该特别节目将在好莱坞露天剧场录制“迪士尼《狮子王 30 周年 – 现场到电影音乐会活动》”，庆祝《狮子王》从 1994 年的原始动画电影到 1998 年获得托尼奖的百老汇音乐剧，再到 2019 年的戏剧真人电影的 30 年演变。

Setting: London in 1982

Act I



In the first scene the coldly witty Max correctly accuses his distant and travelling wife, Charlotte, of infidelity. She leaves embarrassed and angry.



The second scene appears to follow directly after the first, but Charlotte's personality has changed completely, and she is now married to a playwright named Henry. Gradually the audience realises that Charlotte is an actress, and the first scene was her performance in a play that Henry, her husband, wrote. She is unhappy with the play, believing that Henry gives short shrift to the female character in order to show off his own wit through the mouth of Max.



Max and his wife Annie drop by for a visit to Charlotte and Henry. Without the benefit of Henry's dialogue, Max turns out to be a likeable but negligible fellow, and Annie is, according to the script, "very much like the woman Charlotte has ceased to be." Annie is a devoted activist on behalf of an imprisoned vandal, Brodie, and Henry mocks her as a sentimental do-gooder, giving offence to Max. But when Annie and Henry are left alone, it's revealed that their fight was also a performance: they are having an affair, and she agrees to meet him later on the pretext of visiting Brodie in prison.



Max discovers the affair, and Annie leaves him to be with Henry. Soon, Henry is reduced to writing television scripts in order to pay alimony to Charlotte. He struggles to write a play about his love for Annie, but finds it difficult to find the right language to express sincere emotion: he is more comfortable with comedy.

Act II



Two years later, Henry's play about Annie remains unwritten. Annie asks him to ghost-write a play by the prisoner Brodie, whom she continues to visit. Brodie's incoherent anarchist politics, anti-intellectualism , and lack of ability for writing are the antithesis of everything Henry values. Annie discounts this in favour of the intention behind the writing. Henry defends the importance of beauty in language and skill in writing using an analogy with a cricket bat: good writing is like hitting a ball with a cricket bat (ie something that has been carefully designed to hit balls in the best manner possible); bad writing is like hitting it with a plank of wood (ie, something that has the same composition as a cricket bat, and bears it some resemblance, but is ultimately random and inferior).



When Annie is cast in a production of 'Tis Pity She's a Whore in Glasgow, she must be away from Henry for some time, and Henry visits Charlotte and their daughter Debbie. The teenage Debbie declares that monogamy is a thing of the past, a form of colonisation. Henry gently cautions the girl against his own vice of making clever phrases for their own sake, but he is shaken by her cynicism nevertheless. For her part, Charlotte breezily admits to multiple affairs during their marriage, and tells him that his affair with Annie only caused trouble because he treated it romantically instead of as a source of fun.



Henry returns home in a frenzy of jealousy and ransacks his and Annie's apartment searching for evidence of infidelity. His confrontation with Annie echoes the scene from the play he wrote that was performed in the first act of The Real Thing , but Annie has more to say than his imaginary wife did. She admits that she is having an affair with her young co-star Billy, but refuses to either give Billy up or leave Henry: both romances have a moral claim on her, and Henry will just have to accept it. With pain, he does.



As if their relationship were not under enough strain, Brodie is released from prison and stops by for a visit. He turns out to be a prize oaf, with all of Henry's arrogance and elitism, but none of the genuine skill or eloquence to back it up. At last, Annie pushes a bowl of dip in his face and throws him out of the house, and peace between her and Henry is restored. The play ends with a phone call from Max, who tells Henry that he has become engaged.

尤瑟夫每天都往返于他的农耕村庄巴斯玛和他在耶路撒冷城里的工作之间，满怀热情地努力在瞬息万变的现代世界中寻找自己的位置。他年轻而躁动，更渴望摆脱乡村生活的束缚，而不是被卷入其中的种种烦恼。尤瑟夫的故事与年轻寡妇拉巴布和她的女儿阿芙拉、粗犷的领袖哈立德、鞋匠兼当地神父卡里姆的儿子以及活力四射的都市人胡卢德和她的商人丈夫阿明的故事交织在一起。

“通往孟菲斯和底比斯的道路经过都灵。”
The road to Memphis and Thebes passes through Turin.
在19世纪上半叶的埃及考古热中，被后世公认为埃及学创始人的古埃及文字破译者让-弗朗索瓦·尚博良（Jean-François Champollion）写下这句话。今日，独一无二的都灵埃吉齐奥博物馆建馆200周年纪念之际，纪录片《不朽奇迹：埃吉齐奥博物馆》带我们回溯它的起源，奥斯卡影帝杰瑞米·艾恩斯将作为特邀嘉宾，与我们共睹人类历史上最迷人的文明之一及其宝藏。
都灵埃吉齐奥博物馆是世界上仅次于开罗埃及国家博物馆的第二大古埃及博物馆，保留着4万余件古埃及遗存，其中1万余件常年展陈，这其中包括《国王纸莎草纸》（又称《都灵王表》），现存最古老版本的《亡灵之书》手抄本，阿蒙霍特普一世雕像、生命女神伊希斯雕像、图坦卡蒙与阿蒙神的雕像等稀世珍品。
为了确立和维护自己的统治，意大利历史上的最后一个王朝萨伏伊王朝书写了都灵起源于埃及的神话，并于1824年在这里建立了埃吉齐奥博物馆，将收集来的大量文物放置其中。本片走访馆长、策展人及学者，听他们讲述博物馆的研究成果、科学研究和幕后故事；亦深入尼罗河沿岸大地，从埃及吉萨到底比斯，再到帝王谷中的工匠村，18、19世纪意大利探险家和考古学家的足迹将与埃吉齐奥博物馆的历史交织在一起。

　　超级大海龟Great A'Tuin的背上，站着四头大象；大象的背上，驮着一个奇异的圆形世界－－人们称之为“碟形世界”（荒诞世界／异想世界）。虽然那里的文化看起来很像人类的中世纪，但他们和我们有着本质的不同。海龟，大象，还有碟形......

埃德蒙·唐泰斯（Edmond Dantès）是一位被诬陷叛国的年轻水手，被囚禁在马赛附近的伊夫堡（Château d’If）。他成功逃脱后，化名为基督山伯爵（The Count of Monte Cristo），并策划对那些陷害他的人进行精心的报复。

罗兰·约菲导演的史诗式宗教冒险片，两位男主角形象虽有点典型化，内容也有点庞杂，但映象十分壮观，某些场面的摄影美得让人窒息，杰瑞米·艾恩斯与罗伯特·德尼洛的对手戏也精彩可观。剧情描述十八世纪时，西班牙教士嘉比尔奉派到南美洲丛林为瓜拉尼族人建立教会。他碰到了奴隶贩子罗多萨，带着这个因为杀了弟弟而深感内疚的汉子一起前往目的地修行赎罪。当他们的传教任务稍具规模时，葡萄牙与西班牙政府却因为殖民地冲突而在当地发生战争屠杀，结局十分悲怆。

影片由《观光客》导演本·维特利执导，改编自J·G·巴拉德同名小说，讲述一座与世隔离的大楼中，阶级结构自主形成，一场暴力事件，引发住户间争斗的故事。抖森”汤姆·希德勒斯顿饰演罗伯特·莱因医生，有着一段悲剧的过往，他搬进了一幢豪华大楼里居住。在这里，人们心怀创造新生活的希望，即进入更高的社会和经济阶层。但他很快发现，他的住所位于上层的富人生活区和下层的穷人聚居区之间的危险地带。通过和单身女性夏洛特（西耶娜·米勒 饰）、纪录片导演理查德·怀尔德（卢克·伊万斯 饰）以及大楼的建筑师安东尼·罗伊（杰瑞米·艾恩斯 饰）交朋友，罗伯特逐渐成为了住客中间的一个异类，在上层居民和下层居民就生活方式、继而是基础设施展开争夺时，他保持中立态度。

　　曾经和平富饶的国度阿拉盖西亚，如今陷在邪恶国王（约翰·马尔科维奇 John Malkovich 饰）的暴政统治下，期待神灵解救敢怒不敢言的人民。一日，农家少年伊拉贡（艾德·斯皮尔斯 Ed Speleers 饰）在林中拾获一枚奇石，不想竟是一枚龙卵，孵出一只蓝色飞龙。伊拉贡为小龙取名“萨菲拉”，遇到先知布鲁姆（杰瑞米·艾恩斯 Jeremy Irons 饰）后，才明白这是一场怎样的机缘——曾经守护这片土地的龙骑士应该回来了，带领人民找回自由。在布鲁姆的指导下，伊拉贡开始学习剑术和驭龙技巧，慢慢从一个普通少年成长为担当重任的龙骑士，前路危险重重，前路通向光明…… 　　本片根据同名小说改编而成，是《遗传三部曲》中的第一部。

为纪念《虎胆龙威》上映25周年，二十世纪福斯影业以收录在“虎胆龙威：25周年纪念合集”蓝光五碟套装中的方式推出了这部由一系列幕后短片组成的纪录片，详细地回顾了“虎胆龙威”系列第一部至第四部的制作历程。

An aspiring cellist learns that the cost of his cello is a lot more insidious than he thought.

American Chopper is a reality television series that airs on Discovery Channel, produced by Pilgrim Films & Television. The series centers on Paul Teutul, Sr. (frequently called Senior), and his son Paul Teutul, Jr. (also known as Paulie or simply Junior), who manufacture custom motorcycles. Orange County Choppers is in Newburgh, New York. The contrasting attitudes of the two men and their propensity for argument often lead to heated exchanges as they meet unusually short deadlines for building distinctive custom choppers.

这部HBO原创剧集延续了广受好评的图画小说，发生在当代美国，那里的制服英雄遭到禁止，末日钟声嘀嗒回响。

　　影片以见证人、叙述者查理斯·赖德的视角讲述了二战爆发前的英国，伦敦近郊布赖兹赫德庄园的兴盛与沉沦，描写了这个天主教家庭的生活与命运。牛津大学，查理斯结交了贵族出身身份显赫的纨绔子弟圣巴斯蒂安·弗雷特。圣巴斯蒂安严苛的母亲马奇曼侯爵夫人掌管着布赖兹赫德庄园，庄园上下都是虔诚的天主教徒。然而父亲抛弃妻子与情妇久居威尼斯的丑闻，给子女从小就留下了耻辱的印记，扭曲了他们的天性。日日饮酒作乐纸醉金迷的圣巴斯蒂安，邀请查理斯到庄园参加他的家族晚宴。查理斯对圣巴斯蒂安的妹妹朱莉娅一见倾心。三人间扑朔迷离、暧昧不清的感情纠葛从此展开，跨越数十载，那些爱与生活，痛苦与信仰，都经不住物是人非。

艾洛斯·帕克的邻居亚当·克莱 (杰森·斯坦森 饰) 是一名养蜂人。艾洛斯对亚当很好，因此对亚当来说艾洛斯是个对自己来说非常重要的人。有一天艾洛斯受到网络诈骗，不光自己的钱，连自己管理的慈善基金账户都被骗了个干净。绝望的艾洛斯开枪自杀了，骗子们却为自己的业绩欣喜若狂。然而，这些贪图权力和金钱的骗子不知道的是，亚当曾经是一个名为“养蜂人”的机密项目培养的特工，他们严重低估了他的威胁。亚当开启了复仇之旅，他要逐个杀死必须对这起事件负责的所有人，无论那个人地位有多高……

In 2003, Comic Relief performed a spoof story called Harry Potter and the Secret Chamberpot of Azerbaijan. It featured Dawn French as a female Harry; Jennifer Saunders as Ron Weasley and J. K. Rowling; Miranda Richardson (who later became Rita Skeeter in the Goblet of Fire film) as Hermione; Nigel Planer as Dumbledore (wearing the beard and costume of Richard Harris); Jeremy Irons as Professor Severus Snape; Alison Steadman as Minerva McGonagall; Ronnie Corbett as Hagrid and Basil Brush as Dobby the house elf. The broadcast of this parody was preceded by a message from J. K. Rowling. French subsequently received a role as The Fat Lady in 2004's Harry Potter and the Prisoner of Azkaban. The end of Secret Chamberpot featured an advert for the sequel, Gobs of Fire, which was never made. It is unknown whether it was ever planned, or if it was just a spoof.

　　禁酒令这部PBS的纪录片分为三集，总共有五个半小时。这部纪录片由Ken Burns和Lynn Novick执导，讲述了将禁酒令写进美国第18次宪法修正案的起起伏伏和其间所涉及的各种重大事件。

　　当一个多世纪的激进主义反对达到顶点时，禁酒令却似乎真的提升甚至高尚化了美国人的生活水平，使得个人，家庭，乃至整个社会免于遭受滥用酒精所带来的毁灭性影响。

The documentary relates the decisive moments, the turning points and the rollercoaster ride of a brilliant, eventful international career and the extraordinary life of a great Italian artist. From his origins as an illegitimate child with no name to the attainment of great international fame as a film director, art director, painter and stager of theatrical and operatic productions. Through original and archive interviews with some of the most acclaimed stars who have known, admired and loved him and with his closest relatives, friends and collaborators, this gripping account paints a picture of the person and the artist—and not just “the master”—Franco Zeffirelli in all his many and even conflicting facets.