Exploring the wit, work and world of Joe Orton through his own words, and the testimony of those who knew him and worked with him.

　三人必须共同打击犯罪，同时打击鲁宾犯罪，必须与街头犯罪者、克罗基德政治家、保加利亚王子、精神领袖、音乐厅明星和象形人合作。

发生在Bliss一家和三个客人之间的乌龙故事。

Judith Bliss, once glittering star of the London stage, now in early retirement, is still enjoying life with more than a little high drama. To spice her weekend up, Judith invites a young suitor to join her in the country. However, her novelist husband, and her two eccentric children have had the same idea for themselves and any hope for private flirtation disappears as the family’s guests begin to arrive.

Oscar Wilde’s dangerous philosophy leads him on a path to destruction. The Judas Kiss describes two pivotal moments on that path: the day Wilde decides to stay in England and face imprisonment, and the night, after his release two years later, when the lover for whom he risked everything betrays him.

With a quiet but burning sense of outrage, David Hare presents the consequences of taking an uncompromisingly moral position in a world defined by fear, expedience and conformity.

Oscar Wilde’s dangerous philosophy leads him on a path to destruction. The Judas Kiss describes two pivotal moments on that path: the day Wilde decides to stay in England and face imprisonment, and the night, after his release two years later, when the lover for whom he risked everything betrays him.

With a quiet but burning sense of outrage, David Hare presents the consequences of taking an uncompromisingly moral position in a world defined by fear, expedience and conformity.

仲夏夜晚，雅典城中，公爵忒修斯与未婚妻正在筹备婚礼，而一对恋人却正为爱情发愁。美丽的赫米娅钟情于拉山德，而父亲伊吉斯却执意让她嫁给狄米特斯，这一无理的请求却得到了雅典公爵的支持。如其不从，雅典的法律将判她死刑或孤独终身。赫米娅为了圆自己的爱情梦，便与情人拉山德双双逃入远郊的森林。
在森林中，仙王为了戏弄仙后，唆使小精灵帕克将“情水”滴在熟睡的仙后眼上，让其爱上醒来第一个看见的人。帕克却在完成任务的过程中错点“情水”，让四个年轻人混淆了彼此爱恋的对象——两个同样善良可爱的姑娘，一个遭遇的是突如其来的惊喜，一个却陷入深深的悲伤；而两个痴情的热血青年却又为共同爱上的姑娘愤然决斗，制造出了一系列的误会和笑话。最后，仙王出面消除混乱，有情人终成眷属，全剧在皆大欢喜的氛围中结束。本剧贯穿着三对爱情纠葛以及四组婚姻，复杂却不失条理，在情节上弥漫着青春曼妙的色彩，人间与仙境的浑然交错、时间与空间的纷繁交织，编织出一段仲夏时节的梦幻咏叹调。

哈姆雷特快要疯了。父亲由于奇怪的病症暴毙，母亲改了嫁。在那么多人之中，她偏偏嫁给了亡夫的弟弟，还在父亲过世短短一个月之后。哈姆雷特总是能在夜间看见父亲的鬼魂，他呼喊着自己被弟弟毒害，并恳求哈姆雷特替他报仇，去杀死他的继父。哈姆雷特为了复仇大计装疯卖傻，却在实施的过程中迷失了现实。世界，对他来说成了污浊的泥淖。对性的渴望和唤醒成了恐怖的深渊。周围的朋友变成了继父的耳目，为了时刻监视他。甚至奥菲利亚，他的爱人，也变成了密谋中的一颗棋子。
哈姆雷特的偏执并非全无依据，一个告密者在幕帘后对他密切监视、窃听，终于，复仇者成了凶恶的捕食者。愚蠢的行为变成了彻底的疯狂，哈姆雷特错杀了波洛涅斯——奥菲利亚的父亲。哈姆雷特的母亲和继父为他掩盖了谋杀的罪行，并有意安排他远离公众的实现。哈姆雷特的大计似乎要化为泡影。他迷失了自我，失去了人生的方向。面对这一切，奥菲利亚再也无法承受，她自杀了。当哈姆雷特的继父决定让哈姆雷特永远不再发声的时候，哈姆雷特也抓住了这手边的机会，给了继父最后的沉痛一击，迫使他臣服。
莎士比亚再现了丹麦皇室堕落的政治网络，让哈姆雷特的人生变成了彻底迷幻的悲剧。谋杀、背叛、篡权和对性的渴望成了这场战争中捍卫皇权的武器。哈姆雷特因为无法采取行动，对抗这场在皇廷中充满冷嘲热讽的游戏规则，他变得沉郁、闭塞、甚至自我伤害。他生性犹疑，在好坏两方面难以抉择，这也成为他复仇之路上难以逾越的障碍。除他之外，再无他人对皇室存疑，他的人生注定是场悲剧。

Netflix、BBC将联合拍摄一部四小时动画系列剧《兔子共和国》，该剧改编自英国著名作家理查德·亚当斯同名奇幻小说。豪华配音阵容包括詹姆斯·麦卡沃伊、尼古拉斯·霍尔特、约翰·博耶加、杰玛·阿特登、本·金斯利等。导演诺姆·穆罗，编剧汤姆·比德韦尔。

The play's setting is primarily Zürich , Switzerland during the First World War. Three important personalities were living in Zürich at that time: the modernist author James Joyce , the communist revolutionary Lenin , and the founder of Dada , Tristan Tzara . In the play the less notable English consular official Henry Carr, who is likewise a real person and was similarly in Zürich, recalls his perceptions and his experiences with these influential figures. As he reminisces Carr's memory becomes prone to distraction, and instead of predictable historical biography these characters are interpreted through the maze of his mind.

Carr's memories are couched in a Zürich production of Oscar Wilde 's play The Importance of Being Earnest in which he had a starring role. Stoppard uses this production and Carr's mixed feelings surrounding it as a framework to explore art, the war and revolution. Situations from Earnest feature prominently within the action. The characters in Travesties also include versions of two from Earnest , Gwendolen and Cecily, and the comedic situations of many of the other roles are shared by other characters. Stoppard uses many theatrical devices within the play, including puns , limericks , and an extended parody of the vaudeville song " Mister Gallagher and Mister Shean ".

The real Carr did play Algernon with a group of actors called The English Players, for whom the real James Joyce was the business manager. Carr and Joyce had an angry disagreement after the play, which led to legal action and accusations of slander by Joyce. The dispute was settled with the judge deciding in favour of both disputants on different counts. Joyce later parodied Carr, and the English Consul General in Zürich at that time, A. Percy Bennett, as two minor characters in Ulysses , with Carr being portrayed as a drunken, obscene soldier in the "Circe" episode.

After the first performance of Travesties Stoppard received a letter from the real Henry Carr's widow, expressing her surprise that her late husband had found himself imagined as a character in Stoppard's play.

2015 British online documentary series created by Russell T Davies

　　日前，英版兼美版《同志亦凡人》创始人戴维斯回归其最擅长题材，开发了一个以食物命名的同志系列剧——《豆腐》（Tofu）、《香蕉》（Banana）和《黄瓜》（Cucumber），光是片名已让人跃跃欲试，浮想联翩。 三部剧均于2014年春在英国曼彻斯特开拍。《香蕉》和《黄瓜》是常规英剧，背景和英版《同志亦凡人》相似，均聚焦“gay都”曼彻斯特，讲述不同世代的英国同志生活。相对于《黄瓜》，《香蕉》更侧重年轻一代，没节操没节操啊，父母发现接受不了，自己就处在矛盾中，有时候就用谎言掩盖。迷茫 、年轻、没有确定性。

　　《黄瓜》男主亨利47岁，在一家保险公司工作，和伴侣兰斯生活于郊区，滋润又安逸。但在经历了一场灾难性的约会之夜——混杂了一段死亡，一段3P，两辆警车后——亨利的旧生活崩解，新生活降临，人生故事似才刚刚开始。《香蕉》男主莱迪和迪恩年岁不及亨利一半，亦在《黄瓜》中跳进跳出，和他们的生活互有交集，但拥有独立的故事线，代表着这座城市年轻一代的同性恋群体。