电影故事发生在寂静的小镇森特维尔，有些事情不太对劲。月亮又大又低地挂在天空中，白天的时间变得不可预测，动物开始表现出不寻常的行为。没人知道原因。新闻报道是可怕的，科学家们对此感到担忧。但没有人预见到，人们很快就会迎来最奇怪、最危险的后果：死人不会死——他们从坟墓里爬出来，野蛮地攻击活人，并大肆享用——镇上的居民必须为生存而战。

本片是由11个黑白短片集合而成的短篇集，每个短片都围绕咖啡与香烟展开。
一、罗伯托坐在一家咖啡馆喝着咖啡，史蒂文过来与他攀谈，然而两人似乎没什么共同语言 ，只是在重复表达对咖啡与香烟的热爱……
二、一家咖啡厅里坐着一对黑人双胞胎兄妹，咖啡厅服务员突然对他们很感兴趣，坐下与其攀谈，然而兄妹俩似乎对这个不知所云的人毫无兴趣，只是在继续抽烟喝咖啡……
三、加利福尼亚某处的一家咖啡馆，流行歌手伊基与汤姆正在以抽烟的方式庆祝他们戒烟成功……
……
十一、一天夜里，喝着速溶咖啡、抽着卷烟的两个老人威廉与泰勒谈论起过去的音乐。在这个有些忧伤的话题进行到一半时，泰勒像孩子般睡着了……

BV（瑞恩·高斯林 Ryan Gosling 饰）是一位对音乐充满了理想抱负的年轻人，为了在行业里立足，他决定和超级制作人库克（迈克尔·法斯宾德 Michael Fassbender 饰）合作。菲耶（鲁妮·玛拉 Rooney Mara 饰）是库克的女友，同时也是他的助理，在三人相处的过程中，BV和菲耶渐渐相互吸引了。
虽然菲耶和库克一直进行的是开放式的恋爱关系，但BV的插足还是让库克心中感到百般不爽，最终，玩脱的三人分道扬镳。BV和名叫阿曼达（凯特·布兰切特 Cate Blanchett 饰）的富婆走到了一起，菲耶在女同性恋者佐伊（贝纳尼丝·玛尔洛 Bérénice Marlohe 饰）的身上寻找安慰，而库克则和罗兰（娜塔莉·波特曼 Natalie Portman 饰）携手步入了婚姻的殿堂。

　　2033年的未来，由于彗星的撞击，地球成为沙漠废土，整个星球已经11年没有下过一滴雨。水威力公司控制仅存的水资源号令天下，不从者要被榨干水分而死。坦克妹蕾贝卡的反抗军朋友被水威力公司悉数杀害，坦克妹被关进集中营。为了给朋友报仇，坦克妹与飞机妹联手越狱，夺走一辆坦克和一架飞机，率领一群变异基因袋鼠人展开绝地反攻，打垮水威力公司拯救地球。 　　根据英国流行cult漫画改编，一部古灵精怪的后启示录/反乌托邦朋克电影。

来自克里夫兰的美国小伙子威廉•布莱克（约翰尼•德普 Johnny Depp 饰）往西部去讨生活，他准备前往当地的一间工厂应聘会计。不料，他错过了应聘时间，被赶了出来。还遭到了当地迪金森金属厂的老板的百般凌辱，甚至被枪指着脑袋。
当他沮丧地来到当地的小酒馆，一夜情发生了。岂料，和他发生一夜情的女子的男友突然闯了进来，子弹穿过女子的胸膛嵌在了威廉的胸膛上，威廉本能之下杀死了女子的男友，夺了他的马匆匆逃走了。
一段充满了惊险、追杀的逃亡之旅开始了……

1976到1992年，曼彻斯特，一个关于摇滚乐、性和药物的故事。汤尼威尔森和朋友创立著名唱片品牌：Factory，旗下有多个知名乐团，例如Joy Division、Happy Monday，以及在Joy Dividion主唱Ian Curtis自杀后，其余成员组成的New Order。全片以DV拍摄，经由汤尼威尔森的故事探索Factory兴衰历程，重现曼彻斯特当年光辉的音乐风潮。同时也从威尔森的观点，来看Ian Curtis自杀事件。

摇滚乐在披头四、猫王之后，乐风出现了转折。社会上一片颓废、荒芜，音乐上也大胆地向美好的美国梦挑战。首先，性手枪合唱团将朋克音乐导入主流风潮，然而，虽然他们名闻遐迩，但颠峰状态并没有维持太久，终究没有到达1960年代披头四、滚石合唱团的地位。其它摇滚乐团如MC五人组、地下丝绒乐团、佩蒂史密斯乐团、门都蔚为风尚，他们的曲风可说前所未见，虽然有时略为粗糙，但表现形式更为愤怒、暴烈、狂野、震撼，也是迷幻年代的最高峰。这个时期文化上的特色即是大环境弥漫了反社会的意识型态、虚无的忧郁、疯狂的性爱与毒品、脱缰的暴力与一片浑沌。
本集介绍了朋克音乐的起源，包括Iggy Pop及纽约玩偶乐团。看朋克音乐如何在纽约大整合，包括理察海尔、电台司令及佩蒂史密斯乐团。并介绍朋克音乐在英国的兴衰，及The Clash最早期的演出。

朋克教父级人物Iggy Pop和著名设计师John Varvatos将携手推出一部讲朋克的纪录剧，名字就叫《朋克》，从音乐、时尚、艺术和DIY等方面深入探索这种反叛的亚文化，两人任执行制作人，明年3月11日在Epix上线。该剧会采访英国知名朋克乐队和美国朋克先锋，Iggy Pop任画外音，性手枪、雷蒙斯、Blondie、枪炮玫瑰、Mc5、涅槃和Foo Fighters、红辣椒、Dead Kennedys等乐队成员也将该剧中出现，同时将披露大量少见的照片、视频等。目前已开拍，由资深纪录片导演Jesse James Miller(《成为莱德伍德》)执导，共4集。

傀儡乐队(The Stooges)起源于反文化运动时期的密歇根州安娜堡市，他们的摇滚乐强大又极具侵略性，如一枚炸弹般投向了20世纪60年代末的音乐界。他们用融合了摇滚、蓝调、R&B和自由爵士的音乐对观众狂轰乱炸，为接下来几十年中朋克和另类摇滚乐的出现埋下了“因”。吉姆·贾木许的新片《给我危险》记载了傀儡乐队——历史上最伟大的摇滚乐团之一的故事。《给我危险》呈现了傀儡乐队出现时的大环境，包括音乐、文化、政治、历史等方面。影片还讲述了他们所经历的冒险与不幸，记录了他们的灵感来源以及最初商业挑战背后的初衷，当然还有他们对后世产生的长远影响。

The master of Italian horror Dario Argento is teaming up with one of the world’s most energetic punk icons Iggy Pop in an attempt to darken the holidays with horror. In an effort to keep his next film as pure as possible (maybe due to studio intrusion on his previous effort, the lackluster Dracula 3D) Mr. Argento has started a crowd-funding campaign for this new project.
According to the pitch, this crowd-funded film will be a tribute to the films of Argento and his entire career, a chance to put a juicy horrific cherry on top of a long and storied career. Casting Iggy Pop in the lead role is just the chocolate sauce on top of the cherry.
The Sandman is based on a German short story dating back to 1816, originally told by author E.T.A. Hoffman. According to this legend, The Sandman was someone who stole the eyes of any children that wouldn’t just close them and go to sleep, then he’d go feed them to his hungry children on the moon.
It sounds like a great role for Iggy Pop, running around snatching out the eyeballs of children. Bring in the passionate direction of Dario Argento, and it begins to shape up as a film any horror fan definitely would like to see. The director says he is “tired of Christmas movies showing goodness. Beauty, snowflakes, sleds pulled by reindeer. I’m tired of these things. I’d rather have a Christmas movie where there is also strength, violence, horror, and this is what I am going to do.”

This shortcut repeats the structure of Coffee and Cigarettes. This time, Iggy Pop and Tom Waits meet in a bar. But, again, we don't know why they agreed to do that in the first place, because they don't seem to know each other very well and they don't have much to talk about, so the conversation wanders idly and hilariously as they sip their coffee and smoke cigarettes.

　　绰号“哭泣宝贝”的维德•沃克（Johnny Depp 约翰尼•德普 饰）流下的眼泪具有慰籍心灵的功效，这个一文不名的年轻人每天和好友们过着虽不富裕却欢乐常在的生活。不过在那些好好少年看来，维德他们不过是一群打架斗殴、惹是生非的阿飞。
　　某天，维德结识了乖乖女艾丽逊（Amy Locane 艾米•洛肯 饰），两人共坠爱河，这令倾慕艾丽逊的那群“品学兼优”的好学生们的嫉妒和憎恨。他们结伴向维德一派发起攻击，两个相爱之人就这样一次次被迫卷入纷争之中。他们的爱情能否经受这些磨难的考验？

You See Me Laughin' is a personal journey into the lives and music of the last of the hill country bluesmen who've kept their music alive on the back porches and in the tiny juke joints of the Mississippi backwoods.

Part 1 - In the Beginning
Alan Yentob embarks on a three-part personal journey to discover how the guitar became the world’s favourite musical instrument. Beginning with the rise of the acoustic guitar, the series takes him from an ancient Middle Eastern ancestor of the lute, to the iconic guitars draped round the necks of Bill Hailey and Elvis Presley and beyond. Featuring interviews with Bert Weedon - the man who taught Britain to ‘Play in a Day’, Pete Townshend, Bill Bailey, flamenco player Paco Pena and classical guitarist John Williams.
Alan Yentob着手三次私人旅行，探索吉他是如何成为风靡世界的乐器。首先是原声吉他，从原古的中东鲁特祖先，至 Bill Hailey、Elvis Presley及后来者琴颈绑着商标的吉他。同时采访Bert Weedon，Pete Townshend，Bill Bailey，弗拉门戈演奏家Paco Pena和古典吉他演奏家John Williams。
Part 2 - Out of the Frying Pan
以Robert Johnson的早期Blues为起点
Alan Yentob presents a three-part series examining how the guitar became the world’s favourite musical instrument. As the guitar turns electric, music is changed for ever. The world’s first electric guitar had nothing to do with jazz or blues, but Hawaiian-style music and was known as the ‘frying pan’. Yentob continues his investigation from the blues of the Mississippi to the guitar wars of the 1950s, when the Fender Stratocaster and the Gibson Les Paul were battling for supremacy.
Part 3 - This Time it’s Personal
逐一介绍了ROCK的吉他发展
In the final programme of the series the guitarists talk about how they find their own sound, and how the guitar has changed their lives. Since its invention, the electric guitar has unleashed a seemingly inexhaustible sonic invention among guitarists. Featuring Muse’s Matt Bellamy, who turns out to be following in his father’s space age footsteps, Tony Iommi from Black Sabbath, who talks about the invention of heavy metal, David Gilmour from Pink Floyd, Pete Townshend (Perhaps equally famous for smashing guitars), Johnny Marr from the Smiths on ‘the mother of all riffs’, Slash and The Edge from U2 among many others.

托马刚订婚，就认识了与苏珊结婚30年的未来岳父吉尔贝尔。看穿一切的吉尔贝尔因自己的夫妻问题，确信自己错过了生活。他劝阻托马打消与自己女儿罗拉结婚的念头，并说服他放弃现有的一切。两人开始了充满曲折的小孩般的生活，相信自由在别的地方。
但要付出怎样的代价才能重新找回少年的梦想？......

HBO每晚一个鬼故事，统统改编自同名经典畅销恐怖漫画杂志。历时七季，由各大电视台转播(TV-MA/TV-PG)。
One hour stories with many themes, including; horror, twists, black-magic, sci-fi .... Introduced by a puppet called "The Crypt Keeper". A cross between the "Twighlight Zone" and modern horror movies. Not suitable for the very young or squeamish. Written by Rob Hartill

这是一部有关“虚无”的讽刺纪录片。电影中，“虚无”被拟人化为一个虚构的讲述者，厌倦了被人误解，于是离家出走，第一次也是最后一次来和我们聊天。“虚无”承诺，它只有揭露了社会中所有的愚蠢、弱点以及失败，并证明了它的好意之后，才会“回家”。“虚无”的名字或许没那么有潜力，但它仍然是个有进取心的角色。它穿越世界各处来见我们，对它的所见品头论足，思考生与死、文明和政治的妄念、男人与女人的关系以及生命的意义。在简单的旁白中，它试图让我们相信它所发挥的自然、必要又具有建设性的作用。正如“虚无”所说，这是个包罗万象的愿景。

In 2007 Banksy goes to Palestine to paint on walls. Someone takes offense at a piece depicting an Israeli soldier checking a donkey's ID. A local taxi driver decides to cut it off and sell it back to the West. This is the story of the Palestinian perspective and reaction to street art through the work of its most celebrated hero. The story of an illegal black market of art stolen from streets around the world, cultures clashing in the face of an unsustainable political situation and finally of the changing perception on street art. It is not one story, but many. Like Banksy's art would be meaningless without its context, so the absence of it would be meaningless without an understanding of the elements that brought his artwork from Bethlehem to a Western auction house, along with the wall it was painted on.

痛苦在生存中的意義是什麼？本片尋訪那些飽受心靈苦難折磨的人們，並讓法國龔固爾文學獎得主米歇爾維勒貝克（Michel Houellebecq）跟龐克教父伊吉帕普（Iggy Pop）破天荒同台演出。由伊吉帕普擔任敘事者，走進韋勒貝克的作品《活著》，訴說關於癲狂、藝術、和奮力一搏的意義，既是誠實的自我剖析，也是帶領那些同樣處境的人們繼續前進。