影片讲述上世纪60年代西方性解放运动来临之前，受过良好教育且深爱对方的两位年轻人在面对新婚初夜时，因担忧和恐惧而产生误解，最终分道扬镳、终身不再来往的故事。

Stephen Sondheim’s legendary musical is staged for the first time at the National Theatre and broadcast live to cinemas.
New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves.
Tracie Bennett, Janie Dee and Imelda Staunton play the magnificent Follies in this dazzling new production. Featuring a cast of 37 and an orchestra of 21, it’s directed by Dominic Cooke (The Comedy of Errors).
Winner of Academy, Tony, Grammy and Olivier awards, Sondheim’s previous work includes A Little Night Music, Sweeney Todd and Sunday in the Park with George.

《空王冠》是BBC从2012年开始推出的电视电影，是伦敦奥运会为宣传英国文化而拍摄。
它从莎翁剧的角度，每集讲述一个英国皇帝的故事，回顾英国君主立宪制的形成。
系列中，几位戴上“王冠”的演员，都是当今最红的英国男星。
亨利六世由汤姆·斯图里奇饰演

根据英国商人葛雷维尔·韦恩(Greville Wynne)的真实故事改编。
葛雷维尔（本尼迪克特·康伯巴奇 饰）是一名英国商人，他在冷战期间协助苏联格鲁乌上校欧列格·潘科夫斯基(Oleg Penkovsky)，向军情六处及中情局传递了大量极为重要的情报，成功阻止古巴导弹危机可能引发的严重后果。

本尼迪克特·康伯巴奇将在BBC电视电影中饰演理查德三世。影片由尼尔街公司制作，该公司去年成功推出广受好评剧集《空王冠》。这次电视电影系列可算作其续篇，除了理查德三世，还会制作亨利六世上下两部电视电影。

《空王冠》第二季是BBC2电视台定制，根据莎士比亚同名戏剧《理查三世》、《亨利六世》（上、下）改编拍摄的系列电视电影。第二季的核心是玫瑰战争，素材来源于莎士比亚的《亨利六世》和《理查德三世》。由本尼迪克特·康伯巴奇等主演。
初定于2016年5月7日BBC电视台播出。

As the world faces its Second World War, John Halder, a good, intelligent German professor, finds himself pulled into a movement with unthinkable consequences.

A German novelist and university professor must rationalize his decision to join the Nazi Party and participate in its destructive practices and face the effects these choices have on his friendship with a Jewish physician.

A German novelist and university professor must rationalize his decision to join the Nazi Party and participate in its destructive practices and face the effects these choices have on his friendship with a Jewish physician.

Act I: 1959

Grieving parents Bev and Russ are planning to sell their home in the white middle-class Chicago neighborhood of Clybourne Park. They receive a visit from their local clergyman, as well as a neighbor and his deaf, pregnant wife; the neighbor informs them that the family buying the house is black, and pleads with the couple to back out of the deal, for fear that area property values will fall if black residents move in. It becomes apparent that the black family moving in are the Youngers, the protagonists of A Raisin in the Sun , and the neighbor, Karl, is Karl Lindner, the minor character from that play who attempts to bribe the Youngers into abandoning their plans to move into the neighborhood. As arguments ensue about the potential problems of integrating the neighborhood, both couples awkwardly call on Russ and Bev's black housekeeper and her husband to express their opposing views. Russ finally snaps and throws everyone out of the house, saying he no longer cares about his neighbors after their callousness and cruelty to his son Kenneth when he returned home from the Korean War . Kenneth later committed suicide on the upper floor of their home.
Act II: 2009

Set in the same home as Act I, the same actors reappear playing different characters. In the intervening fifty years, Clybourne Park has become an all-black neighborhood, which is now gentrifying . A white couple seeking to buy and replace the house are being forced to negotiate with local housing regulations with a black couple representing a neighborhood organization. The white couple's lawyer, the daughter of the neighbor and his deaf wife, mentions that her family moved out of the neighborhood around the time of her birth; the black wife is a relative of the family who bought the home from Bev and Russ. The discussion of housing codes soon degenerates into one of racial issues, revealing resentments from both parties. While this is happening, a workman finds an old trunk that Russ has buried in the back yard, with some of the things of their son, including his final letter.

In a short coda, we see Bev back in 1959, catching her son awake late at night (and probably writing his suicide note), she says, naively, "I really believe things are about to change for the better."

Act I: 1959

Grieving parents Bev and Russ are planning to sell their home in the white middle-class Chicago neighborhood of Clybourne Park. They receive a visit from their local clergyman, as well as a neighbor and his deaf, pregnant wife; the neighbor informs them that the family buying the house is black, and pleads with the couple to back out of the deal, for fear that area property values will fall if black residents move in. It becomes apparent that the black family moving in are the Youngers, the protagonists of A Raisin in the Sun , and the neighbor, Karl, is Karl Lindner, the minor character from that play who attempts to bribe the Youngers into abandoning their plans to move into the neighborhood. As arguments ensue about the potential problems of integrating the neighborhood, both couples awkwardly call on Russ and Bev's black housekeeper and her husband to express their opposing views. Russ finally snaps and throws everyone out of the house, saying he no longer cares about his neighbors after their callousness and cruelty to his son Kenneth when he returned home from the Korean War . Kenneth later committed suicide on the upper floor of their home.
Act II: 2009

Set in the same home as Act I, the same actors reappear playing different characters. In the intervening fifty years, Clybourne Park has become an all-black neighborhood, which is now gentrifying . A white couple seeking to buy and replace the house are being forced to negotiate with local housing regulations with a black couple representing a neighborhood organization. The white couple's lawyer, the daughter of the neighbor and his deaf wife, mentions that her family moved out of the neighborhood around the time of her birth; the black wife is a relative of the family who bought the home from Bev and Russ. The discussion of housing codes soon degenerates into one of racial issues, revealing resentments from both parties. While this is happening, a workman finds an old trunk that Russ has buried in the back yard, with some of the things of their son, including his final letter.

In a short coda, we see Bev back in 1959, catching her son awake late at night (and probably writing his suicide note), she says, naively, "I really believe things are about to change for the better."

The Comedy of Errors is a musical with a book and lyrics by Trevor Nunn and music by Guy Woolfenden. It is based on the William Shakespeare play, The Comedy of Errors, which had previously been adapted for the musical stage as The Boys from Syracuse by Richard Rodgers, Lorenz Hart and George Abbott in 1938. The London production won the Olivier Award for Best New Musical in 1977.

The Comedy of Errors is a musical with a book and lyrics by Trevor Nunn and music by Guy Woolfenden. It is based on the William Shakespeare play, The Comedy of Errors, which had previously been adapted for the musical stage as The Boys from Syracuse by Richard Rodgers, Lorenz Hart and George Abbott in 1938. The London production won the Olivier Award for Best New Musical in 1977.

Ionesco’s iconic satire on mindlessness and conformity is given its first major UK revival since its Royal Court premiere in 1960, which was directed by Orson Welles starring Laurence Olivier.
It happens inexplicably: One by one, a man's friends and neighbors turn into rhinoceroses, reducing the town to a perilous wasteland. In this brilliant restaging of Eugène Ionesco's absurdist allegory Rhinoceros, loneliness and horror consume the individual who resists a popular movement in which civilians succumb to the collective in its most monstrous, destructive form. Spare, physical, and haunting, celebrated French director Emmanuel Demarcy—Mota's internationally acclaimed staging teases out the archetypal quality of this classic work, whose fierce indictment of 20th-century totalitarianism retains its sting amid today's ideological climate.

Ionesco’s iconic satire on mindlessness and conformity is given its first major UK revival since its Royal Court premiere in 1960, which was directed by Orson Welles starring Laurence Olivier.
It happens inexplicably: One by one, a man's friends and neighbors turn into rhinoceroses, reducing the town to a perilous wasteland. In this brilliant restaging of Eugène Ionesco's absurdist allegory Rhinoceros, loneliness and horror consume the individual who resists a popular movement in which civilians succumb to the collective in its most monstrous, destructive form. Spare, physical, and haunting, celebrated French director Emmanuel Demarcy—Mota's internationally acclaimed staging teases out the archetypal quality of this classic work, whose fierce indictment of 20th-century totalitarianism retains its sting amid today's ideological climate.

讲述了百老汇一家衰败的剧院即将拆除，多年前曾在该剧院演出的过气明星重聚一堂，在合唱过老歌之后，开始谈起各自的婚姻与生活困顿。故事主要围绕巴迪（Buddy）和莎利-杜兰特-普朗默（Sally Durant Plummer），本（Ben）和菲利斯-罗杰斯-斯通（Phyllis Rogers Stone）这两对陷入婚姻困境的夫妇展开。该音乐剧囊括了《百老汇宝贝（Broadway Baby）》、《我还在这里（I’m Still Here）》、《太多清晨（Too Many Mornings）》、《我怎能离开你？（Could I Leave You?）》以及《怅然若失（Losing My Mind）》等经典歌曲。

讲述了百老汇一家衰败的剧院即将拆除，多年前曾在该剧院演出的过气明星重聚一堂，在合唱过老歌之后，开始谈起各自的婚姻与生活困顿。故事主要围绕巴迪（Buddy）和莎利-杜兰特-普朗默（Sally Durant Plummer），本（Ben）和菲利斯-罗杰斯-斯通（Phyllis Rogers Stone）这两对陷入婚姻困境的夫妇展开。该音乐剧囊括了《百老汇宝贝（Broadway Baby）》、《我还在这里（I’m Still Here）》、《太多清晨（Too Many Mornings）》、《我怎能离开你？（Could I Leave You?）》以及《怅然若失（Losing My Mind）》等经典歌曲。

"One person can make all the difference.
Miss Lily Moffat arrives in rural North Wales, determined to help young local miners out of poverty by teaching them to read and write.
Lily soon spots talent in the unruly Morgan Evans, but when she faces growing resistance from the community, she does everything in her power to forge him a new future."
—— National Theatre (UK)

"One person can make all the difference.
Miss Lily Moffat arrives in rural North Wales, determined to help young local miners out of poverty by teaching them to read and write.
Lily soon spots talent in the unruly Morgan Evans, but when she faces growing resistance from the community, she does everything in her power to forge him a new future."
—— National Theatre (UK)