Detective Scobie Malone accepts a mission to fly to London to arrest Sir James Quentin, a high-level commissioner wanted down under for murder. But when Malone arrives, he finds that the amiable Quentin is not only the key in groundbreaking peace negotiations, but also the target of an assassin himself.

A researcher for the CIA who convinces his superiors to send him to the eastern bloc in order to avenge the murder of his wife by enemy agents discovers a web of deception underneath his wife's death.

The wife of a contract killer disappears. When he is hired by an international organisation to carry out a hit, he suspects they are connected with her disappearance.

NYC custodian Daryll Deever is a big fan of local news reporter Tony Sokolow, so he is intrigued when she shows up to cover a story at his workplace. There's been a murder in the office building, and Tony suspects that Daryll may have insight into the crime, a notion that he furthers to stay close to her. However, when those behind the killing begin to think that he really knows something, they target the pair to keep their secrets hidden.

　　十岁的杰西最好的朋友波比要搬走了，她感到十分沮丧。她古怪的姑姑米莉决定告诉她另一个十岁女孩子的故事，那个女孩子叫凯迪，她和杰西不在同一个时空，最想要的东西是去滑冰。当凯迪在她家门外的滑冰场练习时，与一个叫做奥托的前奥林匹克滑冰冠军交上了朋友，奥托教她怎样才是标准的滑冰技术。随着时间过去，凯迪滑得越来越好。但是凯迪的父亲失业了，全家要搬去另一个城市，凯迪很伤心。这个时候，在北极圈，圣诞老人和他的小精灵正在庆祝小驯鹿的诞生，它的名字叫做”暴风雪”。小驯鹿很快就拥有了三样特殊功能：飞翔、隐形、导航—能用它的心看见东西。小驯鹿感觉到凯迪的悲伤，就飞去她家安慰她。尽管北极圈有严格的要求，小驯鹿还是让凯迪明白真正的朋友是不曾分开的。但是，小驯鹿必须为它自己的违反规则承受惩罚，只有真正的友谊才能令它免受责难。

Featuring a mesmerizing performance by Christopher Plummer as Prospero, Shakespeare's The Tempest is brought from the stage of the Stratford Shakespeare Festival to the cinematic screen.

Johnnie Cochran defends O.J. Simpson who is on trial for his wife's murder.

浩尔从海底王国回来后，有一名自称是他叔叔的年轻男子兰道夫来找他，并告诉他世界间的墙正在瓦解。于是他们一起前往南极洲找几个老朋友帮忙，目的是要拯救地球，并终结因死灵之书的魔力而引发的混乱。

故事发生20世纪初期的澳大利亚，以早期澳大利亚移民内陆开发为背景。神父拉尔夫（Richard Chamberlain 饰）与新西兰移民家庭克利里家族交好，家中的小女儿麦琪（Rachel Ward 饰）从少女时期起便爱上了他，神父与麦琪相爱却不能相守。成年后的麦琪嫁给了不懂风情卖力工作的丈夫，因缘际会二人又再次相遇，但还是因为世俗压力不得不分开，从此以后拉尔夫都暗中照顾麦琪和她的两个孩子，克利里家族在十几年中也发生了一系列的变化，拉尔夫一直不知道麦琪的孩子和自己有着怎样的关联，直至二十多年后最后命运悲剧的发生。

　　本片改编自澳大利亚当代作家考琳·麦卡洛的同名小说，本剧获得过七项艾美奖。

1945年11月20日，俄、美、英、法四国大法官走进德国纽伦堡法院，举世瞩目的历史上第一个国际法庭――纽伦堡国际军事法庭在这里开庭了。21名同盟国认定的主要战争罪犯被推上了历史的审判台，其中包括前纳粹元帅赫尔曼·戈林、希特勒副手鲁道夫·赫斯、纳粹外长里宾特洛甫等。美国首席大法官杰克逊首先宣读总起诉书，罗列了法西斯灭绝人性的罪行，而狡猾的纳粹分子则想方设法为自己开脱罪责，并使尽各种花招，企图通过非常规手段逃出这次正义的终极判决。在十分艰难的境况下，纽伦堡共持续了315天，开庭218次，正义与邪恶的再次以不同形式展开了激烈交锋…

与法国建交的小国卢卡什的国宝粉红美洲豹失窃，引起轰动，国王下令尽快抓住窃贼，寻回国宝。按现场留下的线索，初步断定为四年前的窃贼王里登所为。卢卡什方面希望四年前破获此案的法国探员克鲁索再次负责抓获里登。事实上，克鲁索是个糊涂却颇有正义感的探员，对此案的调查中洋相百出，最后却歪打正着。

　　历史上最受争议的短篇电视连续剧之一，当导演佛朗哥.泽菲雷里公开宣布他在本片中是把耶稣当作一般人、而不是宗教偶像来描写时，电视剧遭到了有关方面的仔细检查并引起争议。宗教激进分子们甚至在电视剧于1977年4月3日在电视台首播之前就开始表示强烈的抗议，尽管很多赞助商表示不 再支持这部电视剧，但NBC还是决定如期播放它，结果取得了出人意料的效果，使得本片成为有史以来最成功的电视剧之一

　　自阿卡漢瘋人院探望父親回來以後，浩爾不顧父親的警告，利用死靈之書打開一條通道，意外來到了住著恐怖怪物且危機重重的冰天雪地。
　　他在那裡認識了怪物小斑，並很快地建立起友誼，一起找尋浩爾回家的辦法，殊不知他們其實正一步步，踏入冰雪王國統治者冰后釋放宇宙毀滅者的邪惡計畫中。

回到现代文明诞生前的一万年前，在那个历史时期，人类与巨型动物共同生存在奇异壮观的冰封大陆上。本片尽可能真实的还原了北美、欧洲、亚洲大陆的壮丽地貌，利用炫目的CGI技术重塑了长毛象、剑齿虎、冰原狼等冰河时代生物，对冰河时代感兴趣的观众们来说，本片绝对是不应错过的一次饕餮盛宴。与此同时，影片还探索了可持续环境发展，在极端环境中存活等重要课题。

查普曼英俊、潇洒、智慧过人，他的身份却是双重的。一方面是英国特务，另一方面又和德国军方签下一纸合约。他被德国人派去英国炸飞机场，搜集情报。回来后，受到德国的褒奖，而英国方面也乐意。他凭借智慧，站在了战争获胜者的一边。

Edmund is a boy whose favorite story of Chanticleer, a rooster whose singing makes the sun rise every morning until the Grand Duke of Owls, whose kind despises the bright sun, makes him look like a fraud. With Chanticleer driven from his farm, the owls put it under a spell of perpetual darkness and rain. As Edmund's own farm floods, he calls to Chanticleer, only to summon the Duke himself who transforms him into a kitten to devour him. Rescued by Chanticleer's former friends Patou the hound, Snipes the magpie and Peepers the mouse, they go on an adventure to the city where the rooster had gone and became a great singing rock star! @

未来，全美“人人平等”，大家的智商都基本一致——不太高。然而主人公哈里森·伯吉朗却比身边的人更聪明，他为此去进行手术，却发现了幕后的秘密……

The first act opens with Hirst's offering a drink to Spooner: "As it is?" – that is, neat (UK) or straight (U.S.) – and Spooner's reply: "As it is, yes please, absolutely as it is" (15). During the first act, Spooner claims to be a fellow poet and to have known his more illustrious literary host and mutual acquaintances and relationships in the past. Toward the end of act one, Hirst's keepers (quasi-body guards) "vagabond cock" Foster and Briggs seek to fend off the self-insinuating Spooner, leading Hirst "out of the room (52) and away from him. The act ends with a "Blackout" – visually demonstrating Foster's taunt: "Listen. You know what it's like when you're in a room with the light on and then suddenly the light goes out? I'll show you. It's like this. ... He turns the light out" (53).
During Act Two, in his increasingly inebriated state, Hirst may mistake or feign recognition of Spooner as an Oxbridge classmate from the 1930s, an apparently false impression which Spooner nevertheless encourages (68–78), leading both of them into a series of increasingly questionable reminiscences, which Hirst finally and abruptly undercuts: "This is outrageous! Who are you? What are you doing in my house?" going on to accuse Spooner of being an impostor: "You are clearly a lout. The Charles Wetherby I knew was a gentleman. I see a figure reduced. I am sorry for you. Where is the moral ardour that sustained you once? Gone down the hatch." – allusively and both wistfully and comically combining the clichés "Gone with the wind" and "Down the hatch," after which, Briggs "enters, pours whisky and soda, gives it to" Hirst, who "looks at it" and then says, "Down the hatch. Right down the hatch. (He drinks.)" (78). Hirst proclaims, "Let us change the subject. Pause. For the last time." (91), but immediately asks, "What have I said?" That leads the characters to debate what Hirst's phrase for the last time precisely "means" (91–94), leaving all of them, according to Spooner, "in no man's land. Which never moves, which never changes, which never grows older, but which remains forever icy and silent." Following the illustrative "Silence", Hirst utters the play's final words and provides its final action: "I'll drink to that" (95): "He drinks," paralleling the opening words of the first act ("As it comes?"), and the play ends, ambiguously, with a "SLOW FADE" of lights (95).