A complete change of pace for cult pinku-eiga filmmaker Hisayasu Sato, this softcore farce set in a women's clinic looks more like one of Siggi Gotz's German romps than a film from the director of OL Renzoku Rape: Kyonyu Musaboru or Kamen No Yuwaku. The zany antics include the misadventures of a voyeuristic nurse, an exhibitionistic patient, a doctor and nurse who engage in S&M, a hypochondriac, and a lesbian nurse who sleeps with the patients.

“Hana-Dama”—a flower in the wasteland. This flower is a symbol of earthly desires and every human is overwhelmed by desire and their rationality collapses wherever the flower is in bloom. And even today, the “Hana-Dama” continues to blossom profusely somewhere in the world. The story is set in a film theater, the facility keeps on closing one after another during recent years. The last day has come to a film theater which has been maintained by a film-loving owner, the staff, and their unique audiences. The symbol of human desire, “Hana-Dama,” blossoms at the theater and instigates people’s erratic behavior. Upon facing its closure, tremendous chaos that will be noted in the history of Japanese film takes place within this film theater.

An abusive psychologist enjoys torturing and abusing his wife. After rough sexual session of pain and dominance she decides to leave her husband. Then her masochistic twin sister arrives and of course plenty of kinky sexual torture and bondage happens next.

A deranged doctor lives in an abandoned hospital together with his wheelchair-bound daughter. Frustrated by normal women's perceived imperfections, the doctor kidnaps them and subjects them to sadistic tortures to turn them into subservient women for his childlike daughter to play with.

Lesbian-themed tale of a schoolgirl who entices her gullible (not to mention slightly warped) female teacher by positing that they are predestined to dance together on the day the world ends. The screenplay was titled "The Gods Have a Nervous Breakdown," which should give some idea of the symbiotic descent into psychosexual dementia that ensues. Rei Takaki co-stars with Shoichiro Sakata and Asako Shirakawa. (Robert Firsching, All Movie Guide)

本作は22歳の若さでこの世を去った天才画家であり詩人の村山槐多の作品に魅せられた現代の若者たちが、村山の作品を独自の解釈で再生させ、時代の突破を試みる“アヴァンギャルドエンタテインメント”。タイトルの由来は村山の友人・高村光太郎の詩「強くて悲しい火だるま槐多」だ。劇中では、村山の「尿する裸僧」という絵画に魅入られた法月薊（のりづき・あざみ）が、道行く人に「村山槐多を知っていますか？」とインタビューしていたところ「私がカイタだ」と答える謎の男に出会う。その男、槌宮朔（つちみや・さく）は、特殊な音域を聴き取る力があり、ある日、村山が過去から語り掛ける声を聴く。度重なる村山の声に神経を侵食された彼は、自らが村山槐多だと思い込むようになっていた。

这部以同性恋为主题的作品由古怪的邪教电影制片人佐藤久康（Hisayasu Sato）创作，讲述了一个似乎变成昆虫的受虐男人。作为一只昆虫，他进入敌人的孔口并附身于它们，使他能够实现他的复仇幻想。

This is one of cult filmmaker Hisayasu Sato's most disturbing and powerful pinku-eiga films, taking the soft-core sex genre into the perverse psycho-Sadean world of the Anglo-American literary trend often referred to as "splatterpunk." Following cosmetic surgery to enhance her breasts, an office worker is raped. The rapist's son, after setting his distinctly Oedipal gaze on his father's busty victim, locates her and they begin an ill-fated sadomasochistic affair that leads to a bloody killing spree. Needless to say, this is definitely not entertainment for the squeamish

時は平安。若い武士・金沢武弘と美しい妻・真砂は旅の途中、薮の中で多襄丸という盗賊に襲われる。武弘は妻を手込めにされたうえ、彼女の申し出により殺害されてしまう。その間に真砂は逃げ、多襄丸は検非違使につかまり打ち首に。だが、この事件に疑問を抱いた検非違使の森川中正は、事件のあった薮の中へと入っていく。彼はそこで美しい巫女と出会い、幻想と怪異な世界へと引きずり込まれていく。芥川龍之介の名作を大胆にアレンジした意欲作。

Cult director Hisayasu Sato teamed up with actor-screenwriter Taketoshi Watari once again for this raunchy tale of a family driven completely mad by rock music. The mother does half-nude aerobics until her son rapes her, and the daughter falls into bed with a female teacher. Despite the shocking goings-on, the film is much more in keeping with Sato’s usual themes of alienation and corrupted innocence than its brutal predecessor.

One of approximately two dozen films in the Chikan Densha series, this one from legendary "pink" director Hisayasu Sato (here working under the pseudonym Hisakazu Hata) is much tamer than his usual sadistic gorefests, perhaps thanks to female screenwriter Kyoko Godai. A suicidal woman (Yumika Hayashi) decides to blow herself to pieces with dynamite on her birthday, but falls in love with a young delinquent on the subway instead. While decidedly nihilistic in tone, Sato's fans may be disappointed that there is nary a rape, whipping, or bloody tooth extraction in sight. Koichi Imaizumi, Kiyomi Ito, and Yuri Ishihara co-star.

This bizarre pinku-eiga entry from cult director Hisayasu Sato combines modern technology and parapsychology against a backdrop of rapes-for-hire and sadistic softcore sex. As usual in Sato's films, the center of the story is an alienated young man desperate to find a way to pay his bills. Financial relief arrives in the form of anonymous e-mails directing him to rape women for money, photographing the crimes as evidence of his work. Sordid as his new job may be, the aspiring rapist seems to have solved his financial woes, until a plucky young psychic uses her extrasensory powers to solve the case. Sayoko Nakajima stars in the Shintoho release (fresh from toplining the first two films by the studio's rising star director Takahisa Zeze), along with Toru Nakane, Aiko Shindo and Kiyomi Ito. ~ Robert Firsching

一对年轻的夫妇开车四处即兴表演广播节目，跟踪夜间跟踪者和强奸犯，或偷窥各种性行为，详细描述他们所看到的，假装震惊，并随着袭击者变得更加暴力而尖叫。

A hospital nurse treating a patient for amnesia discovers that he is the serial killer who has been roaming the city armed with a metal baseball bat. The plot is really an excuse for numerous softcore couplings featuring rubber gloves and the like.

在东京一家名为卧室的地下俱乐部里，女性顾客被下药进入恍惚状态，并受到男性顾客不同风格的怪异拜物教性行为的影响。

Takeshi，一个被疏远的年轻人，在孤独的日子里痴迷于追随完全陌生的人。他被雇来观察一位美丽但心烦意乱的医生的动作，他的行为引起了人们的关注。随着Takeshi继续追踪她，他们之间开始建立起一种纽带，这种纽带只会以悲剧告终。..

A deranged woman gouges out the eyes of the strangers she has sex with. She was once filmed being brutally raped on the roof of her school and is still trying to cope with the trauma.