Cavalcade D'Amour is divided into three sections, each depicting a romance occurring within the walls of the Chateau de Champs. Legend has it that whoever marries in the Chateau is doomed to an unhappy life. This proves to be the case in 1639 and 1839, but the heroine of the 1939 segment, Corinne Luchaire, is determined to break the jinx. She is convinced that she will prove an unsuitable bride for Claude Dauphin, and he is likewise convinced that he will turn out to be an inadequate groom. But the couple's respective families will not be dissuaded, and the marriage takes place as scheduled? with unexpectedly happy results!

Poorly educated by her father, a wacky researcher, Claudine is a teenager full of life who loves her small village school run by Miss Sergeant. A new teacher, Aimée Lanthenay, arrives at the school. Seemingly awkward, she is actually an arrivist who manages to get the departure of Miss Sergeant.

Early in the war, a group of women decide to help the soldiers in the war front. They enlist the help of the wealthy Madame Marion.

Mario, a bumptious sheep-shearer, discovers he has a inimtable touch that makes women, as well as sheep, swoon at his professional caress. He is soon the most sought-after hairdresser in France and is awarded the Legion of Honor...

The lucky Baron wins a boat in a card game and takes off with his former lover to find new adventures. Adverse circumstances land them in a small town, where the Baron's seafaring companion leaves for more attractive scenery offered by a wealthy local man. Meanwhile, there is a certain charming cafe owner that the Baron finds irresistible -- at least for awhile.

In this experimental film, Isidore Isou, the leader of the lettrist movement, lashes out at conventional cinema and offers a revolutionary form of movie-making: through scratching and bleaching the film, through desynchronizing the soundtrack and the visual track, through deconstructing the story, he aims to renew the seventh art the same way he tried to revolutionize the literary world.

In 1964, Henri-Georges Clouzot's production of L'Enfer came to a halt. Despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed. This documentary presents Inferno's incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot's original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot's own notes.