A 40-year-old mother struggles to deal with the anxiety of growing older after her eldest daughter moves out and the youngest distances herself.

After World War I, widower Renier has returned to his estate Horlebecq. His sole diversion is his correspondence with the Parisian Rolande, who he met during the war. Even though his family is pressuring him into marrying his sister-in-law Emily, Renier stays obsessed with Rolande and even visits her in Paris. She manages to persuade him to invest large sums of money into the "Academie de Beauté" in Paris. His reckless investments and breaking off his engagement with Emily leads to unbearable tensions at Horlebecq...

The movie follows the turbulent life of Wortel, a deeply devout yet flawed Flemish farmer at the turn of the 20th century. Wortel has an intense bond with his land, but his life is defined by a relentless series of tragic hardships.Throughout his journey, Wortel faces the loss of multiple children, the suicide of his son, and the heartbreaking deaths of his wives, Fien and Frisine. Despite these devastating misfortunes, he is constantly urged by the local village priest to accept this suffering as part of God's grand plan. Mixing heavy melodrama with moments of dark, bittersweet humor, the film portrays Wortel’s fierce survival instinct, human weaknesses, and ultimate search for solace through his faith and hard labor.

1986 film by Jean-Pierre De Decker

The second movie version, now in color, of Flemish (heimat-)author Ernest Claes' classical novel, titled after the nickname (Dutch 'the White', referring to a blond male) of the main character. The smart but naughty farmhands son's eternal mischief, pranks and disobedience drive his elders (especially teachers, family and father's grumpy employer, a rich farmer, but also neighbors and even the kind curate whose liturgical server he is) and classmates to despair in a time when a boy's punishment was still inevitable, swift and often severe; thus when his mother catches him skinny dipping she takes all his clothes home, forcing him to a long walk of shame, dreading dad's wrath all the way. This version also stresses the story's social and Flamingant aspects.