吴昊昊 — 演员 (7)
海妖 (2021) [电影] 豆瓣
其它标题:
No Desire to Hide
《海妖》是朱日坤的最新纪录作品。视频以具有争议性的视频作者吴昊昊为主角，展示了他对情感、性、家庭、社会、政治和历史的态度和观点，体现了中国新一代人互相矛盾的个性特征，也预寓着这个国家的未来。视频的英文名No Desie to Hide似乎更强调的是人的欲望。
《海妖》将在2021年10月底举办的捷克Ji.hlava（吉哈瓦）国际纪录片电影节上参加国际竞赛。吉哈瓦是东中欧最大的国际纪录片电影节之一，今年是其25周年，最早由一群高中生创办，本届影展将有300部来自全球的纪录电影放映。
The film shows the ordinary lives of young people in China, with all their romantic problems, unfulfilled dreams and existential crises that are interwoven into everyday dialogues and conversations with the director. The two central protagonists try to function in an open relationship, which suits only one of the partners, while the other suffers and longs for a family life. The possibility of emigration to America is a hope, but it is gradually receding due to the worsening political situation. The camera captures even the most intimate moments and puts the viewer in the position of a voyeur observing the exposed bodies and souls.
„There is very little space for Chinese independent films these days. For big film festivals in western countries, they don't pay attention to the small budget films as they look less industrial.“ (Zhu Rikun)
《海妖》将在2021年10月底举办的捷克Ji.hlava（吉哈瓦）国际纪录片电影节上参加国际竞赛。吉哈瓦是东中欧最大的国际纪录片电影节之一，今年是其25周年，最早由一群高中生创办，本届影展将有300部来自全球的纪录电影放映。
The film shows the ordinary lives of young people in China, with all their romantic problems, unfulfilled dreams and existential crises that are interwoven into everyday dialogues and conversations with the director. The two central protagonists try to function in an open relationship, which suits only one of the partners, while the other suffers and longs for a family life. The possibility of emigration to America is a hope, but it is gradually receding due to the worsening political situation. The camera captures even the most intimate moments and puts the viewer in the position of a voyeur observing the exposed bodies and souls.
„There is very little space for Chinese independent films these days. For big film festivals in western countries, they don't pay attention to the small budget films as they look less industrial.“ (Zhu Rikun)
制作《批判徐童》 (2012) [电影] 豆瓣
BACKGROUND
Xu Tong is a documentary director. His work “Wheat Harvest”, was opposed by a small group of people for violating the privacy of sexual workers and copyright, ironically, these complaints help to let more people to know and watch this film.
WuHaoHao failed to film Xu Tong and used his materials about such incident as he couldn't get the copyright. Throughout the process of production, he criticized himself, the society, documentary format by deconstructing video, sound and text he got when he interview Xu Tong. Like using paper cutting, or his individual voice over to repeat the interview.
CONCEPT
The way the director criticizing documentary format by deconstructing the video, sound and text of his interview with Xu Tong inspired me to deconstruct all the Chinese characters for all the titles on the poster.
背景
徐童，紀錄片導演，他的作品《麥收》因涉及侵權與偷拍性工作者而引起小範圍反對，但諷刺地，這卻讓更多的人關注此片。
吳昊昊因未能得到徐童的允許，在製作該視頻作品中，所以他只能利用剪紙，或用個人旁白來重複訪問內容等方式製作。他解構視頻、聲音、文字的同時，發現原來也在批判自己、社會、和記錄片。
概念
海報的設計概念來自導演透過對紀錄片的視頻，聲音，文字，不斷解構而進行批判的這個行為，故海報中全部標題的漢字都被分拆，解構。
Xu Tong is a documentary director. His work “Wheat Harvest”, was opposed by a small group of people for violating the privacy of sexual workers and copyright, ironically, these complaints help to let more people to know and watch this film.
WuHaoHao failed to film Xu Tong and used his materials about such incident as he couldn't get the copyright. Throughout the process of production, he criticized himself, the society, documentary format by deconstructing video, sound and text he got when he interview Xu Tong. Like using paper cutting, or his individual voice over to repeat the interview.
CONCEPT
The way the director criticizing documentary format by deconstructing the video, sound and text of his interview with Xu Tong inspired me to deconstruct all the Chinese characters for all the titles on the poster.
背景
徐童，紀錄片導演，他的作品《麥收》因涉及侵權與偷拍性工作者而引起小範圍反對，但諷刺地，這卻讓更多的人關注此片。
吳昊昊因未能得到徐童的允許，在製作該視頻作品中，所以他只能利用剪紙，或用個人旁白來重複訪問內容等方式製作。他解構視頻、聲音、文字的同時，發現原來也在批判自己、社會、和記錄片。
概念
海報的設計概念來自導演透過對紀錄片的視頻，聲音，文字，不斷解構而進行批判的這個行為，故海報中全部標題的漢字都被分拆，解構。
世纪末日独立电影导演聚会 (2012) [电影] 豆瓣
导演:
薛鉴羌
演员:
薛鉴羌
/
吴昊昊
…
其它标题:
2012世界末日地下电影导演神仙聚会实录
2012年端午期间, 云之南影展策划的 "湘会" 在湖南岳阳细毛家屋场举办。
云之南影展的易思成邀请了丛峰、胡新宇、吴昊昊、林鑫、黎小锋、马莉、毛晨雨、邱炯炯、魏晓波、薛鉴羌十位电影作者与研究独立电影的张献民、吕新雨、张亚璇以及丹麦艺术家进行日常式的交流。
在这其间, 十位电影作者对自己生活经历和创作进行了阐述。
云之南影展的易思成邀请了丛峰、胡新宇、吴昊昊、林鑫、黎小锋、马莉、毛晨雨、邱炯炯、魏晓波、薛鉴羌十位电影作者与研究独立电影的张献民、吕新雨、张亚璇以及丹麦艺术家进行日常式的交流。
在这其间, 十位电影作者对自己生活经历和创作进行了阐述。