At the end‐of‐year assembly, Tibor and two friends are browsing Lady Sandra’s website on a computer when the school radio announces he’s flunked history, dashing his plans for a Croatian holiday, parties and picking up girls. Instead, he’s sent to his father’s Flamingó Hotel in Balatonfüred to cram for the makeup exam. The once‐Soviet-era resort is barely recognizable, save for familiar faces: childhood friend Józsi, caretaker Tunyogi’s daughter Kata and kind Aunt Rózsi. Just as everything seems hopeless, a mysterious beauty arrives, and Tibor is convinced she is Lady Sandra, the woman of his dreams.

The Company tells the thrilling story of Cold War CIA agents imprisoned in double lives, fighting an amoral, elusive, formidable enemy – and each other – in an internecine battle within the Company itself.

No equal signs of justice can be drawn between those who are accused of a crime, those who are convicted of a crime and those who are the true offenders. That triangle always contains the accused who are not guilty and true offenders whose guilt cannot be ultimately proven. Throughout history, one of the greatest deviations in the strive towards equality has occurred in the triangle of guilt in sexual crimes, where guilt is largely proven on the basis of a woman’s will.

2005 film by Lajos Koltai

基于Lauren Redniss所著小说《Marie & Pierre Curie: A Tale of Love and Fallout》，聚焦玛丽·居里和皮埃尔·居里夫妻对科学的探索和两人之间的关系。