弗拉门戈版的罗密欧与朱丽叶。只是，他们的爱情犹如Amaya的舞步一般坚强！

Held up for 7 years before it was released, Far from the Trees seems like a perfect successor to Luis Bunuel's Land Without Bread. Like that earlier film, it is a kind of impressionistic travelogue that shows a Spain far from the beaten paths of the tourist resorts; not only poverty but the persistence of superstitions and occult beliefs captured by the film rebuke the image of a forward-looking, modern Spain that by the 60s was being promoted by the Franco regime. Esteva Grewe largely allows the images and juxtapositions to speak for themselves, giving the film a lyrical feeling that somewhat softens its social criticism - though obviously not enough for the censors.
It is commonplace for students of Spanish and Latin American culture to speak of the "Black Legend", through which northern Europeans demonize the Spanish. In this documentary, Catalan filmmaker Jacinto Esteva Grewe does the job himself. Here, he attempts to show the dark side of Spanish life, especially its religious fanaticism and promotion of the idea that ritualistic cruelty is somehow noble. This film had major portions removed by Spanish censors before it was allowed to be shown, but the cuts are not thought to have improved (or detracted from) this mean-spirited diatribe.

A flamenco dancer (Antonio Gades) reflects on his life and career when he is surprised to be honored on a television show telling his life story. The memories stir up controversy, and an old friend seeks retribution as Antonio had once stolen his girl.

The life of Sebastián, a 28-year-old Roma, changes drastically after he kills a man. From that moment, he must flee, experiencing the torments of loneliness, guilt, and the rejection of his people.