Act I
Scene 1
Having gathered together to celebrate a wedding, the peasants complain to the Governor of Rome about the misdeeds of a certain Marco Spada. Though they have never set eyes on him, rumours about the robberies he has carried out in the district are a hot topic of conversation with them. A regiment of dragoons enters the village. Count Pepinelli, captain of the dragoons, falls for the charms of the Governor’s daughter, Marchesa Sampietri. But, alas, the latter is betrothed to Prince Frederici... Taking advantage of the situation, Marco Spada, incognito, empties the pockets of the onlookers. General consternation! Rain scatters the crowd. The only person left in the square is Friar Borromeo, whom Marco Spada has deftly relieved of all the alms he has collected.
Scene 2
The Marchesa, the Governor of Rome and Count Pepinelli, who have got lost on a mountain walk, have no idea they have taken refuge in Marco Spada’s lair. Angela, the bandit’s daughter, is also totally ignorant of her father’s clandestine activities. In the belief that no one is at home Spada’s accomplices quickly fill the room but then, just as quickly, vanish. Pepinelli, who has witnessed all this, warns Spada, that his house has been invaded by bandits. The dragoons take up their posts. The trap-doors in the floor open up again and the pictures hanging on the walls shift positions — but this time only to reveal to the astonished visitors a laden table and seductive young women!
Act II
The Governor invites Marco Spada and Angela to a ball. At the very moment that Prince Frederici is about to ask Spada for his daughter’s hand in marriage, Friar Borromeo turns up and complains to all and sundry he has been robbed. Borromeo says he will recognize the thief. Spada decides it is time to vanish but, before he manages to do so, Borromeo points him out. At last the penny drops: a shattered Angela tells Prince Frederici she cannot be his bride. The piqued Prince immediately announces his betrothal to the Marchesa. Now it is Pepinelli’s turn to be put out.
Act III
Scene 1
Pepinelli decides to declare his love to the Marchesa for the last time but, the latter, having already made up her mind, comes to meet him in her wedding dress. Suddenly the bandits show up from all directions and kidnap both the Marchesa and the Count.
Scene 2
Surrounded by his cronies Marco Spada, to his astonishment, catches sight of Angela in bandit garb. “In life or death! I accept my fate and want to live here with you all”. Against his will, Friar Borromeo is forced to marry the Marchesa and Pepinelli.
The approaching regiment can be heard in the distance, the bandits decide to take refuge in a cave, seizing Frederici and the Governor whom they come across on their way. But Angela intervenes and saves the lives of both of the latter. Shots are heard close at hand. Marco Spada is mortally wounded. He appears, staggering. Before he dies, he makes a confession which dumbfounds the soldiers: Angela, he says, is not his daughter. This lie saves her from arrest and leaves the way open for her marriage to Prince Frederici.

青年軍官彼喬林踏上前往高加索山脈的征途，途上邂逅了幾段浪漫，經歷了幾場激情。這位空有雄心壯志而不得施展的「多餘人」，對世事失望，繼而玩世不恭，不僅讓自己陷入痛苦，也為身邊的女性帶來了悲劇……

「給我所有，卻依然不夠。」舞劇《當代英雄》改編自米哈伊爾．萊蒙托夫的同名小說，用三個故事細述傳奇英雄彼喬林的冷酷與背叛，讓人扼腕，令人心碎。彼喬林究竟是英雄，還是平凡如你我？這部充滿詩意的悲劇由Yuri Possokhov全新創作，僅在莫斯科大劇院上演。

The Bolshoi is “at the top of its game” (Telegraph, U.K.) in acclaimed choreographer Jean-Christophe Maillot’s effervescent production of The Taming of the Shrew. Set to a tapestry of Shostakovich’s most colorful music, Shakespeare’s famously chauvinistic comedy is transformed into a battle of wits between two equally feisty individuals: stormy individualist Katharina and smug bad boy Petruchio. With their signature bravura, the Bolshoi’s incomparable dancers bring to hilarious life all of the fawning, preening, and hypocrisy that well-born Kate finds so tiresome—and that ultimately makes the rough-edged outsider Petruchio seem so appealing to her.

《雷蒙达》属于俄国古典芭蕾舞剧的后期代表作，1898年1月19日由圣彼得堡的马林斯基剧院芭蕾舞团首演于该剧院，编剧L.普西科娃和M.珀蒂帕，作曲A.格拉祖诺夫，编导珀蒂帕，布景设计O.阿莱格里、K.伊凡诺夫和P.兰宾，服装设计E.奥菲泽洛娃，女伯爵雷蒙达（Raymonda）由P.莱妮娅妮扮演，十字军将领让·德布里耶纳（Jean de Brienne）由S.莱加扮演，萨拉森人骑士阿布德拉赫曼（Abderakhman）由P.热德特扮演。
显而易见的是，这部舞剧的故事情节相当地淡化，而首演后的十年中，它的情节又得到了进一步的削减，最后，充其量只是编导家珀蒂帕为串联女主演几个高难技术舞段的线索，由此，再次证明了在芭蕾舞剧中，一直或者只能是以“舞”为主，以“剧”为辅的。
舞剧取材于中世纪匈牙利的一段骑士传奇，它发生在陶里斯家族的城堡。这一天，匈牙利国王、达官贵人、亲朋好友和游吟诗人们纷纷到场，为年轻漂亮的女伯爵雷蒙达祝贺生日。她的未婚夫让·德布里耶纳骑士也前来祝贺，赠送她一条白围巾作为礼物，并向她辞行，随后便随十字军东征去了。乘让·德布里耶纳远征之际，一直耳闻雷蒙达美貌却不得一见的萨拉森人骑士阿布德拉赫曼匆匆赶到陶府，以赠送镶有大量宝石的红围巾为名终于见到了雷蒙达，惊喜交加于她名不虚传的美貌，并对她一见钟情。他不顾异族与贵族之间的繁文缛节，当众向雷蒙达表白了自己的爱慕之情。这种炽热与坦诚让雷蒙达既心惊肉跳又受宠若惊，并在她的心中第一次激起了真正的爱情波澜。此后，在欢迎让·德布里耶纳凯旋的庆典上，阿布德拉赫曼再次登场，他又一次地向雷蒙达表达了自己的赤诚，并同时向她求婚。雷蒙达犹豫不决，阿布德拉赫曼便决定带她私奔，不料恰好撞上了荣归故里的让·德布里耶纳及其国王叔父，由此导致了一场情敌之间的撕杀。最后，在安德烈二世的建议下，双方同意用决斗的君子方式决一雌雄。正当让·德布里耶纳节节败退之时，白衣夫人开始显灵，从而使得让·德布里耶纳转败为胜，并重创了阿布德拉赫曼。雷蒙达冲向阿布德拉赫曼的身边，并断然地拒绝了让·德布里耶纳的示爱。白衣夫人再次施用法术，将让·德布里耶纳送的那条白围巾披到了雷蒙达肩上，刹那间，她便忘记了阿布德拉赫曼的存在，并在国王的主持下，与让·德布里耶纳赫然成婚。婚礼上，嘉宾们个个气宇轩昂，跳起了辉煌的《匈牙利古典舞》，从而将全剧的气氛推向了最后的高潮。
第一幕
雷蒙达在姑母（或者姨母）匈牙利伯爵西比尔（Gräfin Sybille von Ungarn）的城堡庆祝生日。雷蒙达的未婚夫让·德布里耶纳（Jean de Brienne）也在场。然而这对恋人必须彼此道别，因为让·德布里耶纳将率匈牙利军投入战争。在第二天晚上雷蒙达在梦中被一白衣女子引至一处神秘的花园，在那里她认出了让·德布里耶纳。然而此时让·德布里耶纳却变成一个向她示爱的阿拉伯酋长。
第二幕
在一次许多来自遥远国度的客人参加的宴会上，雷蒙达意外的发现了梦中的酋长阿布德拉赫曼（Abderakhman）也在其中。阿布德拉赫曼向雷蒙达求婚，起先被其拒绝，最终却渐获芳心。此时让·德布里耶纳从前线归来，同阿布德拉赫曼决斗。在白衣女子的帮助下，让·德布里耶纳将阿布德拉赫曼杀死。
第三幕
雷蒙达和让·德布里耶纳在国王的宫殿中举行婚礼。在幸福中，雷蒙达流露出一丝被征服的伤感。

芭蕾舞剧《海盗》取材于浪漫诗人拜伦的同名诗作传奇。一伙海盗因触礁流落到希腊，在逃避追捕的过程中得到少女们的保护，随后这些少女面临危险时，海盗们亦冒死将她们救出。在患难中，性格刚强的少女梅朵拉与海盗首领康拉德彼此相爱，并最终结为夫妻。
《海盗》自诞生以来一直以其清新的异国情调、富有探险色彩的曲折情节、高难度的双人舞以及蔚为壮观的群舞场面而著称于世。莫斯科大剧院芭蕾舞团复排的这版《海盗》在马里乌斯·彼季帕经典编舞版本基础上，由著名编舞大师阿列克谢·罗曼斯基改编，呈现出“旧芭蕾的新面貌”，成为舞团当之无愧的保留剧目。2019年莫斯科大剧院芭蕾舞团通过百代现场全球直播这部作品，由舞团首席舞者伊戈尔·茨维尔科搭档叶卡捷琳娜·克雷萨诺娃领衔出演。

In Verona, Romeo and Juliet fall madly in love while their respective families, the Montagues and the Capulets, are caught in a bitter rivalry ending in heart-wrenching tragedy…
Alexei Ratmansky, former artistic director of the Bolshoi Ballet, stages the company’s premiere of his production with dramatic urgency and a fresh re-telling of Shakespeare’s beloved classic. His brilliant and detailed adaptiation set to Prokofiev’s romantic and cinematic score, reignites the story of literature’s most celebrated star-crossed lovers like no other classical ballet choreographer today.

斯科大剧院2003年演出前苏联题材两幕芭蕾舞剧《明亮的小溪》（The Bright Stream）