Anthony Vaccarello presents “As Time Goes By,” inspired by Marcel Proust's masterpiece, In Search of Lost Time. Love, Togetherness, Dreaming, Desire, Time, and Memory are recurring themes from Proust's work, and are reimagined by Anthony Vaccarello into a collection of six short films directed by Nadia Lee Cohen.

A life-long housecat decides that he doesn’t want to live with people anymore. Loosely inspired by a real break-up and the cat caught in the middle, Kevin dares to ask himself, "Is there a world where I don’t do the owner thing and am just… single for the rest of my life?"

一位与杀人玩偶恰吉一起长大的电影制作人，试图寻找其他围绕着《鬼娃回魂》电影感兴趣的家庭，他们讲述了在这个不断发展的系列电影中工作的经历以及成为“恰吉”家族一员意味着什么。

记录1950年代到2000年代美国人为争取LGBTQ+性少数群体的公民权所做的斗争。

阿達家的女兒星期三 (Wednesday) 已到適婚年齡，父親戈梅茲 (Gomez) 與母親莫提西亞 (Morticia) 邀請星期三的男友盧卡斯 (Lucas) 一家共進晚餐。阿達家的小兒子帕斯利 (Pugsley) 擔心姊姊一旦談戀愛後不會再折磨自己，便在姊姊的飲料裡偷偷加入會使人說出真心話的藥水，結果盧卡斯的母親愛麗絲 (Alice) 誤喝加了藥的酒，說出自己已對丈夫失去熱情。盧卡斯的父親馬爾 (Mal) 憤而離席，但來襲的暴風雨使盧卡斯和家人不得不在阿達家過夜。愛麗絲得知阿達家夫妻保持熱情的秘訣是跳探戈，便請戈梅茲教自己跳舞，但兩人被莫提西亞撞見，莫提西亞便與戈梅茲打了起來。當莫提西亞說自己恨戈梅茲時，戈梅茲喜出望外，因為這代表莫提西亞仍愛著自己，兩人隨即和解。另一方面，馬爾也明白自己仍深愛愛麗絲，遂原諒了妻子...
When Wednesday falls in love with a "normal" boy and invites him and his parents over for dinner, things change for the Addams family and no one seems to know quite what to do about it.

该片由监制瑞恩·墨菲和导演安德鲁·罗西共同打造，共六集，以惊人的信息量描述了安迪·沃霍尔的传奇故事，这些在他去世后出版的日记为我们提供了独特窗口，带领我们深入了解这位艺术家非凡的一生。剧集开篇讲述了他在匹兹堡的童年，追溯了沃霍尔令人难以置信的多彩旅程，他以（既受人推崇又遭痛斥的）艺术家、导演、出版商、电视制片人、博眼球者、名人等身份，在不同媒介和不同时代之间自由穿梭。虽然沃霍尔经常暴露在镁光灯下，但他从不对外透露自己的个人生活。该剧使用尖端人工智能技术合成他的声音，通过他自己的语言，带观众认识这位极其复杂的人，并介绍了他身边的工作、创作和演出伙伴，这些人陪伴他从颠覆期到主流时期，其中包括约翰·沃特斯和罗伯·劳。《安迪·沃霍尔：时代日记》由墨菲、丹·博朗、乔希·布劳恩、斯戴西·里斯、斯坦利·布赫塔尔共同担任监制，罗西担任导演，该片绝妙地印证了沃霍尔的信念，即想法无需永流传，但要创造能够永生的艺术。

IT CAME FROM KUCHAR is the definitive, feature documentary about the legendary, underground filmmaking twins, the Kuchar brothers. George and Mike Kuchar have inspired two generations of filmmakers, actors, musicians, and artists with their zany, "no budget" films and with their uniquely enchanting spirits. George and Mike Kuchar grew up in the Bronx in the 1950's making "no-budget" films, compulsively copying Hollywood melodramas with their aunt's 8mm, home-movie camera. In the 1960's the New York underground film scene embraced them as the "8mm Mozarts". Their early films deeply inspired many filmmakers, including John Waters, Buck Henry, Atom Egoyan, Todd Haynes, Cory McAbee and Wayne Wang. IT CAME FROM KUCHAR includes numerous clips from the Kuchar brother's early films including HOLD ME WHILE I'M NAKED, SINS OF THE FLESHAPOIDS, and many others. IT CAME FROM KUCHAR features interviews of many of the filmmakers, artists and writers who've been inspired by the Kuchars. The film also features interviews of key "actors" from the Kuchar's films, ranging from the earliest days in the Bronx through today. For close to forty years George has taught film production at the San Francisco Art Institute (SFAI). His class is unbelievable in a circus-like, Fellini-esque style that generates tremendous enthusiasm from his students. IT CAME FROM KUCHAR follows his latest class production as they make an over-the-top "monster picture".

身为高材生却苦寻不着头路，囧男雷蒙只好当个鲁蛇搬回小镇老家，暂时投靠他爱念东念西的主妇妈妈和处处喜欢刁难他的老师爸爸，还得应付古怪邻居和恶霸同学，未料小时候「看见死人」的灵异体质再度上身，只好与怪怪女贝卡一同降妖除魔，他该如何排除万难，破解藏在凶案怪谭背后的不死咒怨呢？《开膛少女的异想世界》导演炮制B级恐怖黑色喜剧，再度邀得恶搞大师约翰华特斯友情客串，《惊声尖笑》也得靠边站。

《音乐之声》的故事发生在1938年的奥地利萨尔兹堡，年轻活泼的修女玛丽亚·任纳尔(Maria Rainer)到退役海军上校冯·特拉普家，照顾他的七个孩子。冯·特拉普上校虽然冷漠严厉，但终究还是抵挡不住玛丽亚的纯洁善良，两人终于结婚，可惜刚刚渡完蜜月，他们的安静生活因被纳粹占领奥地利而破碎了。

Over 30 filmmakers and friends of Strand Releasing have come together to honor the company’s indelible contribution to independent cinema over the past thirty years. The participating filmmakers have each created a short film for the project, all shot on iPhones.

BULLY. COWARD. VICTIM. THE STORY OF ROY COHN takes an unflinching look at the life and death of infamous attorney Roy Cohn, who first gained prominence by prosecuting Julius and Ethel Rosenberg in what came to be known as the “atomic spies” case. Director Ivy Meeropol brings a unique perspective as the granddaughter of Julius and Ethel Rosenberg; having spent much of her life feeling both repelled and fascinated by the man who prosecuted her grandparents, obtained their convictions in federal court and then insisted on their executions.

在20世纪80年代中期，一对加拿大年轻人Bruce LaBruce 和G. B. Jones自办杂志和自制电影向全世界介绍了蓬勃发展的多伦多酷儿同志庞克不同面貌。在这个因特网之前的时代，世界还没办法马上认识这两个特立独行反骨叛逆，无政府主义实验派的激进份子。
但是很快，他们的颠覆性创作从他们的卧室往外流窜，吸引了一群追随者，萌发出一种激进的次文化，挑战了主流同性恋和同志庞克的想象。影片本身就是充满色彩、音乐、艺术拼贴的次文化嘉年华，活力奔放， 反叛力十足。
这是Yony Leyser 第二部纪录长片，他是一位现在驻柏林的美籍以色列/巴勒斯坦血统的美国电影人，努力在柏林充满活力的次文化的地下空间里探索不为人知的精彩故事，他非常具反判力，之前在CalArts的电影学校因为用他的艺术作品来批评院长，而被踢出学校。他的作品特别关注同志与跨性别认同、流行文化和反主流文化。他的影片在超过150个影展放映过。

一名患有妄想症的女高中生Pauline波琳，时常幻想着替她的同学们做手术。后来Pauline波琳在得到一直控制着她人生的母亲认同之后，尤于无法控制内心的躁动与不安，最终从对医学的抱负走向极端疯狂。 怪胎少女波琳,开门见山在课堂上问老师:“和死尸做爱会染病吗?”外貌邋遢的她,对于成为外科医生能解剖人体,有异于常人的欲望遐想,面对控制狂母亲、同侪排挤,波琳的绮丽梦境更加变本加厉,“血浴、舔尸、断头、开胸”幻想与现实逐渐拉近。

William S. Burroughs: featuring never before seen footage as well as exclusive interviews with his closest friends and colleagues. Born the heir of the Burroughs' adding machine estate, he struggled throughout his life with addiction, control systems, and self. He was forced to deal with the tragedy of killing his wife and the repercussions of neglecting his son. His novel, Naked Lunch, was one of the last books to be banned by the U.S. government. Allen Ginsberg and Norman Mailer testified on behalf of the book. The courts eventually overturned their decision in 1966, ruling that the book had an important social value. It remains one of the most recognized literary works of the 20th century. William Burroughs was one of the first to cross the dangerous boundaries of queer and drug culture in the 1950s, and write about his experiences. Eventually he was hailed the godfather of the beat generation and influenced artists for generations to come. However, his friends were left wondering, did William ever find happiness? This extremely personal documentary breaks the surface of the troubled and brilliant world of one of the greatest authors of all time. "William S. Burroughs: A Man Within" is the first and only posthumous documentary about this legendary figure. Written by Yony Leyser

有严格作息规律的男主角迪伦（米契尔·哈思曼 Michiel Huisman 饰）有一种天生的洞察规律的能力，某日下午2时22分，身为航空管制员迪伦·布兰森被神秘光亮所麻痹，而这差点让他指挥的飞机失事。从此他每天都会感受到这光亮，渐渐发现自己身处某种循环之中。一次非常偶然的机会，迪伦遇见了让他一见钟情的莎拉（泰莉莎·帕尔墨 Teresa Palmer 饰），二人聊天惊讶发现，莎拉就是迪伦差点酿成飞行事故的航班乘客，非常巧合的是他们同年同月同日出生。随着二人的了解深入，迪伦与莎拉的巧合也越来越多，频繁出现的幻觉与不断循环的事件将二人的命运与三十年前发生在纽约中央车站一起情杀案联系在一起，迪伦一直探究“2:22”背后的秘密，发现三十年前的凶杀案即将重演。

Superjail是这个世界上最为庞大及残酷的监狱，它被建造了一座活火山上。这里每天都会发生骚乱与谋杀，却无人能够逃离这里。

原名哈裡斯葛伦米斯德的「神女Divine」，从中学时期开始就是个有着强烈阴性特质的男孩，在苦涩难熬的青春岁月裡，他结识了爱拍电影的约翰华特斯。怪味相投的两人一拍即合，并且和一群巴尔地摩的怪咖朋友鬼溷多年。在约翰华特斯的镜头底下，哈裡斯葛伦米斯德从一个曾在学校被霸凌的胖男生，蜕变成豔光四射的扮装女妖，也缔造了七〇年代起，美国地下文化最具颠覆性的流行图像。
仅管他/她有着绝对边缘的身体（体重300磅）和当时不被大众认可的性取向（华丽妖异的反串扮相），「神女Divine」是约翰华特斯最锺爱的女主角。在舞台银幕前，他/她挥洒旺盛的生命力；超级巨星般傲气逼人的演技，肆无忌惮挑战每个人的极限，解放每颗曾经处在边缘、弱势的心，获得了粉丝们疯狂的拥戴。1988年《髮胶明星梦》完成之际，也是「神女Divine」事业的最高峰，哈裡斯葛伦米斯德却因过胖而暴毙。

午夜电影：从边缘到主流告诉这些里程碑电影隐藏的历史，萨尔瓦多地形（1970），活死人之夜（1968年），就越难他们来（1973年），粉红色的火烈鸟（1972年），洛基恐怖图片展示（1975年），和橡皮头（1977）。该纪录片包括深入采访导演，制片人，编剧和演员谁是这些低预算的一部分，但不朽的作品，参展商和谁打他们的经销商，谁看到他们的观众。

音效师里戈的生活突然被一个奇怪的声音扰乱，而声音来自于一群粉红色的火烈鸟。里戈由此开始调查粉色火烈鸟这一对他而言十分古怪且引发困扰的形象，试图解释它们背后神秘的含义。他只身从西班牙出发，与世界各地的文化人士会面，共同探讨粉色火烈鸟为何受到全球广泛的欢迎，这趟奇异的旅程也成为粉色火烈鸟这一符号对当今流行文化的解读与自我剖析的联结。