Katja and Johann are two teenagers who are the best of friends. They spend most of their time in a ruined fort, fantasizing about an ideal world. Their relationship becomes threatened when Johann is taken ill with leukemia, and Katja's mother is undecided on whether to stay with her husband or leave with her lover.

2009 film by Matthias Glasner

2021 film by Max Fey

Hamburg, St. Pauli, New Year's Eve. Oskar Wrobel runs a music club in an old hospital at the edge of the Reeperbahn. While fireworks go off in the streets of St. Pauli, he prepares the big final party - the club has to close. Thankfully there is no time to think about it because the chaos is breaking into his living room, all while hell break loose at the club. The film, based on the novel by Tino Hanekamp, was filmed with hundreds of extras attending a real-life three-night-long party.

Thea ist attraktiv, Ehemann Nat ist reich. Zusammen sind sie ein klassisches Liebespaar, das sich auseinander gelebt hat. Eine „saubere“ Trennung steht unmittelbar bevor. Doch dann verursacht Thea einen Unfall, durch den Nat gelähmt wird. Schuldbewusst zieht sie zurück in die gemeinsame Wohnung.

1996 film by Sherry Hormann

Zwei Freundinnen: Als die eine unter zweifelhaften Umständen wegen Mordes verhaftet wird, verkauft die andere die Geschichte an die Presse...

1994 film by Joseph Vilsmaier

A couple of slackers find an antique dagger and manage to free the gorgeous female warrior that was imprisoned in it by an evil spell. An evil sorcerer is not happy by this turn of events and determines to possess both the blade and the warrior through a sacrificial ceremony. The two heroes manage to rescue the damsel in distress and defeat the wizard and his minions by employing skills mastered through hours of video game play.

1994 film by Peter Keglevic

2008 film by Hannes Stöhr

2019 German three-part miniseries

Mephisto, associated with the more apocalyptic nightmares and Walpurgis Night visions, and Mephista appear in multiple guise, speak with ever different voices, help memorizing those moments, or creating dreams that can turn into nightmares again and again.

East-Berlin, 1961, shortly after the erection of the Wall. Konrad, Sophie and three of their friends plan a daring escape to Western Germany. The attempt is successful, except for Konrad, who remains behind. From then on, and for the next 28 years, Konrad and Sophie will attempt to meet again, in spite of the Iron Curtain. Konrad, who has become a reputed Astrophysicist, tries to take advantage of scientific congresses outside Eastern Germany to arrange encounters with Sophie. But in a country where the political police, the Stasi, monitors the moves of all suspicious people (such as Konrad's sister Barbara and her husband Harald), preserving one's privacy, ideals and self-respect becomes an exhausting fight, even as the Eastern block begins its long process of disintegration.

静谧的夜空上，皎洁的圆月中住着全身洁白、似乎只有儿童才能看见的月亮先生（Katharina Thalbach 配音）。他蜷缩在方寸之间，孤独寂寞。某晚，一颗剧烈燃烧的小行星朝地球飞去，月亮先生趁机抓住火舌，随之坠落地球。与此同时，地球大总统（Ulrich Tukur 配音）正在一座天文台举行征服地球每一寸角落的庆祝仪式，小行星的到来令他倍感紧张，随后燃起征服月球的野心，为此他拜托沉寂许久的天才博士本森·真·黑暗博士（Thomas Kästner 配音）发明飞向外太空的火箭。月亮先生消失了，孩子们失望得睡不着觉。地球上始料未及的旅程，他将经历到什么呢？
本片根据汤米·温格尔的同名畅销绘本改编。

Simon, a young German doctor who lives and works in Marseille, goes missing. His appartment is empty. His mother Valérie is desperate. She doesn't understand the reason of his disappearance. Therefore she asks Jens, Simon's former boyfriend, to come to Marseille and help her find him.

August 1928: while workers and farmers search “Das Kapital” for answers to some mysterious vampire bite marks, a self-proclaimed baron enters the life of the charming heiress Miss Flambow-Jansen, as well as her luxury Baltic residence. As it turns out, he is actually a proletarian impostor, forced to escape from the Soviet Union because of a political incident involving no less than Sergei Eisenstein and Stalin himself.
Julian Radlmaier takes his trademark “ironical materialism” even further, with a new mixture of ideology and cinephilia that gives rise to a dialectic fable-cum-formalist-comedy, assuming that the Marxist description of the capitalist as a vampire is far from metaphorical. And while the entire film features historical inaccuracies that highlight the subject’s current relevance, it is the finale, with its abrupt detour into manipulation of reality and xenophobia, which really emphasises how injustice and lies prevailed then as now – only now more than ever. The oppressed continue to aim their class violence in the wrong direction, once again offering their necks to the oppressors’ fangs.

In April of 1945, Germany stands at the brink of defeat with the Russian Army closing in from the east and the Allied Expeditionary Force attacking from the west. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his generals and advisers to fight to the last man. When the end finally does come, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.