Katerina Izmailova is a filmization of Dmitry Shostakovich's long-suppressed 1936 opera. Galina Vishnevskaya stars as Katerina, a bored 19th century farm wife. At the behest of her grungy lover, Katerina murders her husband and her father-in-law. She and her new beau are both sent to Siberia, where the lover almost immediately takes up with a younger woman. Banned by Stalin for its bleak portrait of Soviet life, Katerina Izmailova was not given a Russian staging for over 40 years; its Metropolitan Opera debut did not occur until 1994. Dmitri Shostakovich also wrote the screenplay for the screen version of Katerina Izmailova.

No-one has done more for the cello than Mstislav Rostropovich, or Slava as he was widely known. As well as being arguably the greatest cellist of the twentieth century, he expanded and enriched the cello repertoire by the sheer force of his artistry and his personality and composers lined up to write works for him.
In this film by John Bridcut, friends, family and former pupils explore the unique talents of this great Russian artist, and listen to and watch him making music. Contributors include his widow Galina Vishnevskaya and their daughters Olga and Elena; the eminent conductors Seiji Ozawa and Gennadi Rozhdestvensky; and cellists who attended his famous classes in Moscow, including Natalya Gutman, Mischa Maisky, Moray Welsh, Elizabeth Wilson and Karine Georgian.
The film traces the development of Rostropovich's international career amid the political tensions of the final years of the Soviet Union.