Shunned by his church, a seminary student takes refuge with an excommunicated priest who teaches him wizardry and black magic.

One of the most charming films of the 80's. It's a happy, sad, tragic, comic and glorious film about an Italian immigrant family living in England, filled with the kind of characters that used to be so common in 30's and 40's films when we had character actors who played outrageous, over-the-top parts.
The story opens in Italy where Danilo steals Rosa away on her wedding day from the man her mother had chosen for her. Their escape plays with the action of a Republic serial but with a totally unexpected comic ending. The two flee to London where Danilo is given the secret to winning at cards from a talking stuffed pig on a meat platter. But his success is short lived and he and his family soon turn to running a coffee shop that is only marginally successful.
The rest of the film is taken up with marriage and family and the adventures of life that happened while they wait for that lucky break-----------and it happens with an extraordinary event that pulls joy from tragedy. I'll only tell you that for the men in her life, Rosa remains the Queen of Hearts.
The film has all the sweetness and heartache of FORREST GUMP------------and all the love and inspiration, too--------backed my lush romantic music that parallels the emotion of the characters.
If you buy only one film from the MGM Vault Classics, I'd recommend this one.

著名作家伯纳德去了一个靠近湖泊的小镇，在淡季的冬天度假。他入住了一个由恩里科和他的女儿Irma经营的老旅馆，期望能够见到女仆Tilde，他上次访问该镇时曾经爱慕过她。然而，他发现Tilde已经自杀身亡，当他遇到当地摄影师时，伯纳德得知Tilde怀孕了。他变得着迷于找出她是否真的自杀以及发生了什么事情。当恩里科的儿子Mario和他的妻子Adriana到达旅馆时，伯纳德开始幻想Tilde的命运。

《局外人》是说一个在阿尔及利亚的法裔小职员，孤独内向，不善与人沟通，而且周围也没有人关心他。他对社会的一切事情漠不关心，甚至母亲的去世也没有让他过于伤感。后来他不慎枪杀一个流氓，却第一次引起了社会对他的关注，法庭也以他在母亲的葬礼的表现、平日生活的行为等等推断他本质顽劣。他不接受神父的告解，却对自己的生死有着肯定的看法。现实生活的荒谬，使得这个小职员成为一个无意中与法律和传统习俗格格不入的局外人。

改编自美国J.凯恩的小说《邮差总按二次铃》，完成于1941年，在剧本必须由法西斯政府审查的拍摄条件下，维斯康提把这个通奸谋杀亲夫的畸恋故事，拍成充满绝望宿命气息的作品。
片中一方面是出身贫家的女主角，身不由己嫁给肥胖粗俗的酒店老板，她完全没有逃脱被豢养（并不时被羞辱）生活的勇气，而男主角则是个流浪的无业游民，他经不起女主角的诱惑，犯下致命的罪行，艰困的社会生活条件，明确烘托出男女主角各自别无选择、一拍即合的宿命孽缘。初执导演筒的维斯康提，在片中已经展现他后期作品中最大的特色：对人物不克自拔情欲心理的细腻描画，在饮食间两性对对方身体的凝视中，维斯康提把艰困的物质生活和不受拘束的内心肉欲作了明确的并列，弥补了通奸过程的简略。

一个道貌岸然、威风凛凛的警官因为嫉妒和侮辱而杀死了情妇，并若无其事地调查此案，后来因心虚毁灭证据。由于他人性尚未彻底泯灭，在强有力的证人面前承认了罪行。但所有同事和长官为了自身的利益而阻止他认罪，并“循循善诱”。在众人的启发和教育下，他终于承认了自己的“清白无辜”，证明了自己是“不受怀疑的公民”。这是意大利70年代著名的政治电影，对法西斯式的政治作风和警察局内部的罪恶腐败进行了猛烈抨击，手法辛辣而不失沉稳，情节也起伏跌宕，男主角的表现更令人难忘。本片获1970年戛纳国际电影节评审团特别奖和奥斯卡最佳外语片奖。