A man falls in love with a teenage girl, who is exploited by her own grandfather, who sometimes takes her to a gas station to show her naked to whomever pays him some money.

A Nigerian musician travels to Brazil to search for his estranged brother, who is living a life very different than the one his family thought.

Karen sings and plays the trumpet in a vigorous rock band in Brasilia, but no one there is interested in it. At 27, she has lost hope in the city her grandfather helped to build. She follows in the footsteps of her ex-partner in the band, Artur, and tries her luck in Berlin.

Brazilian filmmaker Ramon Porto Mota refers to his feature debut as a spiritual slasher; an apt description. The group of teens who have arrived on an island for a brief holiday – a place virtually no one else inhabits and which is almost always dark – scarcely lose any blood. It’s not their bodies that get slashed. They talk, drink and wander the beach, plagued by increasingly disturbing visions. "Memories of a future dream", someone says. Again apt. Their photos on a mobile phone seem corroded by acid.
From all these elements, Porto Mora constructs a refined metaphor for their uncertain futures. Behind them lies their youth, which they reminisce about. Ahead lies darkness. They have no idea what they will find. What they will lose becomes more apparent by the hour.

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

奇科·凯撒是前市政工作人员。他因为尝试给一个贫穷地区送水资源而被解雇。该地区由于长期的管理原因被忽视而缺少水源。为了维持生计也为了改变现状，奇科加入童年伙伴乔尔的竞选团队，帮其在两大阵营长期垄断的小镇中拉票竞选。但很快他便发现要在腐败的环境下改变游戏规则是一件不容易的事。