斯洛博丹·迪米特里耶维奇 — 演员 (3)
瓦尔特保卫萨拉热窝 (1972) [电影] 维基数据 IMDb TMDB 豆瓣
Валтер брани Сарајево
其它标题: Валтер брани Сарајево / Valter brani Sarajevo
1944年,纳粹发起的第二次世界大战接近尾声,为了能体面地结束战争,纳粹集结巴尔干半岛的A军团北调,妄图阻挡苏联红军南下。同时纳粹推出了“劳费尔计划”,即掠夺萨拉热窝丰富的燃油资源供应装甲部队。纳粹为实现劳费尔计划,将党卫军上校芬迪特里士派往萨拉热窝,全力消灭瓦尔特(Velimir 'Bata' Zivojinovic 饰)领导的当地游击队。芬迪特里士令间谍假冒瓦尔特,在叛徒的内应下,假瓦尔特与几名真正的游击队员组成抵抗委员会,并得到游击队员名单,诱杀了众多抵抗组织成员。真正的瓦尔特由于作战需要无法公开身份,但凭借个人出色的谋略与众多英勇的游击队员终于让间谍现出了原形。为了阻止劳费尔计划,清除了内奸的游击队员们再次出击。
末日戒备 (1997) [电影] 豆瓣 IMDb TMDB 维基数据
The Peacemaker
6.1 (17 个评分) 导演: 米密·莱德 演员: 乔治·克鲁尼 / 妮可·基德曼
其它标题: The Peacemaker / 和平制造者
偏僻的俄罗斯驻防军区,两列火车相撞爆炸。随即发生了一场匪夷所思的核爆炸,俄罗斯境内造成重大伤亡。美国白宫反核走私情报部门的朱莉亚·凯利(妮可·基德曼 Nicole Kidman饰)博士怀疑这起核意外并非偶然发生的事故。为了追查这起爆炸的始末,查明背后的真相,朱莉亚与陆军特种部队的少尉托马斯·威尔(乔治·克鲁尼 George Clooney饰)受命展开调查。他们在艰苦的调查中,竟发现了一个惊天大阴谋。一名冒充政客的核恐怖分子已携带核弹头进入美国本土,欲炸毁设在纽约的联合国总部。
女导演咪咪·莱德的电影处女作《末日戒备》,根据资深调查记者安德鲁·科伯恩和莱斯利·科伯恩的文章改编而成,其中素材源于科伯恩夫妇收集的解密情报和真实新闻事件。
从维岛来的普罗米修斯 (1964) [电影] 豆瓣
Prometej s otoka Visevice
其它标题: Prometej s otoka Visevice / Prometheus from the island of Visevica
Mimica's first modernist feature film, Prometej s otoka Visevice (Prometheus from the Island of Visevice, 1965), tells the story of a Communist official, Martin, returning from the city where he works as a director of a company to the island where he was born for a ceremony to commemorate the Partisans, of which he was a member. As he travels back, a flood of memories returns to him. First they come in no particular order-an unexplained montage of arresting and sometimes disturbing images. Gradually, the story is pieced together to reveal what happened. After the war, Martin became a Party functionary, but meets opposition from the conservative islanders for his well-intentioned efforts to introduce electric lighting, with tension gradually turning to direct confrontation. All his efforts remain without support, everyone abandons him, his marriage falls apart, forcing him to eventually go back to the city in order to start a new life with the help of his ex-war comrade.
Despite an ending obviously tacked on in order to gain official approval, the film is a critique of the rigid Communist bureaucracy and its distance from the people while never losing sympathy for the individual humans involved in the Party. The film is also notable for its strong ethnographic approach, using local dialect and trying to accurately recreate the way of life of the islanders.