Fulgencio and Scott fled the place where they have just committed a robbery. As Fulgencio scapes, Scott is captured by the police. After serving years in prison, Scott looks for his former partner who fled to Mexico and, with the money, bought a bar. Scott's plan is to force Fulgencio, under threat of denouncing him, to work with him in another robbery.

2010 film by Gabriele Salvatores

A returning moon capsule goes off course and lands in Africa where a little-known tribe finds it. Washington sends Matthew Merriwether to recover it—thinking he's an expert on the region—when in fact he's no such thing. However, a foreign power sends Secret Agent Luba to try and acquire the capsule for itself and, when Matthew and Luba reach their destination, they find that the tribe believes the capsule to be sacred and won't give it up.

Naive, orphaned maiden Angela leaves her small town for 19th- century London, where she quickly learns the ways of the world. She begins work at a brothel, where she gets a quick education in life. On her first "job," she is rescued by Rocco, a traveling thief who happens to be going from room to room, robbing the patrons. Rocco and Angela fall in love, but Rocco must flee the inn at which they have taken residence, when the police arrive at the door...

The story of how Norma Jeane Mortenson became Marilyn Monroe (1926-62), a lucid path of self-discovery, from anonymity to stardom: the painful birth of a myth.

A South American plane loaded with an assortment of characters crash lands in a remote jungle area in the middle of a storm. The passengers then discover they are in an area inhabited by vicious cannibals and must escape before they are found. A remake of Five Came Back (1939).

A beautiful virgin inherits a castle, but when she arrives at it, she finds that the inhabitants include a strange nobleman and a bevy of beautiful women she suspects may be vampires.

Lucien is a dwarf, who works hard in a large legal office. His only friend is trapeze circus artist Isis. One day he gets the attention of singer Paola Bendoni and falls in love with her.

In the 1870s, two rival businessmen, Zack Thomas and Joe Jarrett, on a stagecoach heading to Galveston, Texas, must pull together to protect $100,000 from an outlaw named Matson. Once in Galveston, however, their rivalry continues, as Thomas joins up with Elya Carlson and Jarret with Maxine Richter. But Matson is still on the loose, and a scheming banker threatens both Thomas and Jarrett.

U.S. narcotics agent Charles Sturgis trails international dope smuggler Frank McNally by following his reluctant accomplice, Gina Broger, through the "pickup alleys" of New York, London, Lisbon, Rome, Naples and Athens. When Gina is finally arrested by Interpol, she helps Sturgis trace McNally and his $3,000,000 consignment back to New York.

Her name is Mina, but she is called Bambola (doll). Upon the death of her mother, she and her homosexual brother, Flavio, open a pizzeria. A man named Ugo loans Bambola the money, but is then killed in a fight with another one of her boyfriends, Settimio. While visiting Settimio in jail, she meets a sadistic man named Furio, and they begin a relationship.

BECOMING ANITA EKBERG is an exploration of how the construct of "Anita Ekberg" became an internationally famous sex goddess as a result of the careful cultivation of her image in various movies, both in Hollywood, by Frank Tashlin, and in Europe, by Federico Fellini. It's an exploration of the texts and subtexts of commercial films and the subterranean and complicated ways that they affect us and can be read

American comedian Bob Hunter, on a luxury liner to France with French counterpart Fernandel, takes an interest in blonde diplomat Ann McCall while pursued by an even shapelier blonde, the mysterious Zara, who seems to be after something in Bob's possession. But he's only going to France to obtain rights to a new play...so what are Zara and her sinister boss after? The pursuit, amorous and larcenous, continues in Paris and escalates into a full-fledged comedy thriller. Written by Rod Crawford

A demented nun sliding through morphine addiction into madness, while presiding over a regime of lesbianism, torture and death. Sister Gertrude is the head nurse/nun in a general hospital, whose increasingly psychotic behavior endangers the staff and patients around her.

Carmen Piccini's delightful documentary "The Magic of Fellini" was shown recently on the Sundance channel. It was a complete surprise because of its subject, Federico Fellini, who was one of the best directors of Italy of the last century, one would think needed no explanation about what made him one of the most admired figures of the Italian cinema. Ms. Piccini explores the man who was a legend and in less than one hour she makes us feel as though one knew this charismatic man intimately.
What comes across in the film is Fellini's genius. He was a man who basically had the ideas in his mind and who seldom bothered to write a screen play detailing each scene of the film he was directing. Fellini was a master of the improvisation style and as such, he gave his actors a general guide line to follow as most of the dialog was added in the editing. He was famous for having some of the American stars he employed in his films just move their lips and concentrating on the characters they were creating.
There are hilarious interviews on camera with Anthony Quinn, whose Zampano, in "La Strada" was perhaps his best film work, and with Donald Sutherland, who played Casanova for the master. Donald Sutherland is seen mumbling numbers in Italian that were later dubbed with an actor's voice speaking the great lines Fellini and his collaborators added later on. Claudia Cardinale is also seen in an interview on camera as she tries to explains the magic of working with Fellini.
Ms Piccini has included some of the best moments in the films Fellini directed such as the sequence when Anita Ekberg enters the Trevi fountain in Rome, in "La dolce vita". She also includes two of the best scenes from "Le notti di Cabiria" in which Giulietta Massina is seen dancing with the film star portrayed by Amadeo Nazzari, and later on as the film is ending when one sees Cabiria shedding tears as she walks home at the end of the picture.
This documentary is essential for admirers of Federico Fellini and Carmen Piccini has made it possible to the great director's fans to discover yet another layer of the man who was an absolute original.

This documentary is featured on the Criterion Collection DVD for Strada, La (1954), released in 2003.

Eugene and Rick are two struggling artists who share apartment. However, Rick has problems with that, because Eugene is obsessed with pulp fiction comic books and has nightmares because of that. However, Rick soon finds that those nightmares could be excellent material for his own comic books.

An anthology of four comic moral tales about the hypocrisies surrounding sex in 1960s Italy: frothy young love and office politics in the big city; milk advertisements that begin to haunt an aging prude; a trophy wife enduring her husband's very public affairs; a lucky ticket-holder at a small town fair.

Formerly, the usual UK title was THE BOGEY MAN AND THE FRENCH MURDERS. There's also a Greek video with the sleeve title, CALL GIRLS FOR INSPECTOR BOGART. The inspector is not named Bogart, nor does he get any call girls, but who cares? It's a title that sells.
There's a killer in Paris, a suicide from the Eiffel Tower, a brothel as the main setting, insane professors, an eye-ball thief, an inspector who looks like Humphrey Bogart (for no apparent reason), a truly creepy Anita Ekberg, and an impressive line-up of Euro-stars. How Dick Randall assembled this cast is beyond me, but he did it. Besides Anita Ekberg, there's Rosalba Neri (who even sings a song in a nightclub), Barbara Bouchet, Evelyn Kraft, Howard Vernon, and Robert Sacchi as inspector Pontaine or Humphrey Bogart. The title is pretty accurate. The murders take place during, before or after sex in a brothel in Paris. In between, the Bogey-man snoops around trying to track down the killer, but he is not too bright. You'll probably have figured it out long before he does.
The film's producer was American Dick Randall who took residence in Rome in the '60s but basically was wherever the deals where made, which meant Rome in the '60s, Bangkok and Hong Kong in the '70s and London in the '80s. Whilst residing in Italy, he payed close attention and decided to take a shot at the giallo as well, and produced this piece of cinematic soufflé. It's a perfect example of totally round the bend Euro-tosh, with a rather tame execution actually. The direction is not wildly imaginative, a workman's job at best, so don't expect outrageous Italian craftsmanship and style here, but some spicing-up in the editing by Bruno Mattei.
The special effects were done by future Oscar-winner Carlo Rambaldi of ET fame. I guess he learned a lot since this one. Of course, the presence of Robert Sacchi, among some other ingredients (mostly the cast) give this film a certain weird identity of its own. All together, it's pretty much a poor man's interpretation of an Italian Giallo.
The version on Mondo Macabro's DVD never existed in this form. From various copies, they assembled the longest version they could possibly paste together. There's an English audio-track, but a couple of scenes appear in Italian with subtitles.
imdb comment