Thirties. Fyodor Bazyrin, who had built up a strong household, fell in love with a village girl, so much so that he almost stole her from under the crown and took her to his farm, where he married the girl he loved. They were happy. But time passed and the young woman was drawn to a new life. She was no longer satisfied with working for the benefit of her personal life in isolation from the common village festivities and everyday life and decided to leave the farm.

A locker room janitor at the train station notices that a suitcase was put in a locker by a man, but pulled out by another man. This suitcase appeared to be stuffed with money. This incident allows a police detective to uncover a huge criminal organization responsible for theft, smuggling and murder.

Sergey comes to Moscow and starts to work as EMT. But his life in the capital isn't simple...

Classic adaptation of the even more classic play by William Shakespeare.

Retired professor Serebryakov and his young wife Yeléna disrupt the lives of his brother-in-law Vanya and daughter Sofya on a rural estate, leading to a crisis of unrequited love, resentment, and disillusionment.

In the early 19th century a traveler returns to the remote outpost he’d visited years before, anxious to see the station master’s lovely daughter once again. There the brokenhearted old man tells him the story of the dashing fellow from Petersburg who whisked her away one winter morning.

On a summer day in late 19th century Russia, a group of bourgeois friends and acquaintances gather at a dilapidated country estate.

During the Russian Civil War, the production of a silent melodrama runs into numerous complications.

St. Petersburg, mid 19th century: the indolent, middle-aged Oblomov lives in a flat with his older servant, Zakhar. He sleeps much of the day, dreaming of his childhood on his parents' estate. His boyhood companion, Stoltz, now an energetic and successful businessman, adds Oblomov to his circle whenever he's in the city, and Oblomov's life changes when Stoltz introduces him to Olga, lovely and cultured. When Stoltz leaves for several months, Oblomov takes a country house near Olga's, and she determines to change him: to turn him into a man of society, action, and culture. Soon, Olga and Oblomov are in love; but where, in the triangle, does that leave Stoltz?