一个带着赃物逃跑的凶残小偷迫使一个贫穷的牧场主引导他穿过沙漠进入墨西哥。陪同他们的是牧场主的妻子，她恰好是凶手的前女友。

A gunfighter, stranded in the desert, comes across the aftermath of a stage robbery, in which all the passengers were killed. He takes one of the horses to ride to town to report the massacre, but finds himself accused of it. He also finds himself accused of the murder of the local banker, and winds up hiding in the basement of a house where the local sheriff, who is very sick, lives with his daughter.

Lonely in his English country estate, Sir Basil decides to gather his grown (albeit illegitimate) children around him in his declining years. He uses a ledger which keeps track of the payments he has been making to ex-lovers to locate 2 of them, and a third is found by a lawyer in New York, her mother was too proud to accept any money. Sir Basil is a curmudgeon, and his three adult children have a hard time with him at first. Toni, the American, is a free spirit who had a budding career in show business. Jeffery is English and a semi-gentleman, and Maria is Italian, with a Latin temperament. They begin to bond, especially Sir Basil and Toni, whose outgoing personality finally wins over the old man. But past lives begin to creep back into the picture and threaten the old man's plans for a life filled with his children.

在一次钓鱼之旅中，哈里·鲍德温和家人听到一声爆炸声，意识到洛杉矶已被核弹袭击夷为平地。到处都是抢劫者和杀手。他和家人逃到山上，开始在这个世界上生存下去，他知道，人类的旧理想将是第一个牺牲品。

两位孤苦无依的孤儿、却有著不为人知的超能力、不料这个秘密被鲁莽的暴发户知道了，贪得无厌的他想借用他们的力量来完成他私人的欲望，勇敢的孤儿联合起来逃出他的魔掌……

A rich but racist man is dying and hatches an elaborate scheme for transplanting his head onto another man's body. His health deteriorates rapidly, and doctors are forced to transplant his head onto the only available candidate: a black man from death row.

The murder of a Wax Museum proprietor and some other strange goings-on in the vicinity prompt a police investigator to determine whether the killer is one of the principles who wants to own the museum or if Jack the Ripper has returned to killing after a hiatus of ten years.

1922年，23岁的希区柯克执导他的首部电影《13号》，宣告了一代悬念大师的银幕初登场。曾执导过多部电影史纪录片的英国导演马克·卡曾斯以《13号》百年庆为契机，推出了这部致敬希区柯克的论文电影。影片出人意料地从希区柯克的角度出发，以口述方式（由著名影星阿利斯泰尔·麦高恩配音）、模拟了一出“希区柯克带你看希区柯克电影”的戏码。通过这个虚拟的主观视点，向影迷介绍希区柯克数量庞大的经典作品中的共通点、以及隐藏在趣味和高能背后的视听技巧，亦展现了卡曾斯本人的博学和洞察力。

An actress becomes an alcoholic after being jilted. She is aided by an Alcoholics Anonymous member with whom she has an affair; however, he is married.

在 1840 年代，在密西西比河和大西洋之间走最短路线的快船通常会停在基韦斯特的浅滩上。打捞船上的货物已成为两家公司的一项有利可图的生意，其中一家由一位精力充沛的年轻女子领导。然后她爱上了一艘失事船的船长，而他正在她家休养。她前往查尔斯顿，对最有可能成为船长连队长的男人很有吸引力，认为她将能够在公司的第一艘蒸汽船上为船长获得他想要的职位。

"Wicked" Lily Bishop joins a wagon train to California, led by Michael Fabian and Johnnny Trumbo, but news of the Gold Rush scatters the train. When Johnny and Michael finally arrive, Lily is rich from her saloon and storekeeper (former slaver) Pharaoh Coffin is bleeding the miners dry. But worse troubles are ahead: California is inching toward statehood, and certain people want to make it their private empire.

The adventures of a cocky con man and his beautiful accomplice.

雷·米兰饰演的主人公因父亲僵硬症假死被活埋的心理阴影始终挥之不去，自造了一座号称充分防错的活人墓地。这场戏就是向妻子、医生介绍自己的完美计划。而更有趣的是，此计划陈述的形式氛围以及雷米兰陈述过程中所展示玩世自负神情都如同他自己在《电话谋杀案》中向杀手陈述谋杀计划的翻版。唯一的差别：那片是在完美谋杀，而这片却在完美防被杀，被活埋！

Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.
This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.

A patient at a mental hospital kills the head doctor and takes over, replacing the staff with fellow patients. Things get complicated when the niece of the real doctor makes an unexpected visit.

The brilliantly designed, one-of-a-kind film manages to create legitimate speaking parts for six dozen famous actors and actresses. The 1943 production, designed to boost British morale during the War, explores the experiences of a family through several generations. Also written and directed by teams of talented screenwriters and directors, the 106 minute film is remarkably coherent and engaging, and, of course, the steady parade of stars doing their thing (Buster Keaton as an inept plumber; Eric Blore as a smarmy butler, Charlie Ruggles as a concerned father, Claude Rains as a villainous suitor, and so on, and so on) is an utter delight.
The black-and-white source material is somewhat worn down, with numerous scratches and other markings. The image is reasonably sharp most of the time and contrasts are fairly well defined, even when parts of the picture appear grainy. The film’s condition tends to reinforce its wartime origins and does not present an insurmountable detriment to the entertainment. The monophonic sound is adequate and the film is not captioned.

杰森·克罗克特是衰老、脾气暴躁而又身体残疾的百万富翁,他邀请了家人来到自己与世隔绝的海岛庄园举办生日庆祝活动,当然,这样的活动总会有一些不速之客,例如皮克特·史密斯,一个为环保杂志工作的自由职业摄影师.
老富翁的生日之夜,另一些不受欢迎的访客,一群被克罗克特企业污染过的变异青蛙静悄悄地包围了庄园……

Dr. James Xavier. A world renowned scientist, uses special eye drops to give
himself x-ray vision, but the new power has disastrous consequences.