朱莉安（朱莉娅•罗伯茨 Julia Roberts 饰）和迈克尔（德蒙特•莫罗尼 Dermot Mulroney饰）是大学时候的情侣。和大多数的恋人一样，他们的热恋慢慢降温，直到沦为好朋友。于是毕业前有了这样一个约定：如果28岁之前，彼此还是单身，那么就明证了他俩是天造地设的一对，到时候两人就结婚。
毕业后二人一直通电，朱莉安以为只是友情。然而迈克尔的婚讯却让她如梦初醒——自己一直都还深爱迈克尔，此时强烈的妒嫉和伤心让她寝食难安。
朱莉安决定要改变这一切。她一手设计了一个个令人哭笑不得的“阴谋”，让迈克尔未婚妻当众出丑，离间他们的感情。当发现迈克尔对未婚妻的爱竟然占了上风时，朱莉安在婚礼上做出了疯狂举动，这一招果真气走了新娘。然而事情又有了变化。

希什（威尔•史密斯 Will Smith 饰）十分准确的把握了男性的弱点：他们在求爱的时候由于过分迫切想得到对方好感，反而会表现笨拙失去魅力。而希什掌握了一套完整的独家的理论，可以帮助男士在头三次约会时候就成功俘获对方的心，这套谋略全面实用，令约会期间的就餐、牵手、接吻，有了指导细则。
这次希什的客户是胖男人阿伯特（凯文•詹姆斯 Kevin James饰）。他生性温顺，却爱上了当红女明星。于是对阿伯特的一番彻底改造在所难免。更重要的是，他竟然在工作中爱上了女明星的跟班记者莎拉（伊娃•门德斯 Eva Mendes饰）。这个自己感情一直空缺的约会指南者，开始尝到爱的气息。但是，好像现实中的爱跟他平时设计的并不一样。屡试不爽的爱情法则，在他身上反而失了灵。也许，他的爱情学问还远远不够精通。

"American Experience" combines dramatic re-enactments with commentary by historians and authors to present an absorbing look at the personalities, events and resources that have had a profound impact on the shaping of America's past and present.

莱伯特（休•杰克曼 饰）是19世纪的一名落魄贵族公爵，在家人为他安排的相亲宴会上，他为了追踪一个陌生人，疯狂科学家斯图尔特，无意闯入时空隧道，来到了100多年后的21世纪，斯图尔特的意外住院使公爵面对陌生的环境举步维艰。机缘巧合下，他邂逅了斯图尔特的前女友凯特（梅格•瑞恩 饰）——一个野心勃勃、独立聪明的广告界女强人，一连串的事情，使二人互相吸引，谱写出一段跨越时空的浪漫恋曲......
但是，穿越时空的情感注定不会一帆风顺。为了顺应历史的发展，出院的斯图尔特不得不把莱伯特送回属于他的年代，莱伯特和凯特刚刚开始的恋情面临时空分离的危机。两人是命定的缘分还是刹那的相逢？两人能否穿越时空的阻隔在一起？

Kleinman（Woody Allen饰）住在一个小镇上，他是一个小小的不起眼的记账员。一天夜里，他被邻居们叫醒，邻居们想请他帮忙把一个在小镇上杀了好多个人的陌生人抓起来。但当他穿好衣服出门准备加入邻居们擒贼的队伍中去的时候，他发现，邻居们在一时之间好像都消失了。与此同时，一个马戏团来到了镇上，展开马戏表演。Paul和Imy是其中的两个表演者。经过一场斗殴，Imy在一个晚上离开了马戏团。渐渐的，她发现了Kleinma一个人表情狰狞地蜷缩在角落里。

禁酒令这部PBS的纪录片分为三集，总共有五个半小时。这部纪录片由Ken Burns和Lynn Novick执导，讲述了将禁酒令写进美国第18次宪法修正案的起起伏伏和其间所涉及的各种重大事件。
当一个多世纪的激进主义反对达到顶点时，禁酒令却似乎真的提升甚至高尚化了美国人的生活水平，使得个人，家庭，乃至整个社会免于遭受滥用酒精所带来的毁灭性影响。

演员阵容鼎盛的文艺小品，包括：保罗．纽曼、布鲁斯．威利斯、梅拉尼．格里菲思、洁西卡．坦迪等。导演是导过《克拉玛对克拉玛》的罗伯特．本顿。剧情以一名个性倔强的老建筑工为中心，描写他与周遭的镇民在纽约北部的朴素小镇中过着虽不富足却悠然自得的生活。全片没有太大的戏剧高潮，但对小镇风情的经营相当成功，保罗．纽曼演出跟他实际年龄相称的老角仍具神出鬼没风彩，获柏林电影节最佳男主角奖。

TV's most-watched history series brings to life the compelling stories from our past that inform our understanding of the world today.

吉米（杰米·李·柯蒂斯 Jamie Lee Curtis 饰）是一名刚刚从警校毕业的女警官，全身上下充满了正义感的她怀揣这一刻火热的心加入了警局的队伍之中，希望能为维护城市的和平尽到自己的一己之力。在一场抢劫案中，吉米成功的击倒了匪徒，救下了超市里的诸多人质，可是在事后的调查之中，本应该存在于现场的武器不翼而飞，吉米一下子从女英雄的座位上跌落了下来，遭到了停职检查的处分。
不仅如此，城市里接连发生的凶杀案现场，散落着可有吉米名字的子弹，很显然吉米成为了众矢之的。与此同时，吉米邂逅了名为朗西佛（罗恩·西维尔 Ron Silver 饰）的富商，后者对她展开了热烈的追求。

温迪（劳拉·琳妮 Laura Linney 饰）是个生活在纽约、38岁的剧作家，她的工作只能勉强维持生活，没有婚姻，与一个有妇之夫维持着不正当关系，生活堪称一团混乱；她有个生活得很潇洒的哥哥乔恩（菲利普· 塞默·霍夫曼 Philip Seymour Hoffman 饰），在水牛城做大学教授，看上去春风得意，但也有自己的烦恼——女友即将离开他回东欧，他很伤心，但因不愿结婚没有挽留。一日，获悉父亲（菲利普·鲍斯科 Philip Bosco 饰）得了老年痴呆，许久未联系的兄妹二人重聚在一起，将父亲安顿到疗养院，尽到轮换照料他的责任。在这个麻烦和争吵不断过程中，两兄妹回忆起儿时父亲专制、不负责任的往事，对照二人现今各自的孤独，重新思考了“家庭”的意义，而父亲的死亡也终要到来……

教授格雷迪（迈克尔·道格拉斯 Michael Douglas 饰）曾经被尊称为“奇迹小子”，因为他7年前出版的小说如此优秀，在文坛上轰动一时。这表面看来是一件好事，却让格雷迪背上了沉重的思想包袱，他害怕自己的新作品落差太大，于是一直把它压在箱底，不敢发表。如今，妻子已经离他而去，他有一个情人萨拉（弗兰西斯·麦克多蒙德 Frances McDormand 饰）。这个情人，是他的校长，同时也是上司的妻子。
格雷迪怎么也没想到，一把年纪了，倒霉事才陆续朝他招手。萨拉告诉他肚里怀上了他的骨肉。更糟糕的是他被恶狗所咬，不过也因此和学生詹姆斯（托比·马奎尔 Tobey Maguire 饰）开始一段感情真挚的忘年交。在詹姆斯身上，格雷迪发现了可贵的文学潜质。另一方面，编辑克莱特里（小罗伯特·唐尼 Robert Downey Jr. 饰）催命鬼似的向格雷迪催稿。众多事情使格雷迪的生活就像六国大封相。他该如何厘清头绪，从乱麻中重新整理下人生呢？

12岁小男孩弗兰克·惠勒（Michael Patrick Carter 迈克尔·帕特里克·卡特 饰）正值青春期，情窦初开。弗兰克和几个小伙伴把卖牛奶的钱凑在一起，打算将这笔积蓄去城里好好奢侈一回，看一场成人脱衣舞表演。然而事情并非像他们想象得那么简单，中途，他们遭到袭击，不仅积蓄被一抢而空，连单车也被偷了。弗兰克就在如此偶然的机缘下结识了完全生活在另外一个世界的妓女V（梅兰尼·格里菲斯 Melanie Griffith 饰）。在危机时，V向他们伸出了援助之手，让他们回了家。
V漂亮时髦，虽然是一位风雨女郎，但却有着一颗金子般善良纯洁的心。弗兰克对V倍感亲切，他打算把V介绍给单身多年的父亲汤姆·惠勒（艾德·哈里斯 Ed Harris 饰）。让V嫁给父亲，成为他的继母，从而引发了一连串啼笑皆非又温情满满的爱情故事。

故事发生在基特里奇总督学校中，詹姆斯（威廉·赫特 William Hurt 饰）是在这里任教的教师。凭借着自己特立独行的教学手段，詹姆斯很快就获得了学生的好感和同事的信任，对于在这里的平静生活，詹姆斯本人亦十分满意。
萨拉（玛丽·玛特琳 Marlee Matlin 饰）曾经是这所学校的学生，毕业后，她几经辗转，回到了此地当起了清洁工。因为生理的残疾，萨拉个性孤僻，但这反而吸引了詹姆斯的注意，他主动接近莉兹，希望莉兹能够重拾自信继续学习深造。随着时间的推移，莉兹对于詹姆斯的态度从一开始的及其抗拒转而变成了略有好感，她的性格开始慢慢转变，和詹姆斯的距离也原来越近。可就在这时，新的问题又出现了。

群星荟萃

This film illustrates the life and work of the American architect. We follow the development of his work and his turbulent family life amidst scandal and tragedy. Despite all the difficulties of his personal life, Wright rises above all and beats all the odds to design some of the most famous buildings using brilliant and distinctively innovative designs that only his genius could create.

三个钻石王老五：建筑师彼得（汤姆•塞立克 Tom Selleck 饰）、艺术家麦克（斯蒂夫•古根伯格 Steve Guttenberg ）和演员杰克（特德•丹森 Ted Danson 饰）合住在曼哈顿的一套高级公寓内，三人风流成性，过着悠然自得的生活。然而，这种生活就在杰克出外地拍片的某天早上被打破了。另外两个室友在公寓门口发现了一名被遗弃的女婴，据遗弃者留下的字条称，这是杰克的亲生女儿。彼得和麦克只得将女婴抱进屋内，开始了“初为人父”的生活。虽然两人经常应付各种各样的女人，然而应付女婴还是第一次。他们被女婴搞得手忙脚乱，焦头烂额；然而通过一阵子的相处，他们内心的父爱情结又油然而生……

探索基督教的黑暗史，跟着作者和前神父詹姆士·卡罗尔进行一场回忆之旅。

安琪（吉娜·戴维斯 Geena Davis 饰）和男友维尼（詹姆斯·甘多菲尼 James Gandolfini 饰）交往多年，感情稳定，照这样发展下去，两人总有一天会携手步入婚姻的殿堂。安琪有一份固定的工作，有稳定的收入，生活风平浪静，然而，内心里巨大的空虚时时纠缠着她，让她对自己的未来并不抱有什么期望。
一次偶然中，安琪遇见了名为诺尔（斯蒂芬·瑞 Stephen Rea 饰）的男子，诺尔的学识渊博和温文尔雅很快就吸引了安琪的注意，直到这时，她才发现，自己生命中缺少的究竟是什么，而这东西就存在于诺尔的灵魂之中。可是，此时的安琪腹中已经有了维尼的孩子，生活除了激情和梦想之外，更多的是责任。

Cyrano is a poet, philosopher and swordsman of incredible wit, but his sizable nose renders him too shy to pursue the beautiful Roxane. Instead, he provides the poetry and eloquence to woo her vicariously through his inarticulate friend Christian.

Shaw characterised Saint Joan as "A Chronicle Play in 6 Scenes and an Epilogue". Joan, a simple peasant girl, hears voices which she claims to be those of Saint Margaret, Saint Catherine, and the archangel Michael, sent by God to guide her conduct.
Scene 1 begins with Robert de Baudricourt complaining about the inability of the hens on his farm to produce eggs. Joan claims that her voices are telling her to raise a siege against Orléans, and to allow her several of his men for this purpose. Joan also says that she will eventually crown the Dauphin in Rheims cathedral. de Baudricourt ridicules Joan, but his servant feels inspired by her words. de Baudricourt eventually begins to feel the same sense of inspiration, and gives his consent to Joan. The servant enters at the end of the scene to exclaim that the hens have begun to lay eggs again. de Baudricourt interprets this as a sign from God of Joan's divine inspiration.
In Scene 2 (8 March 1429), Joan talks her way into being received at the court of the weak and vain Dauphin. There, she tells him that her voices have commanded her to help him become a true king by rallying his troops to drive out the English occupiers and restore France to greatness. Joan succeeds in doing this through her excellent powers of flattery, negotiation, leadership, and skill on the battlefield.
In Scene 3 (29 April 1429), Dunois and his page are waiting for the wind to turn so that he and his forces can lay siege to Orléans. Joan and Dunois commiserate, and Dunois attempts to explain to her more pragmatic realities of an attack, without the wind at their back. Her replies eventually inspire Dunois to rally the forces, and at the scene's end, the wind turns in their favour.
Ultimately she is betrayed, and captured by the English at the siege of Compiègne. Scene 6 (30 May 1431) deals with her trial. John de Stogumber is adamant that she be executed at once. The Inquisitor, the Bishop of Beauvais, and the Church officials on both sides of the trial have a long discussion on the nature of her heresy. Joan is brought to the court, and continues to assert that her voices speak to her directly from God and that she has no need of the Church's officials. This outrages de Stogumber. She acquiesces to the pressure of torture at the hands of her oppressors, and agrees to sign a confession relinquishing the truth behind her voices, so that she can live a life in permanent confinement without hope of parole. Upon hearing this, Joan changes her mind:
Joan: "You think that life is nothing but not being dead? It is not the bread and water I fear. I can live on bread. It is no hardship to drink water if the water be clean. But to shut me from the light of the sky and the sight of the fields and flowers; to chain my feet so that I can never again climb the hills. To make me breathe foul damp darkness, without these things I cannot live. And by your wanting to take them away from me, or from any human creature, I know that your council is of the devil."
Joan accepts the ultimate punishment of death at the stake as preferable to such an imprisoned existence. de Stogumber vehemently demands that Joan then be taken to the stake for immediate execution. The Inquisitor and the Bishop of Beauvais excommunicate her and deliver her into the hands of the English. The Inquisitor asserts that Joan was fundamentally innocent, in the sense that she was sincere and had no understanding of the church and the law. de Stogumber re-enters, screaming and severely shaken emotionally after seeing Joan die in the flames, the first time that he has witnessed such a death, and realising that he has not understood what it means to burn a person at the stake until he has actually seen it happen. A soldier had given Joan two sticks tied together in a cross before the moment of her death. Bishop Martin Ladvenu also reports that when he approached with a cross to let her see the cross before she died, and he approached too close to the flames, she had warned him of the danger from the stake, which convinced him that she could not have been under the inspiration of the devil.
In the Epilogue, 25 years after Joan's execution, a new trial has cleared her of heresy. Brother Martin brings the news to the now-King Charles. Charles then has a dream in which Joan appears to him. She begins conversing cheerfully not only with Charles, but with her old enemies, who also materialise in the King's bedroom. An emissary from the present day (at the time of the play, the 1920s) brings news that the Catholic Church is to canonise her, in the year 1920. Joan says that saints can work miracles, and asks if she can be resurrected. At this, all the characters desert her one by one, asserting that the world is not prepared to receive a saint such as her. The last to leave is the English soldier, who is about to engage in a conversation with Joan before he is summoned back to hell at the end of his 24-hour respite. The play ends with Joan ultimately despairing that mankind will never accept its saints:
O God that madest this beautiful earth, when will it be ready to accept thy saints? How long, O Lord, how long?