迈克尔·格林 — 演员 (7)
功夫 (1972) [剧集] 豆瓣
Kung Fu
导演:
Jerry Thorpe
演员:
大卫·卡拉丁
/
Radames Pera
…
虔官昌(Kwai Chang Caine,David Carradine饰)是一名中美混血的孤儿,在外祖父死后被少林寺收留,于白大师(Master Po,Keye Luke饰)指点下,得习高深武功。出山后,官昌在街头巧遇白大师。大师因劝诫横行官差被某皇亲用手枪暗算。官昌一怒之下击毙皇亲,在临终的白大师的指点下,决定流亡美国,找寻下落不明的胞兄。在美国西部,官昌因路见不平卷入了一系列纷争,同时,淸帝派出的杀手也紧随其后……
本片因当时罕见的中国元素,在70年代初的美剧中独树一帜,引起强烈反响。
本片因当时罕见的中国元素,在70年代初的美剧中独树一帜,引起强烈反响。
昨日今日永远 (1991) [电影] 豆瓣
For the Boys
导演:
马克·雷戴尔
演员:
贝特·米德勒
/
詹姆斯·肯恩
…
其它标题:
For the Boys
/
龙凤双星
With the help of the singer and dancer Dixie Leonhard, U.S. entertainer Eddie Sparks wants to bring some fun to the soldiers during World War II. Becoming a perfect team, they tour from North Africa to the Pacific to act for "the boys". Later, they continue their work, but when the author Silver gets involved into McCarthy's campaign, and is being fired by Eddie, Dixie turns away from him, too.
宝石俱乐部 (1972) [电影] 豆瓣 TMDB IMDb 维基数据
Bijou
导演:
Wakefield Poole
演员:
Bill Harrison
/
Cassandra Hart
…
其它标题:
Bijou
Wakefield Poole's follow-up to his ground-breaking and enormously successful 1971 gay porn feature Boys in the Sand is a surreal, artsy piece of erotica. It's setting is for the most part in dark, theatrically-lit interiors, making it seem like night to the earlier film's day, moon to Sand's sun. It continues the previous work's aesthetic of cutting the images to classical and contemporary music. Generally it feels like an experimental, underground or even drugs film.
It begins by cutting scenes of a construction site, a car driver and a goofy woman walking along the street with the Mars section of Holst's Planets suite. These disparate images come together when the driver accidentally runs the woman over and her purse is stolen by a construction worker on his way home from the site. Back in his lonely room, the worker sorts through the purse, puts on some Led Zeppelin and proceeds to jerk off to Dazed and Confused and Babe I'm Gonna Leave You. But his masturbation is interrupted when one of the female images which flashes before his mind's eye is the woman being car-struck. The worker grabs a mysterious theatre ticket he has found in her purse and heads out.
His destination is the Bijou, a seedy dive in an apartment block. A crone on the door accepts the ticket and the man enters into another world. Poole throws all of considerable resources of money and imagination into creating a strangely lit netherworld of neon instructions, reflecting mirrors, drapes and men. The protagonist takes part in a dream-like, Dionysian orgy in which he loses his individuality and merges as another figure in a pile of bodies, although his not inconsiderable endowment ensures that he is mostly the active partner in the sex. After this long sequence (which makes up over half of the film) the man leaves and the film ends.
What the accident with the woman and the antics in the Bijou have to do with each other is anyone's guess; the latter could either be an expiation of his guilt or the former might have been a ritualistic induction into another, all-male world (although she does appear, laughing, in one of the split-screens Poole uses in creating the orgy). The special effects – mostly involving zooming in and out onto theatre lights and arranging mirrors to throw multiple reflections – are pretty tacky. Yet I should think that the film did have a disorientating and dazzling effect projected large on the screen of a porn theatre in the mid-70s, where sex was doubtlessly happening off as well as off the screen and the air was heavy with smoke and amyl nitrate. As a movie creating affect in its intended viewing environment, it will have been overwhelming. Now, in the cold light of day and seen on a home screen, it's lack of narrative is a little frustrating and its mise-en-scène feels pretentious; it lacks the intellectual content of Pink Narcissus or a Kenneth Anger short. This is essentially an erotic film made for the cinema screen, and for a certain type of cinema at that.
It begins by cutting scenes of a construction site, a car driver and a goofy woman walking along the street with the Mars section of Holst's Planets suite. These disparate images come together when the driver accidentally runs the woman over and her purse is stolen by a construction worker on his way home from the site. Back in his lonely room, the worker sorts through the purse, puts on some Led Zeppelin and proceeds to jerk off to Dazed and Confused and Babe I'm Gonna Leave You. But his masturbation is interrupted when one of the female images which flashes before his mind's eye is the woman being car-struck. The worker grabs a mysterious theatre ticket he has found in her purse and heads out.
His destination is the Bijou, a seedy dive in an apartment block. A crone on the door accepts the ticket and the man enters into another world. Poole throws all of considerable resources of money and imagination into creating a strangely lit netherworld of neon instructions, reflecting mirrors, drapes and men. The protagonist takes part in a dream-like, Dionysian orgy in which he loses his individuality and merges as another figure in a pile of bodies, although his not inconsiderable endowment ensures that he is mostly the active partner in the sex. After this long sequence (which makes up over half of the film) the man leaves and the film ends.
What the accident with the woman and the antics in the Bijou have to do with each other is anyone's guess; the latter could either be an expiation of his guilt or the former might have been a ritualistic induction into another, all-male world (although she does appear, laughing, in one of the split-screens Poole uses in creating the orgy). The special effects – mostly involving zooming in and out onto theatre lights and arranging mirrors to throw multiple reflections – are pretty tacky. Yet I should think that the film did have a disorientating and dazzling effect projected large on the screen of a porn theatre in the mid-70s, where sex was doubtlessly happening off as well as off the screen and the air was heavy with smoke and amyl nitrate. As a movie creating affect in its intended viewing environment, it will have been overwhelming. Now, in the cold light of day and seen on a home screen, it's lack of narrative is a little frustrating and its mise-en-scène feels pretentious; it lacks the intellectual content of Pink Narcissus or a Kenneth Anger short. This is essentially an erotic film made for the cinema screen, and for a certain type of cinema at that.
性档案:外星人大骚动 (1998) [电影] TMDB IMDb
Sex Files: Alien Erotica
导演:
Rolfe Kanefsky
演员:
Kira Reed Lorsch
/
Mark Collver
…
其它标题:
Sex Files: Alien Erotica
/
性檔案:外星人大騷動
On board a long distance spaceship returning to Earth, an alien lifeform has invaded. It feeds off of sexual energy and can clone itself to resemble the female crew members. Once on Earth the government's Alien Files force is called in to investigate the strange behavior of the crew members and to learn why the alien has come to Earth.