1944 film by Alfred Weidenmann

A seductive dancer (Marika Rökk) helps her uncle to fight against the closing of his casino. Through her feminine charm she achieves diplomatic success.

1937 film by Gerhard Lamprecht

1942 film by Hans Steinhoff

Returned from exile where he accompanied his mother Caterina Sforza, Giovanni de 'Medici (1498-1526), becomes, under the name of Giovanni delle Bande Nere, captain of fortune at the service of the idea of a united Italy.

The daydreaming tailor Wenzel is fired from his job, because the fancy frock he was supposed to cut for the mayor, he instead made for himself. He is allowed, however, to take the frock, which he appropriated for himself and he puts it on as he leaves the shop. A puppeteer picks him up in his coach and addresses Wenzel as "Count". So is he received in Goldach, where people think he is Count Stroganoff, the ambassador to the Czar of Russia.

1935 film directed by Géza von Bolváry

Die Stewardess Erika Berghoff verbringt bei einer Zwischenlandung in Zürich etwas Zeit mit dem Passagier Dr. Bordam

Pedro, a shepherd, is sleeping in his Pyrenean mountain hut when his herd is attacked by a lone wolf. He awakens to defend his sheep, and strangles the wolf. In the Catalan lowlands, the construction of a canal is completed and diverts water from the farms and fields of the peasants to support the prized bulls of the landowner, Don Sebastian, marquis of Roccabruno. The request of the peasants for water is arrogantly rejected. He has, however, significant debts and needs money. The rich Amelia plans to marry him, but he offends her. Martha, a “beggar dancer”, has come to the village, and entertains the people. Sebastian sees her and takes her to his castle, enchanted by her beauty and grace. He keeps her as his mistress in a "golden cage"...

The Master of the World (German: Der Herr der Welt) is a German science fiction movie made in 1934 (released in the US in 1935). Its themes are the replacement of human labor with robotic replacements, and the threat to humanity by robots used as war machines. It was directed by Harry Piel and made by Ariel production.
Walter Franck, playing "Wolf", as the half-crazy assistant to Walter Hanssen's "Dr. Heller", an inventor of robots, murders his master, and attempts to take over the world with his death-ray equipped robots.