The story is about two poor boys’ search for their father through a Journey from downtown to uptown. Two hungry boys are forced to move through the events, people and unrealistic and risky places in a nightmarish way. A daily journey in search of their lost identity and worth!

A young woman's wedding becomes a ritual of mourning when her sister and family die in an auto accident on the way to the wedding. The sisters' mother refuses to accept her daughter's death, and in the midst of wedding guests and mourners, including the drivers of the truck that caused the accident, she orders the wedding to take place. But how can the daughter marry in the midst of a wake and without the family's traditional mirror, which the sister was bringing to the service?

"The Stranger and the Fog" which runs for nearly two-and -a-half hours and was some years in preparation, is an epic that owes allegiance to the Japanese cinema of Kurosawa.
It is set in some distant historical epoch (unfamiliar even to Iranians), and centres on intolerance in a small seaside Village. A stranger arrives in a boat. No one knows why or whence he comes. After an intial period of sucpicion, he is accepted by the villagers and marries a young widow. But there is always the feeling that he is being pursued, and the climax of the film describes a running fight between the villagers and five mysterious armed men who come in search of the stranger.
The film is shot in color with an arrogant ease; the camera travels swiftly and fluently alongside running figures, and prowls unerringly through the village huts. This is a grandiose achievement, as successful in its depiction of a primitive life-style as Paradjanov's "Shadow of Our Forgotten Ancestors". It marks Bahram Beizai as one of his country's most gifted directors. (Film Guide 1975)