The dissolution of a relationship unravels through visual and aural equivalences. Schneemann splits and recomposes actions of the lovers in a streaming montage of disruptive permutations: 8 mm is printed as 16 mm, moving images freeze, frames recur and dissolve until the film bursts into flames, consuming its own substance. Sound: Carolee Schneemann. -- EAI

经典的偶发艺术/行为艺术表演现场纪录片。Claes Oldenburg早年是偶发艺术的实践者，70年代后成为著名的现代派雕塑家、设计师和波普艺术家。《Happenings》是其早年的艺术实践之一，参与创作的还有Carolee Schneemann、Jackie Ferrara、Jean-Jacques Lebel等许多来自美法德各国的偶发艺术家。
Early in 1962 Claes Oldenburg offered a remarkable series of ten 'Happenings' in a store on East Second Street in New York City. The audiences were kept small to heighten the intimacy of the experience. What is a 'Happening'? It would seem impossible to describe afterwards. Yet Raymond Saroff compressed the rich and sprawling imagery of each evening-length work to the essential matter in hand, reassembling a visual realization of what was seemingly consigned to the memories of its audience. All the characterizations, the unprepared transitions, the very personal rhythms with something of Saroff's own: the 'Happenings' impact on a sensitive eye, its reduction to a single and coherent point of view.

From 2015 to 2017, Lynne Sachs visited with Carolee Schneemann, Barbara Hammer and Gunvor Nelson, three multi-faceted artists who have embraced the moving image throughout their lives.

One hundred and sixty portraits or rather appearances, sketches and glimpses of avant-garde, independent filmmakers and film activists between 1955 and 1996.
Why BIRTH OF A NATION? Because the film independents IS a nation in itself. We are surrounded by commercial cinema Nation same way as the indigenous people of the United States or of any other country are surrounded by Ruling Powers.
We are the invisible, but essential nation of cinema. We are Cinema.

A silent film of collaged and painted sequences of lovemaking between Schneemann and her then partner, composer James Tenney; observed by the cat, Kitch.

Writes Schneemann: "Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

Maya Deren's Sink, a 30 minute experimental film, is an evocative tribute to the mother of avantgarde American film. The film calls forth the spirit of one who was larger than life as recounted by those who knew her. Teiji Ito's family, Carolee Schneemann and Judith Malvina, float through the homes recalling in tiny bits and pieces words of Deren's architectural and personal interior space. Clips from Maya Deren's films are projected back into the spaces where they were originally filmed appearing on the floorboard, furniture, and in the bowl of her former sink. Fluid light projections of intimate space provide an elusive agency for a filmmaker most of us will never know as film with its imaginary nature evokes a former time and space.