《工程和设计中的人因学(第7版)》的核心是论述人因学的问题，即研究“为人所用而设计”（DesigningforHumanUse）的问题。它把系统中的人作为着眼点，通过对人的生理、心理、感知、认知、工效和管理等方面的特性研究，提出了产品、设施、人机界面、工作场所及布局等内容的设计方法，以及差错预防与安全的理论、原则、开发步骤及方法，从而优化人与系统各要素（人与产品、人与环境、人与设施、人与作业等）的关系，并达到最佳匹配，使产品开发、生产（或服务）和管理系统率高、效果好、效益佳。
人因学（HumanFactors）研究的内容包括：工作优化问题的解决手段，实现人一机一环境最佳匹配的工具，全顾客满意产品设计的法则，使人高效，安全、健康、舒适地工作和生活的保证……
《工程和设计中的人因学》（第7版）是人因学领域的一本经典教科书，为广大师生、管理人员和技术人员提供了一整套系统地处理工程和设计中有关人的因素的核心和知识和有效工具。
《工程和设计中的人因学(第7版)》从1957年的第1版至今，不但在内容上始终反映了人因学的最新发展，而且在叙述上深入浅出，层次清晰，理论联系实际，实用性强，已经被国外许多知名大学作为核心教材使用。

Dazed & Confused was conceived as an exploration into the language of style culture, a world where identity fuses with image to leave many would-be protagonists dazed and confused as to the results.
D &C magazine has today become a platform for many up-and-coming and established artists, film directors, actors, photographers and fashion gurus. With a strong belief in collaborative journalism that utilizes the format of the two-way interview in its most refined form, it turns the tables on established interview techniques to transform the celebrity profile into a hard-hitting exposé on the nature of fame and creativity.
With up to 40 interviews with celebrities (Damien Hirst, Jean Baudrillard, Kate Moss, Terry Southern, Isaac Hayes, Noam Chomsky, Bjork and Stockhausen, Lou Reed and Paul Auster, Harmony Korine and Werner Herzog, etc.), the book includes full-page portraits of the personalities featured in the magazine, including photographs by Rankin, Phil Poynter, Martina Hoogland-Ivanhoe, Duane Michals, Dean Chalkley, Andrew Cotterill, Mr Perou, Justin Westover, Jurgen Teller, Mario Testino, Robert Frank, Wolfgang Tillsmans and Dana Lixenberg. The Dazed & Confused collected interviews provide a definitive insight into the style culture of the 1990s, forming a unique and singular portrait of a generation of young artists alongside their more established antecedents.

Complicities explores the complicated-even contradictory-position of the intellectual who takes a stand against political policies and ideologies. Mark Sanders argues that intellectuals cannot avoid some degree of complicity in what they oppose, and that responsibility can only be achieved with their acknowledgment of this complicity. He examines the role of South African apartheid-era intellectuals by looking at the work of a number of key figures-both supporters and opponents-in English, Afrikaans, and Xhosa. Drawing on theorists including Derrida, Sartre, and Fanon, and paying particular attention to the linguistic intricacy of the literary and political texts considered, Sanders shows how complicity emerges as a problem for intellectuals across the ideological and social spectrum. He gives detailed analyses of widely divergent figures-Afrikaner nationalist poet N. P. van Wyk Louw, Drum writer Bloke Modisane, Xhosa novelist A. C. Jordan, Afrikaner dissident Breyten Breytenbach, and Black Consciousness leader Steve Biko. Opening with a discussion of colonial intellectuals Olive Schreiner and Sol T. Plaatje, and concluding with a reading of post-apartheid feminist critiques of the Truth and Reconciliation Commission, he reveals how sexual difference joins with race to further complicate issues of collusion. Complicities sheds new light on the history and literature of twentieth-century South Africa as it weighs into debates about the role of the intellectual in public life.