A Nazi scientist and a woman known as a "spider goddess" attempt to develop a nerve gas made from spider venom.

A war drama of motor torpedo boats which did much unsung work in WW2, but the naval battles merely provide an exciting story in which an even more special romantic drama is wrapped up.

A lord returns to his manor with his new wife, to hear rumours that he had already secretly returned and had committed several murders. Has he lost his mind, or is something dark afoot ?

An outrageous jolt of British exploitation, PRIMITIVELONDON is an exposé of the hidden desires and bizarre vices that percolate behind the exterior of English life. Beginning with the graphic birth of a baby, director Arnold Miller sketches out the options for a child in the new England. So he profiles the stylistic garishness of the mods, the anti-establishment posturing of the rockers and the lonely lives of pinball addicts. The youth are lost (with the adults no better), dissipating their vain lives in plastic surgery, bizarre exercise routines and wild wife-swapping parties. Through all the debauchery and aimlessness, in PRIMITIVELONDON you can discover a pre-permissive Britain still trying to move on from the post-war depression of the 1950s.

A surgeon discovers that he can restore the beauty to his girlfriend's scarred face by murdering other women and extracting fluids from their pituitary gland. However, the effects only last for a short time, so he has to kill more and more women. It is ultimately a killing spree which ends with considerable death and disaster.