2009 film directed by Nader Takmil Homayoun

Manijeh Hekmat is an Iranian film director. Born in 1962 in Farmahin, Iran, she has worked since 1980 as an assistant director and production designer in over 25 films. She directed her first feature film Women's Prison (Zendān-e Zanān) in 2002. This film has been shown at over 80 international film festivals and has received seven prizes. Three Women (Seh Zan) is Hekmat’s second feature film made in 2007.

Mrs. Mashreghi, who is a prominent university professor, is divorced from her husband. She leads a happy life for a while until one her students who is almost the same age of her daughter falls in love with her; a love which is completely rejected by society.

According to the police, Negar's father committed suicide. Having had a happy life, Negar suspects that his death has not happened the way it seems. She starts unfolding the truth through an unconventional investigation.

A young woman's wedding becomes a ritual of mourning when her sister and family die in an auto accident on the way to the wedding. The sisters' mother refuses to accept her daughter's death, and in the midst of wedding guests and mourners, including the drivers of the truck that caused the accident, she orders the wedding to take place. But how can the daughter marry in the midst of a wake and without the family's traditional mirror, which the sister was bringing to the service?

A young couple try to fix their marriage troubles with the help of a psychiatrist.

A sensation when released in 1999 in Iran, Two Women charts the lives of two promising architecture students over the course of the first turbulent years of the Islamic Republic. Tahimine Milani creates this scathing portrait of those traditions - aided by official indifference - which conspire to trap women and stop them from realizing their full potential; the inclusion of frank depictions of domestic violence was hailed by many as a breakthrough in dealing with a long taboo subject.

An official is sent from his home in Tehran to hear the final appeal of a woman sentenced to death, a political prisoner. The official's wife of nearly 20 years, Fereshteh Samimi, writes him a letter to read when he reaches the hotel - the story of her student days during the revolution of 1978. We see the story in flashbacks as he reads: she leaves her province on scholarship, joins a Communist youth group, avoids arrest, and comes under the sway of a suave older man, Roozbeh Javid, a literary-magazine editor. As she tells her husband about the hidden half of her life, Fereshteh asks that he listen to the woman facing execution, a woman and therefore one of Iran's hidden half.