From the star of Broadway's The Book of Mormon and HBO's Girls, the heartfelt and hilarious coming-of-age memoir of a Midwestern boy surviving bad auditions, bad relationships, and some really bad highlights as he chases his dreams in New York City

When Andrew Rannells arrived in New York City from Omaha in 1997, he, like many, saw the city as a chance to break free. To start over. To transform the fiercely ambitious but sexually confused teenager he saw in the mirror into the Broadway leading man of his dreams.

In Too Much Is Not Enough, Rannells takes us on the journey of a twentysomething hungry to experience everything: new friends, wild nights, great art, standing ovations. And at the heart of his hunger lies a powerful drive to reconcile the boy he was and the man he might have been with the man he wants to be. As Rannells reveals how he merged these Andrews into the one who made his Broadway debut at 26, he also shares stories from his path to the Great White Way, from horrible auditions and behind-the-curtain romances to the exhilaration of landing his first gig in Hairspray and the heartbreaking death of his father at the height of his ascent. Along the way, Rannells learns that you never really leave your past--or your family--behind; that the most painful, and perversely motivating, jobs are the ones you almost get; and that sometimes the most unforgettable nights are marked not by the hot clubs you danced at, but by the recap over diner food after.

Filled with candor and humor, Too Much Is Not Enough is an entertaining look at love, loss, and the powerful forces that determine who we become.

From the star of The Book of Mormon and Girls, candid, hilarious essays on anxiety, ambition, and the uncertain path to adulthood that ask: How will we know when we get there?
 
“With the unsparing eye of David Sedaris and the social wisdom of Nora Ephron, Andrew Rannells tackles the most foundational questions of growing up.”—Lena Dunham

In Uncle of the Year, Andrew Rannells wonders: If he, now in his forties, has everything he’s supposed to need to be an adult—a career, property, a well-tailored suit—why does he still feel like an anxious twenty-year-old climbing his way toward solid ground? Is it because he hasn’t won a Tony, or found a husband, or had a child? And what if he doesn’t want those things? (A husband and a child, that is. He wants a Tony.)
 
In deeply personal essays drawn from his life as well as his career on Broadway and in Hollywood, Rannells argues that we all pretend—for friends, partners, parents, and others—that we are constantly succeeding in the process known as “adulting.” But if this acting is leaving us unfulfilled, then we need new markers of time, new milestones, new expectations of what adulthood is and can be.
 
Along the way, Rannells navigates dating, aging, mental health, bad jobs, and much more. In his essay “Uncle of the Year,” he explores the role that children play in his life, as a man who never thought having kids was necessary or even possible—until his siblings have kids and he falls in love with a man with two of his own. In “Always Sit Next to Mark Ruffalo,” he reveals the thrills and absurdities of the awards circuit, and the desire to be recognized for one’s work. And in “Horses, Not Zebras,” he shares the piece of wisdom that helped him finally come to terms with his anxiety and perfectionism.
 
Filled with honest insights and a sharp wit, Uncle of the Year challenges us to take a long look at who we’re pretending to be, who we know we are, and who we want to become.

Candid, hilarious essays from the star of The Book of Mormon, Girls, and Big Mouth on anxiety, ambition, and the uncertain path to adulthood, which ask, how will we know when we get there?

In Uncle of the Year, Andrew Rannells wonders: If he, now in his early forties, has everything he’s supposed to need to be a true adult–a career, property, a well-tailored suit–why does he still feel like an anxious twenty-year-old climbing his way toward security? Is it because he hasn’t won a Tony, or found a husband, or had a child? And what if he doesn’t want those things? (A husband and a child, that is. He wants a Tony.)

In essays drawn from his life and career, Rannells argues that we all pretend we are constantly winning. And with each success, we act like we’ve reached the pinnacle of happiness (for our parents), maturity (for our friends), success (for our bosses), and devotion (for our partners). But if “adulting” is just a pantomime that’s leaving us unmoored, then we need new markers of time, new milestones, new expectations of what adulthood is–and can be.

Along the way, Rannells looks back, reevaluating whether his triumphs were actually failures–and his failures, triumphs–and exploring what it will take to ever, ever feel like he has enough. In essays like “Uncle of the Year,” he explores the role that children play in his life, as a man who never thought having kids was necessary or even possible—until his siblings have kids and he falls in love with a man with two of his own. “It’s an Honor to Be Eligible” reveals the thrills and absurdities of the awards circuit (and the desire to be recognized for your work). And in “Horses, Not Zebras,” he shares the piece of wisdom that helped him finally come to terms with crippling anxiety and perfectionism.

Filled with witty and honest insights and observations, and a sharp sense of humor, Uncle of the Year challenges us to take a long look at who we're pretending to be, who we know we are, and who we want to become.