Jansson's humorous yet melancholic Moomin comic strip, we get four new stories about jealousy, competition, child rearing, and self-reinvention. The Moomins try to hibernate in the fashion of their ancestors but insomnia places them smack-dab into a winter carnival with the winter-sports-loving Mr. Brisk. The fickle and eternally lovestruck Mymble and Snorkmaiden find themselves in competition over a thrilling new man. Moominmamma meets her new neighbor, the Fillyjonk, causing her to hire the depressed and secretive Misabel as her new maid. Mymble's mother arrives on the Moomin family's doorstep with her seventeen new children. Finally, a prophet arrives on the scene declaring that the happy Moomins are in fact not happy at all and need to get back to nature and be free. Moomin, of course, becomes more and more miserable the freer he gets.

Det här är den allra första muminboken, utgiven 1945 i Helsingfors. Mumintrollet och hans mamma söker efter den försvunna pappan och upplever faror och förskräckligheter innan familjen lyckligt återförenas. Till slut hittar de också en liten dal som är vackrare än någon de sett tidigare. (9-12 år)

Synopsis
What mattered most to Tove Jansson, she explained in her eighties, was work and love, a sentiment she echoes in this tender and original novel. Translated for the first time into English, "Fair Play" portrays a love between two older women, a writer and artist, as they work side-by-side in their Helsinki studios, travel together and share summers on a remote island. In the generosity and respect they show each other and the many small shifts they make to accommodate each other's creativity we are shown a relationship both heartening and truly progressive. "so what can happen when Tove Jansson turns her attention to her own favourite subjects, love and work, in the form of this novel about two women, lifelong partners and friends? Expect something philosophically calm - and discreetly radical. At first sight it looks autobiographical. Like everything Jansson wrote, it's much more than it seems ...
http://www.amazon.co.uk/Fair-Play-Tove-Jansson/dp/0954899539/ref=sr_1_1?ie=UTF8&s=books&qid=1205763599&sr=8-1

Created in 1945, yet published in this country for the very first time, The Moomins and the Great Flood offers an extraordinary glimpse into the creativity and imagination that launched the Moomin books.
Moominmamma and young Moomintroll search for the long lost Moominpappa through forest and flood, meeting a little creature (an early Sniff) and the elegantly strange Tulippa along the way.
Tove Jansson illustrates her first ever Moomin adventure with stunning sepia watercolour and delightful pen and ink drawings.
A revelation for Moomin fans.

When Moomintroll learns that a comet will be passing by, he and his friend Sniff travel to the Observatory on the Lonely Mountains to consult the Professors. Along the way, they have many adventures, but the greatest adventure of all awaits them when they learn that the comet is headed straight for their beloved Moominvalley.

“The Moomin family strays far from the tranquil charms of Moominvalley: on the French Riviera, Moominpappa gets drunk and Moomin’s sweetheart, the Snork Maiden, is seduced by a toothy film star. But then the hattifatteners appear—mute, sock-like animals that grow from seeds and chase after electric storms . . . Here is where Jansson’s weird but true world begins; where fear, loneliness and insecurity are banished by love and the force of imagination.” —Time.com

When Moomintroll learns that a comet will be passing by, he and his friend Sniff travel to the Observatory on the Lonely Mountains to consult the Professors. Along the way, they have many adventures, but the greatest adventure of all awaits them when they learn that the comet is headed straight for their beloved Moominvalley.

Moomin has been swiftly making its way into the hearts of North Americans ever since Drawn & Quarterly began collecting the strip in 2006. It debuted in the London Evening News in 1954 and has become the fastest-selling D+Q series to date. Fifty years ago, Tove Jansson's observations of everyday life-whimsical but with biting undertones-easily caught the attention of an international audience and still resonate today.
This third volume returns to Moominvalley, where its beloved inhabitants get tangled up in five new stories. Moomin falls in love with a damsel in distress, an unseasonably warm spell turns the valley into a tropical rain forest, and a flying saucer crashes into Moominmamma's garden. Moominpappa decides to live out his dream of occupying a lighthouse and writing a great seaside novel, only to discover that he hates the sea so close up and has no interest in writing about it, and a variety of curious clubs spring up in the valley. Moomin and Moominmamma do their level best to avoid the whole mess but, of course, get drawn into the muddle.

A New York Review Books Original
Deception—the lies we tell ourselves and the lies we tell others—is the subject of this, Tove Jansson’s most unnerving and unpredictable novel. Here Jansson takes a darker look at the subjects that animate the best of her work, from her sensitive tale of island life, The Summer Book , to her famous Moomin stories: solitude and community, art and life, love and hate.
Snow has been falling on the village all winter long. It covers windows and piles up in front of doors. The sun rises late and sets early, and even during the day there is little to do but trade tales. This year everybody’s talking about Katri Kling and Anna Aemelin. Katri is a yellow-eyed outcast who lives with her simpleminded brother and a dog she refuses to name. She has no use for the white lies that smooth social intercourse, and she can see straight to the core of any problem. Anna, an elderly children’s book illustrator, appears to be Katri’s opposite: a respected member of the village, if an aloof one. Anna lives in a large empty house, venturing out in the spring to paint exquisitely detailed forest scenes. But Anna has something Katri wants, and to get it Katri will take control of Anna’s life and livelihood. By the time spring arrives, the two women are caught in a conflict of ideals that threatens to strip them of their most cherished illusions.

In The Summer Book Tove Jansson distills the essence of the summer—its sunlight and storms—into twenty-two crystalline vignettes. This brief novel tells the story of Sophia, a six-year-old girl awakening to existence, and Sophia’s grandmother, nearing the end of hers, as they spend the summer on a tiny unspoiled island in the Gulf of Finland. The grandmother is unsentimental and wise, if a little cranky; Sophia is impetuous and volatile, but she tends to her grandmother with the care of a new parent. Together they amble over coastline and forest in easy companionship, build boats from bark, create a miniature Venice, write a fanciful study of local bugs. They discuss things that matter to young and old alike: life, death, the nature of God and of love. “On an island,” thinks the grandmother, “everything is complete.” In The Summer Book , Jansson creates her own complete world, full of the varied joys and sorrows of life.
Tove Jansson, whose Moomintroll comic strip and books brought her international acclaim, lived for much of her life on an island like the one described in The Summer Book , and the work can be enjoyed as her closely observed journal of the sounds, sights, and feel of a summer spent in intimate contact with the natural world.
The Summer Book is translated from the Swedish by Thomas Teal.

Tove Jansson's Moomin characters and books are admired the world over. In the United States the series beginning with Finn Family Moomintroll (first published in English in 1945) has accumulated generations of fans. Since Farrar, Straus and Giroux began reissuing the books in 1989, grateful readers old and new have been thrilled to have the stories available again. At last the final installment is being published – oddly, the only book that features none of the Moomin family themselves, though it does take place at their house. There familiar characters converge – Snufkin, the Hemulen, Fillyjonk, and others – seeking out the Moomins' welcoming company, only to find them absent. All remain at the house, all have very different personalities that clash often, but something about their homey cohabitation during the icy winter changes each visitor in a gratifying way. As The Times Literary Supplement put it, Moominvalley in November is "possibly the cleverest of the Moomin books."

Everyone knows that the Moomins sleep through the winter, but this year Moomintroll has woken up in January. After his initial shock at seeing his familiar haunts under the snow, Moomintroll discovers that winter is worth waking up for after all.