2021 Spanish television mini-series

2023 film directed by Jimina Sabadú

影片圍繞在達米安展開，他在公司工作多年後被老闆解僱，為了逃避老闆的追捕，達米安躲在一個舊衣櫃裡，衣櫃被送到一棟中產階級的房子裡，住著露西婭、費德和他們十幾歲的女兒瑪麗亞。 達米安意識到，留在衣櫃裡讓他有機會過著他一直嚮往的生活。 因此，他成為了家庭的守護天使，在他們不在的時候做家務，但他開始失去對現實的控制，而正在服用抗憂鬱藥的露西亞相信壁櫥裡藏著她已故兄弟的鬼魂。

故事围绕着一个中国移民家庭和两个不同背景的中国女孩展开。Lucia是出生在西班牙的中国移民二代，父母亲开杂货铺，他们每天工作十几个小时，不会说西班牙语，她最大的愿望是可以像其他孩子一样在汉堡王过生日，和拥有一对“正常的父母”。Xiang是被西班牙父母收养的中国女孩，她因身世而感觉到自己和周围的环境格格不入，同时也对自己的亲生父母有着强烈的好奇。

TV series or program

2006年西班牙戈雅奖提名最佳女主角
2005年圣塞巴斯蒂安电影节“塞巴斯蒂安”奖
关于重获新生的几个故事。安娜从事为难民提供帮助的工作，却不知道如何应对儿子关在他自己房间的决定。第二个故事讲述一名曾
被判刑的棋迷努力修补与一个监狱同窗的关系。最后是一个古巴走私者的故事，他与自己最好客户的妻子发生一段暧昧关系。
Compite por el Premio Altadis-Nuevos Directores y el Premio Montblanc de Nuevos Guionistas.
Es la historia, enclavada en el corazón de Madrid, de Mikel, Ana y Carlos, personas que buscan su lugar en el mundo, un lugar que cada vez se aleja más del idealizado, y la única solución es partir de lo real para empezar a construirlo. Gente a la que el destino ha terminado llevando por caminos inesperados. Ana trabaja para una ONG de ayuda a los refugiados. Carlos, un cubano exiliado que se gana la vida contrabandeando puros, fue piloto en Cuba y también el último amor de Ana, pero ahora ya sólo son amigos. Mikel acaba de salir de la cárcel y se obsesiona por restablecer su relación con un antiguo compañero de celda. Las vidas de Ana, Carlos y Mikel se irán relacionando cada vez más. Cada uno tendrá que enfrentarse a sus propios problemas y tomar sus propias decisiones, pero todos ellos se influirán y se ayudarán. Pasarán una mala temporada y lucharán por superarla.

Based on the novel by María Dueñas, a romantic drama set in 1860 against the backdrop of different historic world cities.

故事发生在17世纪的马德里，刚刚自战场归来的年轻的维加自负而热情，渴望成就大作家的理想。身无分文的他做抄写员糊口，并且爱上了老板的漂亮女儿艾莲娜。艾莲娜的父亲是马德里有头有脸的大人物，更控制着最受欢迎的剧场，洛佩与艾莲娜的恋情一直处于地下状态。然而艾莲娜还有更大的秘密，她已经结婚了。受伤的洛佩试图揭发艾莲娜与其父亲的伪善，最终只落得诽谤罪名而不得不逃跑。这时他遇见了一位来自童年的朋友，美丽的伊莎贝尔，带给了他理解与爱情。然而命运并没有就此放过他。

The filmmaker Bigas Luna (Huevos de oro, Jamón, Jamón) was, among other things, a great storyteller and he cultivated a keen interest to get a truthful film. This voyeurism and the need to show the characters in all their purity were the reasons that led him to capture their everyday life in a video diary, now included in the documentary, which contains fragments of more than 500 different tapes .

两人女人偶然相遇。玛德琳是一名家庭主妇，而露西是一名年轻的演员。她们各自的生活都过得很不愉快。于是，她们形成了一个约定，答应去做对方要求自己做的任何事情。然而玛德琳隐藏了一个秘密。她知道，露西其实是自己丈夫的情妇。露西“要求”玛德琳参加一出《李尔王》的演出。玛德琳扮演李尔王(xxys5.com)，而露西扮演愚人（The Fool）。结果，这让玛德琳的生活发生了意想不到的改变。就像李尔王这个人物一样，她在道德与背叛，忠诚与爱情之间挣扎和备受煎熬。

十六世纪，特蕾莎（Paz Vega 饰）出生在一个信奉基督教的贵族家庭。她自幼耳濡目染，对基督以及圣徒生活具有浓厚的兴趣。因不满父母所安排的婚姻，特蕾莎离家出走，进入阿拉比附近的一家修道院，成为一名修女。
时宗教虚伪腐败风气弥漫，信仰与虔诚已成为饕餮颟顸之辈的护身法宝。而大德兰（特蕾萨）前始终身体力行，她恪守戒律、保护穷人、关爱弱小，并对宗教戒律进行改革。这些做法毫无疑问遭到了教内卫道士的抵制。但凭借对基督至高无上的信仰，大德兰毫无畏惧地向最终的胜利迈进……
本片荣获2007年蒙特利尔国际电影节最佳艺术贡献奖。

文学教授所罗门在女友不幸逝世后，郁郁寡欢，离职了一年。塞缪尔一直在遭受反复的噩梦：一个女人在一场奇怪的仪式中被残忍杀害。后来，如同梦境重演，一个受害者在相同情境下被无情杀害。 塞缪尔随即开始调查犯罪现场，遇到了也做过同样怪梦的雷切尔。 他们联手去揭开事件的真相，原来这一切和神话里的缪斯女神有关……

索尼娅（蕾欧诺·瓦特林 Leonor Watling 饰）和书亚（哈维尔·古铁雷斯 Javier Gutiérrez 饰）是一对刚刚结婚没多久的新婚夫妇，浓情蜜意的两人正沉浸在幸福和喜悦之中。更幸运的是，两人刚刚迎来了他们爱情的结晶——一个小小的，可爱的婴儿。一家三口搬进了装修一新的新房子里，准备在这里开始她们崭新的生活。
索尼娅在孩子的婴儿房里装了一个监控器，这样可以看得见婴儿的一举一动确保他的安全。然而，很快，索尼娅就发现，这个房子里除了他们三人外，似乎还存在着一个“第四者”。而这个第四者出没的地方，正是婴儿房。离奇诡异的事件接二连三的发生着，挑战着这对夫妻的神经。

索菲亚（Rosa María Sardà 饰）一人抚养着三个女儿艾尔威亚（蕾欧诺·瓦特林 Leonor Watling 饰）、索尔（希维亚·艾巴斯卡 Silvia Abascal 饰）和吉米那（María Pujalte 饰），实际上，索菲亚是一名女同性恋者，为了替女儿们着想，她一直压抑着内心澎湃的感情。终于，当她觉得女儿们已经长得足够大来承受这一消息时，索菲亚将自己年轻的女友阿拉斯加（Eliska Sirová 饰）介绍给了三个姑娘，而三个女孩的反应令索菲亚出乎意料，她们显然没办法接受母亲这“突如其来”的转变。
于是，三个姑娘决定联手，设计将这个年龄和她们差不多大的“继母”赶出家门，然而阿拉斯加是一个非常聪明而又温柔的女子，她将用她的智慧将难题一一化解。

《海上钢琴师》编剧亚利桑德罗·巴里克的导演处女作，影片呈现出同样精彩绝伦的故事，讲述了贝多芬第九交响曲创作过程中的秘密。

Witness a dysfunctional love story between an Irish food writer named Oliver Byrne and a politically committed Spanish woman called Bibiana. Oliver writes a weekly column entitled, what else?, "The Food Guide to Love." Oliver was traumatized in his childhood by being forced to eat coddle, a traditional food in Dublin made from boiled rashers and pork sausages.

根据文艺复兴时期作家马托雷尔·加尔巴的原著改编，这部小说被成为“史上最伟大的小说”，描写了13世纪著名的骑士蒂朗被拜占廷国王委任去解救被土耳其人包围的城市－康斯坦丁堡的故事。

在古罗马时代，罗马士兵克拉维斯（约瑟夫·费因斯 Joseph Fiennes 饰）与同伴卢修斯（汤姆·费尔顿 Tom Felton 饰）奉命找回耶稣的尸体，打击耶稣的门徒，以证明耶稣的复活是一个骗局。当他发现耶稣复活，信念遭受考验。

DESEO looked very promising. A movie about the political situation by the end of WWII and also a forbidden love story between a married communist woman and a NAZI sympathizing in a very convoluted Spain; but the movie is unable to get the point almost completely. This is really a pity, because movies about WWII are generally no more than war scenes and NAZIS portrait as psychopaths but rarely mentions the reasons why many countries were allied or passive with Germany (even USA before Pearl Harbor).
In 1945; a woman belonging to a communist family fallen from grace, find a job in the house of a very seductive Argentinean magnate who is secretive helping important members of the NAZI regime escape to Argentina under protection of General Peron (and also General Franco) governments. The woman has several reasons to hate the fascism; her husband is in prison for political reasons, his father was killed in front of his family by the FALANGE (Franco's army), his mother is paraplegic because of that and they lost everything their had and living in absolutely misery. For all these reasons, the temptation of an elegant world, fancy clothes and good sex seems quite logical, even when she had to betray her own ideas and husband.
The story looks very good, but the development is poor and flipping from the light social history to the soap opera model. The beginning showing misery and desperation and the seductive tycoon, are well conceived albeit slow moving. But after that, things never really get convincing. The political situation is described using a few dialogs. The obsessive love story loose credibility every second. Sex scenes are as hot as candle six feet away. Moments like the notice of Hitler's dead are so bad acted that they should be left in the cutting room.
The cast composed of very important and well-known Spanish and Argentinean actor's fails almost completely. Leonardo Sbaraglia starts very seductive, but when things get dramatic he is unable to deliver. Leonor Watling has a one facial expression character; even when she looks very nice and unprotected, is hard to believe somebody could get so obsessed about her. Cecilia Roth is a caricature, absolutely miscast. Norma Leandro unnecessary as Sbaraglia mother and head of the organization. Sarda, Cava and Alterio are the only ones able to get some credibility in their small parts.
It is really sad, because with all the misses, there are a few intelligent details. The story never tries to create a heroine out of Watling role. The fears and persecution of communist under Franco regime are very well described and touching, as is the misery those peoples were condemned.
In sum, if you do not know history or if you are looking for something trying to show history realistic, take a look otherwise do not loose your time, read a book about the subject.