From Publishers Weekly
Starred Review. Ross, the classical music critic for the New Yorker, leads a whirlwind tour from the Viennese premiere of Richard Strauss's Salome in 1906 to minimalist Steve Reich's downtown Manhattan apartment. The wide-ranging historical material is organized in thematic essays grounded in personalities and places, in a disarmingly comprehensive style reminiscent of historian Otto Friedrich. Thus, composers who led dramatic lives—such as Shostakovich's struggles under the Soviet regime—make for gripping reading, but Ross treats each composer with equal gravitas. The real strength of this study, however, lies in his detailed musical analysis, teasing out—in precise but readily accessible language—the notes that link Leonard Bernstein's West Side Story to Arnold Schoenberg's avant-garde compositions or hint at a connection between Sibelius and John Coltrane. Among the many notable passages, a close reading of Benjamin Britten's opera Peter Grimes stands out for its masterful blend of artistic and biographical insight. Readers new to classical music will quickly seek out the recordings Ross recommends, especially the works by less prominent composers, and even avid fans will find themselves hearing familiar favorites with new ears. (Oct.)
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当英雄们已经老去……
当老一代的价值观被摒弃……
当异能人层出不穷……
当年轻一代愈发肆无忌惮……
当一切陷入混乱……
当……

The greatest criminal masterminds of our time appear to be acting in concert -- but with a surprising plan that seeks to achieve more good than the JLA ever could.
They are the World's Greatest Super-Heroes. But the members of the fabled Justice League of America are about to learn they aren't the only ones who can band together toward a common goal. The greatest supervillains the world has ever known are working together as one - with a shocking goal that will have the people of earth singing their praises! But it's just the latest attempt at world domination - and our heroes are there to expose the truth, to fight...for Justice!
The DC Universe is reimagined by fan-favorite painter Alex Ross (Kingdom Come, Marvels) and writer Jim Krueger (Earth X, Universe X), with pencil art by Doug Braithwaite (Paradise X) painted by Ross.
Collects Justice #1-12

They are the World’s Greatest Super-Heroes. But the members of the fabled Justice League of America are about to learn they aren't the only ones who can band together toward a common goal. The deadliest criminal masterminds of our time appear to be acting in concert — with a surprising plan that seeks to achieve more good than the JLA ever could!
But it’s just the latest attempt at world domination — and our heroes strive to expose the truth, to fight…for JUSTICE!
DC's pantheon of heroes is reimagined by fan-favorite painter Alex Ross (KINGDOM COME, Marvels) and writer Jim Krueger (Earth X, Universe X), with pencil art by Doug Braithwaite (Paradise X) painted by Ross. This ultimate slipcased Absolute edition contains all twelve issues of the best-selling maxiseries, plus expansive character bios, developmental sketches, pencil art, bonus covers, DC Direct gallery, and much more!

Welcome to New York. Here, burning figures roam the streets, men in brightly colored costumes scale the glass and concrete walls, and creatures from space threaten to devour our world. This is the Marvel Universe, where the ordinary and fantastic interact daily. This is the world of MARVELS. Collecting MARVELS #0-4.

Marvel's super-sized "Adamantium Collection"-style format continues, shining a well-deserved spotlight on a true Marvel classic! Within the Marvel Universe, heroes soar high in the skies, ready to battle the villains who threaten their world. Yet living in the shadow of these extraordinary icons are ordinary men and women, who view the "Marvels" with a mixture of fear, disbelief, envy and admiration. Among them is Phil Sheldon, a New York City photojournalist who dedicates his career to covering the exploits of the Marvels and their effect on humankind. A richly painted historical overview of the entire Marvel Universe, Marvels spans the 1939 debut of the Human Torch to the fearsome coming of the world-devouring Galactus, culminating in the shocking death of Gwen Stacy, Spider-Man's first love. Plus: an extensive and gorgeous Alex Ross art gallery!
COLLECTING: MARVELS 0-4

After the villains of the Legion of Doom — led by Lex Luthor and Brainiac — band together to save the world after a shared dream that seems to be a vision of the Earth’s demise. They are confronted by the Justice League of America, who doubt their

“Alex's unique style combines the best of the fantastic and the real, creating a world whrer mythes walk and leave tangible footprinters in the sand”

The Legion of Doom - led by LEX LUTHOR and BRAINIAC - band together to save the world after a shared vision of the Earth's demise. Collecting the best-selling 12-issue series!

A sweeping musical history that goes from the salons of pre-war Vienna to Velvet Underground shows in the sixties. In The Rest is Noise, Alex Ross, music critic of the New Yorker, gives us a riveting tour of the wild landscape of twentieth-century classical music: portraits of individuals, cultures, and nations reveal the predicament of the composer in a noisy, chaotic century. Taking as his starting point a production of Richard Strauss's Salome, conducted by the composer on 16 May 1906 with Puccini, Schoenberg, Berg and Adolf Hitler seated in the stalls, Ross suggests how this evening can be considered the century's musical watershed rather the riotous premiere of Stravinsky's Rite of Spring seven years later. Ross goes on to explore the mythology of modernism, Sibelius and the music of small countries, Kurt Weill, the music of the Third Reich, Britten, Boulez and the post-war avant-garde, and interactions between minimalist composers and rock bands in the sixties and seventies.

Alex Ross has made his home at Dynamite Entertainment for the past several years with the creation of his own universe in Project Superpowers. Having produced many other illustrations for Dynamite comic books like Green Hornet and Vampirella, and having reunited with his Marvels collaborator, Kurt Busiek, with Kirby: Genesis, there can be no argument that Alex Ross is as popular and dynamite as ever!
Collecting all of Alex's Dynamite cover and interior art in one complete hardcover volume, along with commentary and special bonus material, this is a package not to be missed!

Alex Ross’s award-winning international bestseller, The Rest Is Noise: Listening to the Twentieth Century , has become a contemporary classic, establishingRoss as one of our most popular and acclaimed cultural historians. Listen to This , which takes its title from a beloved 2004 essay in which Ross describes his late-blooming discovery of pop music, showcases the best of his writing from more than a decade at The New Yorker . These pieces, dedicated to classical and popular artists alike, are at once erudite and lively. In a previously unpublished essay, Ross brilliantly retells hundreds of years of music history—from Renaissance dances to Led Zeppelin—through a few iconic bass lines of celebration and lament. He vibrantly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and introduces us to music students at a Newark high school and indie-rock hipsters in Beijing.
Whether his subject is Mozart or Bob Dylan, Ross shows how music expresses the full complexity of the human condition. Witty, passionate, and brimming with insight, Listen to This teaches us how to listen more closely.

THE EISNER AWARD–WINNING, NATIONALLY BEST--SELLING MYTHOLOGY IS HERE IN AN EXPANDED LIMITED HARDCOVER EDITION WITH 32 NEW PAGES.
Mythology returns, in a newly expanded edition of the book Entertainment Weekly awarded a grade of A, saying: “Alex Ross brings to his work an unparalleled sense of the real. His heroes–both super and mortal–have weight; they exist in space, and that space is affected by them in ways never before seen on the page.” And so here they are, the incomparable cast of the DC Comics universe: Superman, Batman, Wonder Woman, the Flash, Aquaman, the Green Lantern, and the rest of the Justice League as you’ve never seen them before. Mythology brings together the best loved comic characters in the world, brought to life by Alex Ross, one of the most astonishing young artists working in the medium today. The award-winning designer/writer Chip Kidd and photographer Geoff Spear have teamed up to create a book like no other, with an introduction by M. Night Shyamalan, the acclaimed director of The Village and The Sixth Sense .
Ross has often been called the Norman Rockwell of comics, and this book reveals not only his lifelong love of these classic superheroes but also his vision: Mythology takes you into the studio for a behind-the-scenes look at his fascinating creative process. The combination of Ross’s dynamic art and Kidd’s kinetic design makes images from his most memorable stories–including Kingdom Come, Superman: Peace on Earth, Batman: War on Crime, and Uncle Sam–soar off the more than 300 pages.
The new material centers on Ross’s startling new comic book series, Justice , including sketches, preliminary art, prototype figures, and more. Mythology is a book in which every page explodes with the power of the icons it celebrates.

Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise , reveals how Richard Wagner became the proving ground for modern art and politics--an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence.

For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung , Tristan und Isolde , and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil.

In Wagnerism , Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner's many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of WEB Du Bois, from O Pioneers! to Apocalypse Now .

In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.

Alex Ross opens his private sketchbooks to reveal his astonishing pencil and ink drawings of DC Comics characters, nearly all of them appearing in print here for the first time.
Thousands of fans from around the world have trilled to Alex’s fully rendered photo-realistic painting of their favorite heroes, but as they may not realize, all of those works start as pencil on paper, and the origins of the finished images are rarely seen. Until now.
From deleted scenes and altered panels for the epic Kingdom Come saga to proposals for revamping such classic properties as Batgirl, Captain Marvel, and an imagined son of Batman named Batboy, to unused alternate comic book cover ideas for the monthly Superman and Batman comics of 2008-2009, there is much to surprise and delight anyone who thought they already know all of Alex’s DC Comics work.
Illuminating everything is Alex’s own commentary, written expressly for this book, explaining his though processes and stylistic approaches for the various riffs and reimaginings of characters we thought we knew everything about but whose possibilities we didn’t fully understand.
As a record of a pivotal era in comics history, Rough Justice is a must for Alex’s legion of fans, as well as anyone interested in masterly comic book imagination and illustration.

is a voyage into the labyrinth of modern music, which remains an obscure world for most people. While paintings of Picasso and Jackson Pollock sell for a hundred million dollars or more, and lines from T. S. Eliot are quoted on the yearbook pages of alienated teenagers across the land, twentieth-century classical music still sends ripples of unease through audiences. At the same time, its influence can be felt everywhere. Atonal chords crop up in jazz. Avant-garde sounds populate the soundtracks of Hollywood thrillers. Minimalism has had a huge effect on rock, pop, and dance music from the Velvet Underground onward.
shows why twentieth-century composers felt compelled to create a famously bewildering variety of sounds, from the purest beauty to the purest noise. It tells of a remarkable array of maverick personalities who resisted the cult of the classical past, struggled against the indifference of a wide public, and defied the will of dictators. Whether they have charmed audiences with sweet sounds or battered them with dissonance, composers have always been exuberantly of the present, defying the stereotype of classical music as a dying art. The narrative goes from Vienna before the First World War to Paris in the twenties, from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies. We follow the rise of mass culture and mass politics, of dramatic new technologies, of hot and cold wars, of experiments, revolutions, riots, and friendships forged and broken. The end result is not so much a history of twentieth-century music as a history of the twentieth century through its music.