Independent filmmaker Carmelo Bene makes his debut in this feature that concerns the murder of the Saracens in the city of Otranto centuries ago. Our Lady appears at various time in the film, symbolic of the carnal desires and spiritual dreams of all men. Flashbacks and avant garde cinematic techniques provide passages of erotica and black humor on occasion. The story was taken from Bene's own novel as the author oversees all aspects of writing, production and direction in this experimental and provocative film.

An experimental video variation on Shakespeare's Hamlet, n intresting experiment mixing the unique Carmelo Bene's vocal thechnique with experimental filmaking.
The movie is a part of Carmelo Bene's multi-medial project on Hamlet, also including the theatrical movie "Un Amleto di meno", a stage drama and the TV-movie "Hommelette for Hamlet".

人类事务的全景与 "带着电影摄影机的人 "不期而遇。他的游乐场没有边界，他的好奇心没有限制。人物、情境和地点在人类生活中安营扎寨，人类既是观众，也是被观众。但这种人性的末日是什么？它们已经过去了吗？是现在还是未来？在等待的过程中，阿塔兰特号的宇航员们在他们永恒的梦想中与自己的形象在水泡中相遇。沿着公海上的汽船通道，这是一种爱抚，一种爱的象征。在镜子里，他手持相机，检查自己，总是不确定地确定，自己在那短暂、太短暂的时间单位内的捕捉。但我们学到的是，没有什么是永恒的。他们接触到的一切都会变成时间，变成行动、期待和希望，德墨忒尔提醒着熙熙攘攘的人类。片段的片段。以一种完全不可能的动作，做出躲避忧郁和游戏的姿态。克劳斯在火星上的剧院尚未开张，我们正忙着归档。而这出戏剧，除了人类，不可能有其他观众。