This documentary follows a bustrip from Tallinn to Kaliningrad. A route that was so common in the Soviet times now passes through 4 different countries and crosses 3 different borders.

A film about a plastic spoon and a society that has reached a high level of development – oil is being retrieved from subterranean depths, transported to processing plants, turned into plastic, transported to another plant, where it acquires the shape of a spoon, transported to convenience stores, where we buy it, and is then soon tossed into the trash. In other words, this is a film about the efforts put into making a spoon that can be thrown away so effortlessly.

An absurdist farce centering around a school in post-Soviet Latvia. After a rather disgusting prank (someone defecates in the school attic), the tyrannical headmistress deems that no one can leave until the culprit is caught. When the photographer's pet python escapes, havok breaks loose.

Playfully avant-garde and exhibiting an intriguing sense of humor, PIZZAS offers a puzzle of widescreen imagery, brash pop moments, and road movie ambience. Pakalnina, Latvia’s best-known director, spun this cryptic but airy comedy/tragedy from a news item about two 18-year-old fast-food workers who robbed their employer’s safe and split. (Gene Siskel Film Center)

Based on a Soviet propaganda story about Young Pioneer (the Soviet equivalent of a Boy Scout) Morozov, who denounced his father to Stalin’s secret police and was in turn killed by his family. His life exemplified the duty of all good Soviet citizens to become informers, at any expense. In our film, 75 years later, we call him little Janis. He is a Pioneer who lives on the Soviet collective farm “Dawn”. His father is an enemy of the farm (and the Soviet system) and plots against it. Little Janis betrays his father; his father takes revenge upon his son. Who then in this old Soviet tale is good and who is bad? This film reveals that a distorted brain is always dangerous. Even today.

安东劫机到里加，因为看中地名用‘R’开头，而且比起其他东欧国家，拉脱维亚对劫机者会像个人。小孩子汤美先做人质，再做了安东的朋友。安东的赎金，还包括汤美的朱古力和CD。劫机的子弹，误中附近养蜂人的蜂窝，养蜂人的一头牛走失了。牛儿寻家的路上，引出更多故事：全国单车赛爆出吸毒丑闻，警察发现一个母亲无牌驾驶运白兔。拉脱维亚一幅人物卷轴图，或交叉、或平衡发展，解构、拼合出该国精神面貌。风格化的镜头，像谜一样...

影片讲的是一个冷战时期的荒诞故事，某天几个苏联士兵在严密戒备的海边发现一只女式凉鞋，他们以为有西方间谍趁夜晚偷偷潜入，于是拿着鞋子去附近的村庄里挨家挨户的询问，后来还动员全村的女人们集体试穿这只鞋子，搞出了不少可笑又可叹的事，而最后结局也许更会出人意料。

由二十五个成员国的导演各拍五分钟片段，表现个人观点中欧洲的现在与将来，突显它的自由文化及多元创意。老牌大师杜艾尔怀念恬适的农园生活，中生代如格连纳韦、郭利斯马基演绎历史记录遗民而不失个性。东欧新客心情特别复杂，经济悬殊与种族偏见，使他们怀疑、焦虑、绝望。