关于传说中的录音室，位于加州的一部纪录片。

placebo在巴黎的现场音乐会

LIVE CONCERT IN PARIS, GREAT SONGS PLAYED BY PLACEBO WHICH ARE THE FOLLOWING:
BULLET PROOF
ALLERGIC
EVER YOU EVERY ME
BIONIC
PROTEGE' MOI (PROTECT ME IN FRENCH)
PLASTICINE
BITTER END
SOULMATES
BLACK-EYED
I'LL BE YOURS
SPECIAL NEEDS
ENGLISH SUMMER RAIN
WITHOUT YOU I'M NOTHING
THIS PICTURE
SPECIAL K
TASTE IN MEN
SLAVE TO THE WAGE
PEEPING TOM
PURE MORNING
CENTERFOLDS
WHERE IS MY MIND? (A GREAT PERFORMENCE WITH PLACEBO AND FRANK BLACK)

THE DOCUMENTARY SHOWS ALL THE FUN PLACEBO HAVE TOURING AND HOW MUCH THEY ARE DEDECATED TO THERE WONDERFUL MUSIC AND HOW MUCH THEY APPRECIATE THERE FANS.
SO BUY THIS DVD AND DISCOVER EVERYTHING YOU WANT TO KNOW AND NEED TO KNOW ABOUT BRIAN MOLKO,STEFAN OLSDAL AND STEVEN HEWITT

Rock documentary with excellent production values, 29 July 2006
Author: Chris_Docker from Scotland, United Kingdom
The film kicks off with a quote from Nirvana's Kurt Cobain, about his famous song, Smells Like Teen Spirit: "I was basically trying to rip off the Pixies." As a tribute documentary, loudQUIETloud goes on to explore the Pixies strange career and provide some clues to why they have been so influential.
The Pixies established themselves musically with deep contrasts, not just in volume (as the title suggests) but by combining many strange elements, melodic and abrasive, and cryptic lyrics - they are almost like a David Lynch rock experience (one of their songs is a cover from a song in Lynch's early Eraserhead). What made them extraordinary is that they disbanded just as they approached critical acclaim (within six years) and didn't reap the benefits of their popularity until they re-formed nearly twelve years later - at which point this movie begins.
Tickets for their 2004 reunion tour sold out in four minutes, but the band members are no longer young. As the film develops we see some have families with small children, but they all have outside interests, musical or otherwise, and 'being the Pixies' is hardly something they identify with beyond a sense of responsibility to make sure the live performances go well. The detachment is so great that a struggling interviewer, asking an innocuous question about whether they will make another album, is nonplussed that the band really haven't considered the question one way or the other.
Lead singer Frank Black ('Black Francis') is a bulky, almost intimidating figure with a shaven head, so it's something of a revelation to see him doing positive affirmations before bed, telling himself, "I am a nice person, people like me . . ." Bassist Kim Deal looks with surprise at the blisters on her fingers after the first concert - Frank reassures her they'll get better in about a week. Both of them continue working on their own material while on tour, Kim for the Breeders and Frank on his solo work. The band seem to accept that it is not in their natures to talk to each other much, even when they are getting on fine, but they seem more mature than the days of early acrimony where one or the other would unilaterally make public announcements of the band's imminent break-up.
The sound and camera-work throughout is first rate, so if you like the Pixies even a little bit, this is a rare opportunity to experience them at their best. For those who have never heard of them, you might recall the song, 'Where Is My Mind?' as the exit music to the film Fight Club, or sections from their records 'Gigantic' and 'Hang Wire in the United States of Leland. For fans, the song listing taken from the credits includes: Where is My Mind, Hey, Here Comes Your Man, U-Mass, Caribou, Gouge Away, Nimrod's Son, In Heaven, Wave of Mutilation, Something Against You, Bone Machine, Cactus, Vamos, Monkey Gone to Heaven and also the Breeders song Iris.

This documentary traces Jacques Tati's rise from the Parisian Music-Hall stage to his Oscar winning films of the 1950s, the documentary then explains how Tati bet all he had on his fourth film 'PlayTime' and how this mammoth film ended prematurely the career of a genius while also giving the world one of the most beautiful films ever made.

The Tonight Show with Conan O'Brien is an American late-night talk show that featured Conan O'Brien as host from June 1, 2009 to January 22, 2010 as part of NBC's long-running Tonight Show franchise. The program's host, Conan O'Brien, previously hosted NBC's Late Night with Conan O'Brien, which followed The Tonight Show with Jay Leno for 16 years, until O'Brien's brief succession over Leno.Many members of the Late Night cast and crew made the transition to The Tonight Show. The Max Weinberg 7, the house band from O'Brien's Late Night, served as the house band under the new name, Max Weinberg and The Tonight Show Band. Andy Richter returned to the show as announcer, and also began resuming his role as sidekick, shortly before the show's conclusion. The opening and closing theme song from Late Night was also carried over to Tonight, in a slightly altered form.In January 2010, after the show had been on the air for seven months, it was announced that NBC was intending to move Jay Leno from primetime back to his original timeslot at 11:35 pm, with O'Brien's show starting shortly after midnight. In response to the announcement, O'Brien released a press statement saying that he would not continue as host of The Tonight Show if it was moved to any time after midnight to accommodate The Jay Leno Show. He feared it would ruin the long and rich tradition of The Tonight Show. It had been on after the late local newscasts from the beginning. After two weeks of negotiations, NBC announced that they had paid $45 million to buy out O'Brien's contract, ending both his tenure as host as well as his relationship with NBC after 22 years.

五十大寿

这篇引人入胜的第一手资料讲述了这支传奇乐队背后的故事，该乐队激发了 90 年代另类摇滚音乐的灵感。
在 Nirvana 和垃圾摇滚将另类摇滚带入美国主流之前，有 Dinosaur Jr.——这是一支著名的马萨诸塞州乐队，由古怪的歌手兼吉他手 J Mascis、贝斯手 Lou Barlow 和鼓手 Murph 于 1984 年组建。在一个独立摇滚意味着这一点的时代，该乐队与另类摇滚先驱 Sonic Youth 和 the Pixies 一起，帮助定义了未来几年将主宰电视广播的声音。
菲利普·赖兴海姆这部爆炸性纪录片将 Dinosaur Jr.的动荡故事追溯到了一切的开始。 Freakscene 拥有大量档案素材，包括音乐会和音乐录影带，以及对乐队成员的新采访，以及从瑟斯顿·摩尔 (Thurston Moore) 和弗兰克·布莱克 (Frank Black) 到金·戈登 (Kim Gordon) 和亨利·罗林斯 (Henry Rollins) 等一大批摇滚名人，Freakscene 证明了真正的伟大摇滚原创。