法国1962年雅克·罗齐耶作品
一部被评论界捧上天的新浪潮杰作
结构主义符号学派电影批评的经典范例
法国结构主义符号学大师麦茨这样评论该片：“从《再见菲律宾》一片各种段落类型出现频率的多寡与否的概述过程中，我们可以重新确认在直观批评上所感受到的影片风格——一部典型的‘新电影’（形式的解放、对过度‘修辞’手法的反动、影片叙事呈现出‘简单化’、‘透明化’趋向等），以及存在于这类新电影之内，我们可以称之为“戈达尔／直接电影”的趋势（强调语言成分、场景的重要性、整体‘写实精神’和真正的新形态蒙太奇...

三名年轻女子前往旺代省度假，期间她们办公室主任的出现，导致她们兴致全无，却变成折磨的痛苦。

“缅因海”是从巴黎到圣纳泽尔（靠近海洋）的一列火车的名称。在这列火车上，巴西人德贾尼拉与两名检票员发生了冲突。另一位旅客米米是一名律师，帮助了她。他们四人稍后会聚在一起，与一位说话奇怪的水手（米米的客户）一起经历几次奇妙的冒险。

Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.

Bonaventure (Pierre Richard) is a semi-competent travel agent who makes up stories about his great romantic adventures to tell to the girls in his office. One evening, he meets a woman who has the same name as one of his made-up romances, and they share a for-real one-night encounter. Afterward, he thinks up a scheme for a unique tour situation in which people might pay for a limited-time visit to a completely undeveloped island where they will be forced to become modern-day Robinson Crusoes.

Fifi Flores是一个成功喜剧的主角。一切似乎都很顺利，但突然间，编剧兼导演成为一个阴谋集团的受害者。他决定重写他的剧本，从而引发了一系列灾难。