波西（露西·宝通 Lucy Boynton 饰），宝琳（爱玛·沃森 Emma Watson 饰）和佩特洛娃（雅思敏·派吉 Yasmin Paige 饰）是三个孤苦无依的孤儿，幸运的是，她们遇见了探险家格姆（理查德·格雷弗斯 Richard Griffiths 饰），成为了他的养女。尽管格姆性格古怪，但天性善良的他还是让孩子们获得了家庭的温暖。
尽管童年悲惨，但三个女孩却依然保留了各自的梦想，佩特洛娃希望成为一个飞行员，宝琳对聚光灯下的舞台充满了憧憬，波西则对芭蕾舞倾注了大量的时间和热情。格姆的突然失踪让三个女孩的生活陷入了困境，经济的拮据意味着她们将再也无缘她们的梦想。再次危急时刻，善良的人们无私的伸出了援手，在他们的帮助下，三个女孩不仅度过了难关，对生活也有了更深的理解和领悟。

When the father of privileged Rosina da Silva violently dies, she decides to pass herself off as a gentile and finds employment with a family in faraway Scotland. Soon she and the family father, Charles, start a passionate secret affair.

　　本剧聚焦一个家庭里的三代人，他们的困扰各有不同，但又相互交织：如何死得体面，活得放肆，让生命的每一刻都充满意义。Kate Brennan医生，姑息治疗专家，定居于黄金海岸。安乐死是Kate工作领域中的敏感话题，她对此十分反对。Edie Henley，Kate的母亲，住在世界的另一边，坚定地认为自己有选择死去的权力。Kate别无选择，只好把母亲从英国接到了澳大利亚，把她安置在自家附近的一个退休社区，这正是Edie最害怕的噩梦。Kate的前夫在监狱里，她努力应对自己的问题时，而她的孩子们，其中一个是十几岁的变性男孩。正在试图弄明白自己是谁，想要成为什么样的人。这是一个关于家庭、伦理与情感，以及无论何时重新开始生活都不算晚的故事。

该剧基于休·豪伊所著同名畅销科幻系列小说改编，在一个满目疮痍、有毒物质遍布的未来世界中，成千上万的人居住在深埋在地下的巨大筒仓里。在警长违反了一项基本规则以及有些居民神秘死亡后，工程师朱丽叶开始揭开惊人的秘密和筒仓的真相。

年逾花甲的推销员威利·洛曼，拎着两只沉重的、装样品的箱子回到家。他极度疲倦，仿佛已经走到了生命的尽头。只有老伴儿林达了解他、体贴他，尽一切努力来维护他的尊严，希望能给他一些生活下去的勇气和信心。然而，这一切似乎都无济于事……壮年时代的威利，一付精明强干的神气，两个儿子比夫和哈皮，是他的骄傲。尽管比夫的学习成绩不及格，也没有引起做父亲的重视，因为，他确认比夫将来完全可以当一名体育明星，然而，事与愿违，大儿子比夫多次离家出走，宁愿去当农业工人，也不愿留在充满竞争与欺诈的大城市里。在沉重的压力下，威利的精神恍惚不定。为了拯救威利，林达呼吁孩子们要怜爱父亲，甚至把威利要自杀的企图告诉了他们。这时，小儿子哈皮想出一个办法!让比夫向朋友借钱，由洛曼兄弟自家独立经营，以期干出一番事业来。这个令人振奋的设想，使全家人抱着新的希望进入了梦乡……为了预祝未来理想的实现，父子们约定在餐馆中聚会。而就在他们见面时，双方带来的都是不幸的消息：比夫没有借到钱，威利也被公司开除了。这使得父子间又发生了激烈的争吵，然而，他们谁也没搞清楚，生活不下去的社会原因。最终，威利还是自杀了…… 为了死后的保险赔偿给家人带来福利。

Scene 1
The play opens on 10 April 1809, in a garden front room of a country house in Derbyshire with tutor Septimus Hodge trying to distract his 13 year-old pupil Thomasina from her enquiries as to the meaning of a "carnal embrace" by challenging her to prove Fermat's Last Theorem so he can focus on reading the poem 'The Couch of Eros', a piece written by another character, Mr. Ezra Chater. Thomasina starts questioning why the jam in rice pudding can never be unstirred, which leads her on to the topic of determinism, beginning to develop a theory regarding the chaotic shapes of nature. This however is interrupted by Mr. Chater himself who is shortly revealed to be angry that his wife, Mrs. Chater, was caught engaging in "carnal embrace" in the gazebo with Septimus, and has come intending to challenge Septimus to a duel. Septimus attempts to defuse the situation by heaping oleaginous praise on "The Couch of Eros", a tactic that works, as at this point Chater doesn't realise that it was Septimus who had previously negatively reviewed an earlier work of his, "The Maid of Turkey". Landscape architect Noakes enters, shortly accompanied by Captain Brice and Lady Croom, who then proceed to discuss the proposed modifications to the gardens, with Thomasina drawing a picture of an imaginary hermit (in the biblical style of John the Baptist) onto Mr. Noakes's picture of the garden (with its fantasy hermitage) as he sees it in the future.
[edit]Scene 2
The setting shifts to the present day, with Hannah Jarvis researching about the house, garden and specifically the hermit, for a study centering on Hermits and the romantic imagination. Bernard Nightingale enters, escorted by Chloe Coverley, who fails to impart to Hannah the true identity of Bernard, as he gave Hannah's last book a poor review. Chloe's brother, Valentine Coverley, is doing research into the population biology of the grouse in the surrounding grounds, based on data from the historical "game books". When eventually Bernard's identity is revealed after a verbal misstep by Chloe, Hannah initially reacts angrily but regardless she agrees to share the research material he requested, allowing him to propose his theory that one of the 1809 inhabitants, Mr. Ezra Chater, was killed in a duel by Lord Byron. Bernard notes that records of Chater disappear after 1809; the only other notable Ezra Chater is a botanist.
[edit]Scene 3
The third scene reverts back to the initial timeframe, again in a tutorial session between Septimus and Thomasina, this time in Latin translation. Again the focus of the lesson diverts somewhat, here on to the destruction of the Alexandrian Library, which upsets Thomasina, who mourns the loss of the knowledge contained there, though Septimus's response is that all that is lost will eventually turn up again. The discussion is once again interrupted by Mr. Chater, who once again challenges Septimus to a duel, having finally realised, learning off-stage from Lord Byron, that Septimus was behind the negative reviews of his work.
[edit]Scene 4
Hannah rediscovers Thomasina's primer containing her ideas on iteration and chaos theory, recalling the previous scene's assertion that what is lost is eventually rediscovered. Valentine reacts with interest to this, as his own research in the present day centres on similar areas and concepts.
[edit]Scene 5
In the first scene of act 2, Hannah, Valentine and Chloe are given a preview of Bernard's lecture detailing Byron's supposed role in what he believes was Chater's murder. Bernard becomes agitated when Hannah and Valentine challenge the solidity and logic of his argument, responding by launching into a diatribe about the irrelevance of science, before departing to share the lecture in the capital and make promotional appearances in the media. Hannah meanwhile begins to suspect that the hermit of Sidley Park, who was reportedly obsessed with algebra and the heat death of the universe, the theory suggested in Thomasina's diagram, and who was also born in the same year, could have been Septimus.
[edit]Scene 6
Reverting to 1809, scene 6 reveals that the duel never occurred, with the Chaters instead having departed for the West Indies along with Captain Brice; Mr. Chater is accompanying the expedition as a botanist, and Mrs. Chater as Captain Brice's paramour. Byron has left also. Septimus has killed a rabbit for Thomasina. Septimus returns to find Lady Croom searching for him, after finding two letters that Septimus had written in case he was killed by Chater, one a love letter addressed to herself and the other, written to Thomasina, regarding rice pudding. Lady Croom then invites Septimus to an amorous rendezvous.
[edit]Scene 7
The seventh scene takes place in both 1812 and the present day, with the action of each in the shared setting effectively running concurrently. Furthermore, in the present day, some of the characters are in fancy dress for a party, meaning that the clothes and appearance of both casts are to some extent similar. Chloe is reading newspaper reports on the Byron murder theory as proposed by Bernard, before talking about determinism with Valentine, in a conversation echoing the one between Septimus and Thomasina earlier; Chloe, however, believes that sex is the force throwing off the universe's ordered plan. Valentine uses his computer to further advance the ideas proposed by Thomasina, and discusses the concept of entropy, and whether or not it was Thomasina or Septimus who was the genius behind the theories. Hannah and Valentine mention that "the girl" died in a fire on the eve of her seventeenth birthday.
Meanwhile, Thomasina (who is approaching her seventeenth birthday at this point) asks Septimus to teach her to dance. Lady Croom enters, complaining to Mr. Noakes about the noise of his steam engine, before Thomasina explains that the machine operates under the laws of entropy (not yet propounded at the time) which prove that the universe is winding down. In the present, Bernard arrives at the house where he is met by Hannah, who has discovered evidence, a letter showing the true cause of Mr. Chater's death, that totally discredits his argument and vindicates Lord Byron. While Septimus waits for appropriate music for a dance lesson that Thomasina has asked for, he examines the picture she made to illustrate the irreversibility of heat, an action mirrored in the present setting with Valentine and Hannah also looking at the same diagram and discussing its significance. Bernard is forced to depart having been caught in a compromising position with Chloe. Eventually a waltz starts. Septimus dances with Thomasina, their relationship of teacher and pupil increasingly complicated by hints of romance. Gus—Valentine and Chloe's brother, who has remained silent for the entire course of the play, brings Hannah Thomasina's drawing of Septimus and the tortoise together. This confirms Hannah's belief that the hermit, who owned a tortoise called Plautus, is Septimus; after the death of Thomasina, and faced with her challenge to the laws of the universe as propounded by Newton, he indeed becomes the hermit obsessed with applying "honest English algebra" to the question of the future of the universe.

Mary Stuart is imprisoned in England - nominally for the murder of her husband Darnley, but actually due to her claim to the throne of England held by Queen Elizabeth I. While Mary's cousin, Elizabeth, hesitates over signing Mary's death sentence, Mary hopes for a reprieve.
After Mary finds out that Mortimer (created by Schiller), the nephew of her custodian, is on her side, she entrusts her life to him. Mortimer is supposed to give Robert Dudley, the Earl of Leicester a letter from Mary, in which she pleads for help. This is a delicate situation, for Leicester seems to support Queen Elizabeth.
After numerous requests, Mary finally gains the opportunity to meet Queen Elizabeth (something that, in reality, never happened). This meeting ends in an acrimonious argument, caused by Mary's unwillingness to submit entirely to Elizabeth's wish. The argument leads to the inevitable suspicion that the cause of reprieve will not succeed.
To complicate matters further, Mortimer plans to free Mary from the prison by force, a dramatized version of the unsuccessful Babington Plot, but when his attempt is found out he commits suicide.
Queen Elizabeth eventually persuades herself to sign Mary's death warrant. Elizabeth insists that her only reason for signing is the pressure from her own people to do so.
The signed warrant is handed to Queen Elizabeth's undersecretary Davison without any clear instructions on what to do with it. In the process, Elizabeth transfers the burden of responsibility to him, fully aware that he in turn will hand over the warrant to Lord Burleigh, and thus confirm Mary's death sentence.
Burleigh demands the signed document from Davison, who - despite his uncertainty - eventually hands it to him. As a result, Burleigh has Mary executed.
The play ends with Elizabeth blaming both Burleigh and Davison for Mary's death (banishing the former from court and having the latter imprisoned in the Tower), Lord Shrewsbury (who pleaded for mercy for Mary throughout the play) resigning his honors and Leicester leaving England for France. Elizabeth is left completely alone as the curtain falls.

Mary Stuart is imprisoned in England - nominally for the murder of her husband Darnley, but actually due to her claim to the throne of England held by Queen Elizabeth I. While Mary's cousin, Elizabeth, hesitates over signing Mary's death sentence, Mary hopes for a reprieve.
After Mary finds out that Mortimer (created by Schiller), the nephew of her custodian, is on her side, she entrusts her life to him. Mortimer is supposed to give Robert Dudley, the Earl of Leicester a letter from Mary, in which she pleads for help. This is a delicate situation, for Leicester seems to support Queen Elizabeth.
After numerous requests, Mary finally gains the opportunity to meet Queen Elizabeth (something that, in reality, never happened). This meeting ends in an acrimonious argument, caused by Mary's unwillingness to submit entirely to Elizabeth's wish. The argument leads to the inevitable suspicion that the cause of reprieve will not succeed.
To complicate matters further, Mortimer plans to free Mary from the prison by force, a dramatized version of the unsuccessful Babington Plot, but when his attempt is found out he commits suicide.
Queen Elizabeth eventually persuades herself to sign Mary's death warrant. Elizabeth insists that her only reason for signing is the pressure from her own people to do so.
The signed warrant is handed to Queen Elizabeth's undersecretary Davison without any clear instructions on what to do with it. In the process, Elizabeth transfers the burden of responsibility to him, fully aware that he in turn will hand over the warrant to Lord Burleigh, and thus confirm Mary's death sentence.
Burleigh demands the signed document from Davison, who - despite his uncertainty - eventually hands it to him. As a result, Burleigh has Mary executed.
The play ends with Elizabeth blaming both Burleigh and Davison for Mary's death (banishing the former from court and having the latter imprisoned in the Tower), Lord Shrewsbury (who pleaded for mercy for Mary throughout the play) resigning his honors and Leicester leaving England for France. Elizabeth is left completely alone as the curtain falls.

当陷入婚姻倦怠的法官之妻Hester Collyer（海伦•麦克洛瑞饰演）被邻居们发现自杀未遂的时候，她和前皇家空军飞行员Freddie（汤姆•伯克饰演）的婚外恋情以及和丈夫William Collyer感情破裂的事实浮出水面。寂寞、压抑和情感渴求，在二战后虚伪而脆弱的复苏表象背后，有一种残酷的渴望和绝望在燃烧。
该剧为英国舞台剧作家泰伦斯•拉提根（Terence Rattigan）创作于1952年的作品，故事有他自己一段隐秘情事的影子，同年即在英美两国相继上演，此后多次重排，并且被翻拍成影视剧作品，著名版本包括1955年费雯•丽主演的电影版，2011年蕾切尔•薇兹、汤姆•希德勒斯顿和西蒙•拉塞尔•比尔主演的电影版，及1994年科林•费尔斯的电视版，其经典程度可见一斑。
海伦•麦克洛瑞（Helen McCrory）在《美狄亚》和The Last of the Haussmans之后再度回归英国国家剧院！再度与导演凯莉•克拉克奈尔（Carrie Cracknell）导演复排的经典剧目《蔚蓝深海》。
The Deep Blue Sea begins with the discovery by her neighbours of Hester Collyer who has tried and failed to commit suicide. Some time before, she left her husband, a respectable High Court Judge, for a semi-alcoholic former R.A.F. pilot, 'Freddy Page'. The relationship was physical and passionate but his ardour has cooled, leaving her emotionally stranded and desperate. The aftershocks of her attempted suicide unravel even the remnants of this relationship, but by the end she is brought to a hard decision to live, partly through the intercession of another resident of the tenement house, Mr. Miller, an ex-doctor, struck off for what seems to have been a homosexual offence. These two outcasts, socially ostracised for their 'excessive' loves, find a curious and moving kinship.

当陷入婚姻倦怠的法官之妻Hester Collyer（海伦•麦克洛瑞饰演）被邻居们发现自杀未遂的时候，她和前皇家空军飞行员Freddie（汤姆•伯克饰演）的婚外恋情以及和丈夫William Collyer感情破裂的事实浮出水面。寂寞、压抑和情感渴求，在二战后虚伪而脆弱的复苏表象背后，有一种残酷的渴望和绝望在燃烧。
该剧为英国舞台剧作家泰伦斯•拉提根（Terence Rattigan）创作于1952年的作品，故事有他自己一段隐秘情事的影子，同年即在英美两国相继上演，此后多次重排，并且被翻拍成影视剧作品，著名版本包括1955年费雯•丽主演的电影版，2011年蕾切尔•薇兹、汤姆•希德勒斯顿和西蒙•拉塞尔•比尔主演的电影版，及1994年科林•费尔斯的电视版，其经典程度可见一斑。
海伦•麦克洛瑞（Helen McCrory）在《美狄亚》和The Last of the Haussmans之后再度回归英国国家剧院！再度与导演凯莉•克拉克奈尔（Carrie Cracknell）导演复排的经典剧目《蔚蓝深海》。
The Deep Blue Sea begins with the discovery by her neighbours of Hester Collyer who has tried and failed to commit suicide. Some time before, she left her husband, a respectable High Court Judge, for a semi-alcoholic former R.A.F. pilot, 'Freddy Page'. The relationship was physical and passionate but his ardour has cooled, leaving her emotionally stranded and desperate. The aftershocks of her attempted suicide unravel even the remnants of this relationship, but by the end she is brought to a hard decision to live, partly through the intercession of another resident of the tenement house, Mr. Miller, an ex-doctor, struck off for what seems to have been a homosexual offence. These two outcasts, socially ostracised for their 'excessive' loves, find a curious and moving kinship.

Adam是一名妇产科病房的医生，在医院等级制度中举步维艰——他的职位低到得忍受折磨人的工作时长，但又高到得面对接二连三的可怕职责。Adam每周工作97小时，需要做出各种生死抉择，而他清楚就连医院停车收费表的收入都比自己高。面对工作中越来越大的压力，他依靠自己的个人生活来度过一切。故事从一个实习医生的视角出发，讲述医院病房里未加掩饰的真实故事，描绘了令人振奋、充满欢笑的高潮，也展现了令人痛苦的低谷。

故事始于一段浪漫的恋情，两名主人公来自截然不同的世界，一个是曾经纵情声色犬马而今独自一人渴望真爱的Danny，一个是神秘寡言英国军情六处总部的间谍Alex。即使出身和性格迥然不同，二人度过了最美好的一段时光。然而浪漫的恋爱故事并未向顺利的方向进行，不久后Alex神秘失踪，Danny开始一步步追查，一个个神秘线索把他引向一个让他窒息的可怕事实。他发现自己已经卷入了一个纷繁复杂又危机重重的间谍世界。他能否凭一己之力，与这个强大的对手斗争到底，找出真相？

理查德（科林·费斯 Colin Firth 饰）是一位内心里正义感非常丰沛的年轻律师，因为看不惯大城市里的尔虞我诈官商勾结，他带着他的搭档马提尔（吉姆·卡特 Jim Carter 饰）回到了乡下，希望能够在这里找回曾经简单质朴的生活。
然而，现实并不是理查德想象中的那样单纯，即便是看似宁静淡薄的乡村，依然有蠢蠢欲动的邪恶和权谋争斗隐藏在平静的水面之下。一位名叫萨米尔（阿明娜·安娜比 Amina Annabi 饰）的女子找到了理查德，她背负上了一级谋杀的罪名，死者还是个孩子，她希望理查德能够为自己辩护。善良的理查德结下了萨米尔的案子，殊不知从那一刻起，他已经被卷入了阴谋的旋涡之中。

四集电视剧，描述好莱坞最伟大的男主角阿奇博尔德-亚历山大-利奇（又名加里-格兰特）的一生。

In the domain of Bernarda Alba, a daughter who disobeys is no longer a daughter. Forced to live under their mother’s tight grip as they mourn their father’s death, can five sisters survive when young Adela dares for passion and freedom?

美国商人杰克第一次离开纽约去翡翠岛考察，想买下这块地方建造迪斯尼乐园。他住进了一座草房子。矮仙领袖和精灵们时隐时现，原来这里是矮仙国的领地。半空中还有一座仙女城堡，这里也是常常爆发战争。鸟精灵一再警告它们，战争会付出沉重的代价。杰克偶然发现了在河中洗澡的当地普通居民凯瑟琳，凯瑟琳因杰克偷看洗澡而恼怒。造物弄人，他们通过一次马车比赛而相爱了。他们放弃了国家、工作和财产，并帮助矮仙国同仙女国和平相处。

A dramatization of the story behind and occasion of Thatcher’s last TV interview, the hugely damaging ITV grilling by her old friend Brian Walden, which some view as the final nail in her prime ministerial coffin.

儿时的一次降灵游戏夺走了朋友的生命，这名心理学家一直被此事深深困扰。在另一个年轻女孩失踪后，她不得不重返犯罪现场。

隐居孤岛的特工界黄金王牌迈克尔·梅森（杰森·斯坦森 饰）本想就此隔绝过往，一场风暴却让他救下少女杰茜（博德希·蕾·布里纳希 饰），命运的齿轮彻底反转……他们的行踪不慎暴露在严密的监控网络之下，神秘势力的追杀接踵而至，无路可退的梅森被迫重操旧业，携手少女开启生死突围之路。 面对顶尖特工小队和冷血杀手的轮番围剿，梅森一路火力全开：近身肉搏、飞车追逃、枪林弹雨，硬核爽战全程高能！随着追杀不断升级，层层阴谋被逐一揭开，互相防备的两人成为彼此唯一的依靠。当滔天阴谋席卷而来，他们能否冲破死局？这份绝境中的守护，又会成为铠甲还是软肋？