深夜的穆赫兰道发生一桩车祸，女子丽塔（劳拉·赫利 Laura Harring 饰）在车祸中失了忆。她跌跌撞撞来到一个公寓里藏身。
一名男子说他常常梦见一个叫云奇的地方，那里有个恶魔盯着他。于是就来到云奇，果真见到墙后有怪物出现，男子当场晕死。
另有一名杀手杀死了他面前 的男人，然而蹩脚的他却惹来了不少一连串的麻烦。
故事回到一个刚到好莱坞“寻梦”的女子贝蒂（娜奥米·沃茨 Naomi Watts 饰），她的姨父姨母在电影圈有广泛人缘，让贝蒂的发展如虎添翼，试镜大受好评。同时，她所住的公寓，正好是丽塔藏身之地。贝蒂收留了丽塔，二人感情融洽。面对记不起自己是谁的丽塔，贝蒂决定帮助她寻找回自己的记忆。
一名导演想自己决定新戏的女主角，却被他人强行安排人选。工作不顺意的他还发现妻子和清洁工睡在一起。
这些看似松散的事件，就像一个迷宫，引向一个让人猜不透的世界……

吉姆（柯克·道格拉斯 Kirk Douglas 饰）是一位刑警，他嫉恶如仇，以铲除罪恶为己任。某日，在审讯名为西乃达（乔治·麦克雷迪 George Macready 饰）的嫌疑犯时，吉姆没有忍住怒火动了粗，他因为此行为得到了西乃达律师的警告，却也得知了一个充满了犯罪气息的名字——汤姆（杰拉德·摩尔 Gerald Mohr 饰）。
循着西乃达的律师的指点，汤姆找到了自己的妻子玛丽（埃琳诺·帕克 Eleanor Parker 饰），向她询问汤姆的踪迹。让吉姆感到震惊的是，玛丽不仅曾经和汤姆有过一段恋情，甚至还怀过汤姆的孩子。这件事情让吉姆陷入了苦恼和困惑之中，妻子隐秘的情史令他不知道该不该继续追查下去。

大卫·林奇最初计划将《穆赫兰道》拍成电视剧集，美国ABC广播电视公司对此表示出浓厚的兴趣。出自林奇之手的《双峰镇》被认为是美国电视史上一部具里程碑意义的重要作品，而《穆赫兰道》无疑将标志着林奇重返电视界。正是在拍摄《双峰镇》剧集时，大卫·林奇产生了《穆赫兰道》的构思。当时林奇在穆赫兰大道上取外景，突然之间闪现出灵感：“‘穆赫兰大道’，这好像是个不错的电影名！”
但开拍不久，ABC临时变卦，枪毙拍摄计划。而《穆赫兰道》已拍完的素材只够剪成2个小时的电影，而且没有结尾。尽管大卫·林奇对作品再三修改，依然没有得到电视公司的通过。在影片制作陷入僵局之时，林奇转而前往欧洲市场寻求支持，并最终得到法国制片皮埃尔·埃德尔曼的赞助。林奇对剧本改动了三分之一，将作品修改为电影。他说：“这是个奇妙的过程，一部讲述生与死的影片同样走过死而复生的道路，如今它获得了全新的面貌，我很满意。”

　　一个从芝加哥来到斯巴达准备建工厂的商人Mr. Colbert被发现死于街头。一个正在火车站等车的黑人Virgil Tibbs（西德尼·波蒂埃 Sidney Poitier 饰）被警察当作嫌疑犯抓到警察局。一番盘查之下，Tibbs告诉当地警方，他也是一名警察，而且擅长处理凶杀案件。他遭到调查的原因只是因为他是黑人，他迫切想离开当地，然而Tibbs的上司让他留在当地，和当地警长Bill Gillespie（罗德·斯泰格尔 Rod Steiger 饰）一起查案。在这个种族歧视极为严重的地方，Tibbs的调查遭遇了重重阻拦，Bill也劝他早日离开，不要再插手。然而Tibbs却始终不肯放弃，坚持要查出真相......
　　本片获1968年奥斯卡7项提名，最后赢得包括最佳影片和最佳男主角等5项大奖。

1939年，纳粹大张旗鼓地将数百名来自社会各个阶层的犹太逃亡者们安置在一艘豪华客轮内，载他们至古巴的哈瓦那避难。然而，当轮船抵达哈瓦那港，古巴政府却依据本国严格的移民政策拒绝船上的犹太裔乘客入境。其实纳粹早就预料到会有这样的结果，而这也正是他们所希望看到的。当流亡者们从哈瓦那怏怏离去的时候，德国政府就可以凭此证明犹太人是世界上最不受欢迎的种族，从而为希特勒的种族清洗政策找到一个合情合理的借口。
有人认为这部电影的弦外之音让人不寒而栗，但是《苦海余生》的结尾还是给人一丝希望：字幕告诉我们船上大部分乘客还是最终逃脱了劫难，得以幸存。

可倫坡系列的第二集试播片
美丽聪明的女律师完美布局假绑架真谋杀自己的丈夫，这次神探如何从细节入手呢？女律师丈夫的前妻留下的一個女兒正值青春期，她強烈懷疑繼母殺了父親，兩個女人爭吵起來又会出现什么效果呢？

杰瑞-金斯利（Jerry Kingsley）是一位富有的服装制造商，妻子去世后，60 多岁的他倍感孤独。尽管年龄相差悬殊，他还是与 24 岁的离婚接待员贝蒂谈起了恋爱。这段恋情遭到了女儿莉莉安（Lillian）的反对、妹妹伊芙琳（Evelyn）的劝阻和贝蒂母亲的谴责。但当杰瑞开始提及婚姻时，贝蒂也不得不面对自己的矛盾心理。

唐．泰勒导演的此片延续了上集的情节的曲折里奇，通过种种奇异的杀人花样，凸现出影片所营造出的惊惧感与恐怖气。影星威廉．霍尔登、李．格兰特等在此片中有出色的表演。导演和明白,能长时间给人恐惧,让观众长时间的恐慌的电影必然是心里恐怖片，对于血肉横飞，怪兽林立的恐怖片，大家最多呕吐一下就完了，而心里的恐惧是长时间的，所以影片更偏向于对观众的心里冲击。

　　乔治是洛杉机最悦人心意的男子，他是贝弗利山一名美容师，令他所有的女顾客更美丽，在女友吉尔的鼓励下，乔治决定开设自己的美容院，为了达到目的，乔治寻求保守的生意人莱斯特的资助，但为莱斯特所不知的是，乔治暗地里跟他的妻子，情人，还有他十几岁的女儿睡觉，乔治能否抵制这种诱惑定下心跟吉尔在一起，还是继续纠缠在更加被人诽谤的偷情故事中？

运有宝贵油画古董的飞机在副驾驶员和其同党的策划下，企图控制飞机，正当他们用气体把乘客熏倒，企图把飞机开往荒岛时，飞机却因撞击而坠入海中，机长克服重重困难，冒着生命危险发出求救信号，令乘客得以逃生。

Twenty-nine year old Caucasian Elgar Enders still lives at the estate of his parents, William and Joyce Enders, and off their vast wealth with their blessing, although his ultra-conservative father hopes that some day Elgar will have some drive and make a name for himself, much as he believes his eldest son, William Jr., has done. Elgar decides finally to move out, and buys a tenement house in Park Slope, Brooklyn, a rough neighborhood seemingly on the verge of gentrification. He plans to tear it down and build a new house for himself. Although they have no idea of his plans, the tenants of the building, exclusively black, do not welcome their young, lily-white new landlord with open arms. They believe he is just another slum white landlord who wants their money, although most of them are indeed several months behind in their rent. Despite their antagonistic beginning, Elgar, after spending time with his tenants and learning their stories, decides to be a proper landlord and fix up the building for them and for him to live in. Elgar's transition into liberal minded lover of his black brothers and sisters is not without its problems as he deals with some tenants who are indeed deadbeats, his parents who just don't understand and agree with this phase of his life, and race relations where the color of one's skin does affect how they are treated in life and in turn how they interact with others. The latter is epitomized by his relationships with Lanie, a biracial woman who he initially believed was white, and with husband and wife tenants Copee and Fanny to who he gets a little too close

Two strange sisters live in a crumbling mansion, where they keep a pet ape, which belonged to their late father, locked in a cage. While one of the sisters seems to be keeping her head on straight, as it were, the other appears to be sinking further and further into barbarism and insanity.

影片讲述1922年至1943年任意大利首相，独裁者，法西斯主义的创始人墨索里尼的一生。本片运用真实的史料，全面地解读与揭示了墨索里尼在二战中扮演了什么样的角色？他与希特勒，斯大林，丘吉尔，罗斯福之间存在着怎样的私人关系？是谁救了罗马教皇使之免遭德军俘虏？墨索里尼是被谁处决的？这个独裁者私人生活情况如何？

Between 1970 and 1979, the films of Hal Ashby collected seven Academy Awards and 24 Academy Award nominations. He was a major player in the so called "New Hollywood" era of the '70s, and his strident rebelliousness in the face of the Hollywood studio system set the course for an utterly original body of work. But as that era came to a close, Ashby's star faded. The '80s were to usher in a corporate era of filmmaking, and Ashby's story became a cautionary tale. ONCE I WAS: The Hal Ashby Story is a feature length documentary film that will examine the life and work of director Hal Ashby within the changing landscape of American Cinema.

Film version of the Neil Simon play has three separate acts set in the same hotel suite in New York's Plaza Hotel with Walter Matthau in a triple role. In the first, Karen Nash tries to get her inattentive husband Sam's attention to spruce up their failing marriage. In the second, brash film producer Jesse Kiplinger tries to get his former one-time flame Muriel to see him for what he stands for. In the third, Roy Hubley and his wife Norma try and try to get their uncertain-of-herself daughter out of the bathroom before her approaching wedding.