The son of Chief Marakud should become a real warrior, but he does not know how to hunt at all and disappoints his father. Marakuda goes alone into the forest and finds the sacred bird Tink, which gives him the gift of understanding the language of animals and birds. Marakuda and Tink return home with honors. The boy does not know that according to tradition, the sacred bird must be sacrificed for the prosperity of the tribe.

Three heroes - that's why they are heroes, because every day they are ready for new fairy-tale feats. The mighty trinity can do everything - greet the overseas king in the highest rank, expose the impostors, return the horse Julius' ability to talk, and turn the prince back from a mosquito into a man. And do it, as always, cheerfully, amicably, and with ingenuity.

Mom, Dad and... five puppies. The Barboskins are like people. Dad spends his free time at the computer, his daughters are fond of fashion and listen to Jeanne Pussy, and his sons play football and dream of a Nobel Prize.

The three heroes have a feat according to the schedule every day. You will have to investigate the theft of the princely crown, then rescue friends from the magical world of dreams, then the Horse Julius and Alyosha will clash in an epic battle of wits. There are no small adventures, and our heroes are not small.

Ivan Khristoforov discovers the strange property of foreseeing explosions. Trying to understand the reason and meaning of this unusual ability, he turns to family history. The attention of the secret public service doesn't bode well for Khristoforov. The imaginary journey of the hero in his past, bearing the imprint of a children's worldview, and the present, at times just like a dream.

The film’s heroine is the gynaecologist Masha, whose husband leaves her. When a man leaves his wife, he carries away all her hopes for a future. Of course, it would be noble to let the husband go, but Masha is a strong woman and begins a desperate struggle for her infidel husband Misha. The power is unequal. Masha is already well in her thirties, while the fitness-trainer Oksana is just over twenty. But behind Masha stand a great experience of life and two small children. In this situation she is ready to use the entire arsenal available, including extraterrestrial forces. The young Oksana relies only on feelings. And on her fine figure, her magnificent hair and irrepressible temperament. Who will win this fight and get the prize? And what happens when the dream of one of them will become true?

For some reason, forever young and always immaculately dressed, Koschey has been unable to find a bride for three hundred years. He intimidated, and kidnapped, and turned various princesses into frogs, but these courtship did not help the prince of darkness. Meanwhile, the beautiful hero Varvara only does what she fights off in the arena from suitors who covet her dowry. However, having taken possession of the Koshcheev needle, Tsar Peas figure out how to get to Varvara. But he didn’t take into account one thing - although Koshchei’s death is enclosed in a needle, love can still come to life in his heart

Young Alisa is fed up with her life in Moscow, and moves to St. Petersburg. Her roommates in the collective flat are two junkies, Vel and her boyfriend Valera the Dead Man. First they fight, but soon the two women form a friendship. Together they even go after the Petersburg underworld when Dead Man is abducted because he can't pay his debts.

A maniac terrorizes a town during rainy nights. And exactly on one rainy night a student has a night shift in a 24-hour shop. And exactly on this night the owner of the shop goes to play in a casino, his wife wants to be entertained, a detective is awaiting for a crime to be committed and certainly... the maniac begins hunting.

2011 film by Veit Helmer

This movie is about soccer hooligans, the most aggressive and violent soccer aficionados. They are an exclusive group, the elite of all soccer fans. Whoever they may be in their everyday lives—college students, bankers, musicians, or car mechanics—they are a “firm.” It’s easy to get into a firm, but once you’re in, it’s for life. There’s no going back. The movie is based on actual events

This time Lesha, Slava, Kamil and Sasha go to St. Petersburg. And three of the four do not even know why they go there. But at some point it becomes clear that it does not matter - why. It is important that they go.

General Ivolgin, forester Kuzmich, and good-natured Lyova lose their way on a fishing trip and wind up in a neighboring country, where they decide to have a good time anyway but end up leaving their vodka and fishing equipment behind.

A year to the day after Dorothy and the people of the Emerald City defeated Urfin Jus, the villain is trying to exact his revenge. To command the army of Carraci, however, Urfin needs not only the magic book, but also Dorothy’s silver slippers. The slippers are safely hidden away in Dorothy’s house. Unfortunately, Dorothy’s guest, Tim, is overcome by curiosity and picks up the shoes, accidentally transporting himself, Dorothy and the slippers to the Land of Oz. The Emerald City and its citizens are in danger once again.

I just watched this compilation of footage shot in Mexico around 1930 by Eisenstein, and I was completely unprepared for the striking quality of these images, some of the most beautiful black and white cinematography I've seen. As I understand it, this footage, which Eisenstein was compelled to abandon, has been compiled and edited into a sort of travelogue by the Oleg Kovalov, who gets director credit for this film. This is a travelogue in a more old-fashioned sense – not a survey of resorts, hotels, casinos and airports, but an impression of the time, place, people and atmosphere of old Mexico. It has been edited per notes left by Eisenstein, along with a degree of interpretation guided by Kovalov's knowledge of Eisenstein's style and intentions. However far it might have strayed from those original intentions, it is a remarkably beautiful film in its own right.
Early on in the film, the compositions look like Gaugin paintings come to life, as the provincial Mexicans strike the iconic poses that Eisenstein set up, surrounded by tropical foliage. In one particular shot, two young woman hold their pose under some palm leaves, but the one on the left repeatedly breaks into giggles, possibly over the strange attitude that the crazy Russian has asked her to hold. Really charming. Many of the scenes with the local people are moody, or even a bit spooky, some involving symbols of death. Others are more festive, but still with a dark quality to them. A Russian is a Russian, I guess.
A stereo soundtrack has been added which consists of various ethnic music (not just Mexican), more modern, avant-garde music, and ambient sounds and sound effects that are so apt and well-timed to the film, they give you an eerie sense of being there. This is one of the best things I've seen in a long time, and I can't recommend it highly enough.

How is it possible to feel someone elses pain? The hero of this film is an autistic boy. His life is divided between an apartment with peeling walls on the outskirts of a large city, and a mental hospital. Anton comes into the frame when he is on the point of becoming a patient at a residential neuropsychiatric institution, a place where people with the sort of diagnosis that he has do not live long. The author, the camera, the hero. The distance between them shrinks with every passing minute, and the author has to enter the shot and become a character in the story. However, it is not a story about how one person helped another, but about how one person recognized herself in another. About how there is Another who lives in each of us and must be destroyed every day inside of us in order to survive.

Veliky Novgorod, 1987. Olga makes a stand against her teacher’s authoritarian teaching methods, Andrey is propagating an ‘anti-death pill’ in a jam jar and Katya observes her father distilling booze illegally behind closed doors. These three young schoolmates are all members of the ‘Vladimir Illyich Lenin’ Young Pioneer organisation and are full of childlike visions of the future.
Over twenty-five years on, all three have now established themselves professionally in Moscow, and yet they have not really found their bearings in present day Russia. Olga suffers from panic attacks, Andrey tries to fill his inner void with computer games, and Katya is pursued by unsettling dreams. Moving poetically between past and present, Natalia Kudryashova shows the gulf between the visions of yesteryear and today’s reality which the dissolution of the Soviet Union has left behind for its final generation of Young Pioneers. Impressively dense and atmospheric images describe their attitudes towards life. Derelict concrete buildings, imposing and Kafkaesque, give shape to the oppressive shadows of their original dreams that now threaten to engulf them. berlinale 2015

A fairy tale-like love story between young circus artist Lola and the bear Misha, who one day transforms into a human being.

Mischevious twins Zip and Zap are placed in Esperanza, a school where games are prohibited. There, they found the Club of Marble, a resistance to challenge authority. Thanks to intelligence, courage, and unwavering faith in friendship, Zip, Zap and the club will discover a mysterious secret hidden deep in the school and live the most exciting adventure of their lives.

An aircraft designer becomes a ghost after a sudden death. Now he needs to engage a help of seven-grader in order to finish all his unaccomplished tasks.