Виктор Косых — 演员 (5)
神出鬼没的冒险家 (1968) [电影] TMDB IMDb 维基数据
Новые приключения неуловимых
其它标题: Die neuen Abenteuer der geheimnisvollen Rächer / Les Nouvelles Aventures des insaisissables
The action takes place in 1920 during the Civil War. Crimea on the eve of complete liberation from the White Guards. Returning from patrol, the four brave “elusive” knocked down an airplane. In the field bag of the captured pilot, they find a secret report, which speaks of the existence of defensive fortifications around the coastal city, which the Reds have yet to take. Young heroes get the task to get a map of fortifications and go to the city...
神出鬼没的复仇者 (1967) [电影] TMDB IMDb 维基数据
Неуловимые мстители
其它标题: Die geheimnisvollen Rächer / Les Justiciers insaisissables
Danka's and Ksanka's childhood in the village brutally ends when their father is killed by a White Guard officer in front of their eyes. Seeking revenge, they join forces with Valerka, an intellectual from big city, and the gipsy Yashka, but before they can get close to their enemy they have to help their village and the advancing Red Army.
监狱大暴动 (1989) [电影] 维基数据 IMDb TMDB
Беспредел
其它标题: Bespredel / Беспредел
​《监狱大暴动》(1989年)是一部由伊戈尔·戈斯捷夫(Igor Gostev)执导的苏联犯罪剧情片,深入描绘了苏联监狱中的复杂生态和权力斗争。 ​影片改编自列昂尼德·尼基京斯基(Leonid Nikitinskij)在《Ogoniok》杂志发表的同名文章。​ 影片的情节围绕新入狱的尤里·“卡尔甘”·科尔加诺夫(Yuriy "Kalgan" Kolganov)展开,他因殴打前女友的新伴侣被判四年徒刑。​在监狱中,卡尔甘被分配到由有影响力的囚犯“蒙古人”(Mogol)领导的第十小队。​随着剧情的发展,卡尔甘与其他囚犯,特别是年轻的维克托·“集邮家”·莫什金(Viktor "Philatelist" Moshkin),开始对监狱内的权力结构产生质疑,最终引发了一系列冲突和悲剧。 ​ 影片通过对监狱内部复杂的人际关系和权力斗争的细腻刻画,揭示了极权体制下人性的挣扎和对自由的渴望。​导演采用冷静的镜头语言和沉稳的叙事节奏,真实再现了那个封闭压抑环境中的生存智慧和道德困境。​ 如果您对苏联时期的社会问题和人性探索感兴趣,这部电影值得一看。​它不仅是对一个时代的深刻反思,也是对人类尊严和自由的呼唤。
1953年,寒冷的夏天 (1988) [电影] 豆瓣
Холодное лето пятьдесят третьего…
导演: 亚历山大·普罗什金 演员: 瓦列里·普里米霍夫 / 阿纳托利·帕帕诺夫
其它标题: Холодное лето пятьдесят третьего… / 寒冷之夏
A huge hit when it was released, the movie is set in 1953, when after the death of Stalin, Beria pronounced an amnesty which put out of work camps an enormous amount of inmates, causing an increase in criminality.
At a small village by a lake, live two political exiles spending there few years after camp sentence as "enemy of the people". They don't benefit from the amnesty. The older one works and is integrated in the small community, the younger, a former WWII officer survives doing nothing and is kept on the side. Yet the daughter of a mute woman enjoys to have some talk with him.
The police officer tells the main administrative clerck about the recent removal of Beria, the massive amnesties and a group of six wanted men wandering near the place after a murder.
The bandits are in fact hiding in a barn, and the next day they attack and take control of the villagers. Not presents at the moment, the two political prisoners can choose: leave the place, but they decide instead to take action against the bandits. Paradox: the so-called "enemies of the people" are in fact the ones who rescue the people, from the real criminals.
Historically, the movie is fantastic, because produced in 1987, it was the first mainstream feature dealing directly with a critic of political prisoners and exiles. Khrushchov's destalinization ended the stalinian Terror but didn't allow a level of artistic freedom of expression making possible a movie like this one.
History of politics aside, the action and tension are good. Some have labelled it a "russian western" , as few outsiders fight a bunch of nasty and violent bad guys and save the town's good people.
The filming location is in central Karelia, not far from Petrozavodsk, north-western Russia. A very beautiful nature.
Valeri Priyomykhov received a state prize for his portrayal of the main character.
欢迎光临,或闲人免入 (1964) [电影] 豆瓣 维基数据 IMDb TMDB Eggplant.place
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8.6 (33 个评分) 导演: 依莱姆·克里莫夫 演员: 叶甫根尼·耶夫斯基格涅耶夫 / 阿日娜·阿列尼科娃
其它标题: Benvenuti ovvero vietato l'ingresso agli estranei / Добро пожаловать, или Посторонним вход воспрещен
夏令营的营地主任特别注重孩子们的人身安全,于是定下了严厉规矩,并且认为一旦违反规条,意外就会发生。其中一个参加夏令营的孩子伊诺什金破坏了规矩,被该主任逐出了营地。但他害怕一起居住的奶奶知道了会伤心,没有回家,反而趁着夜色,翻墙回到营地并躲在广场中央的小屋里。第二天早上,朋友们发现了他,并悄悄地帮助他,跟成年人斗智,让他可以留下来。叶列姆·克利莫夫的处女作,在一个真的先锋营地现场拍摄,以轻松幽默的喜剧外衣,讨论关于儿童教育的深刻母题,充满童真与童趣的叙事视角,使得影片的主题表达更能引起观众的反思。