Mercedes (Neus Asensi), Mariángeles (Ana Risueño) y Carmen (Miriam Díaz-Aroca) necesitan escapar de algo: del stress del trabajo, de un divorcio o de una existencia gris y aburrida. Y las tres buscan algo: una aventura amorosa en un país exótico. El destino es Túnez, la tierra de los contrastes, de los desiertos y también de las playas. Pero lejos de aterrizar en un paraíso inédito, emprenden viaje junto a un grupo de extravagantes personajes

1963 film by Mario Camus

A film team arrives at a more authentic and old square in Madrid to shoot a film. The area is full of children, working families and simple people who see the cinema as something unattainable. From his balcony, Paloma, does not lose detail of the shooting, nor of the movements of the gallant, for which he feels a strong attraction.

Finaliza la temporada y Victoria, viuda, madura y propietaria del motel junto a la playa, no quiere pasar otro invierno sola. Para evitarlo, compra la compañía de Pablo para que continue trabajando para ella. Pablo acepta, a condición de seguir siendo libre y poder disfrutar de otras mujeres. Días después llega al motel Gloria, una bella bióloga que dice estar preparando un libro y que, para sorpresa del interesado, Pablo, parece saberlo todo acerca de Victoria y su pasado.

1970 film

A man's body turns up on a Barcelona beach with a message tattooed on his arm: "I was born to revolutionize hell". Detective Pepe Carvalho is put in charge of the case, taking him from the back streets of Barcelona to the Amsterdam canals, with no effect whatsoever on his peculiar investigation methods.

1977 film

Ditirambo nunca sonríe, siempre dice la verdad y lleva a cabo sin piedad todas las misiones que se le encomiendan. La viuda de un escritor le ordena localizar a la ex amante de su marido con el fin de vengarse de ella.

A few days ago, Lucia (Assumpta Serna) receives anonymous letters in which he is forced to perform certain actions that she accepts without question. Her current boyfriend, Arthur (Xabier Elorriaga), suspects the mysterious sender can be Lucia's former lover, whose strange death never reached clarified. Now it's time it's Arthur who put the cards on the table to get to the bottom of it.

In order to solve economic problems, "Leguineche" family decide to move to France with their limited belongings.

1994 film by Fernando Colomo

South of France, XIX century. Alfredo de Quiroga, a Spanish gentleman in exile, is reluctant to admit that Vera, his wife, has died. Very concerned, begins to rebuild its surroundings as if she were still alive. The objects, dialogues, gestures ... again everything is back to make sense to him. Even his faithful butler rests on this fiction. But one day, by accident, he meets the daughter of the notary and his world begins to crumble.

An Indian mystic uses magical chants to raise women from the dead, then sends them out to perform revenge killings for him.

1985 film by José Luis Cuerda

Following the Spanish Civil War, a man goes into hiding to avoid arrest by the victorious Nationalist forces.

David (Mark Stevens) is a physician who returns to Spain 30 years after his involvement in the Spanish Civil War. Now a member of a medical convention, he looks up old friends and finds his former lover, now a married woman with a flamenco-dancing daughter. He and the daughter (Manuela Vargas) have an immediate and mutual attraction to each other. He considers running away with the exotic beauty before asking his wife to join him for an extended vacation after the convention .

Leo Pozas, native from Burgos and high bank clerk, arrives to a town on the Costa Brava, with his mother to marry Loli. Unexpectedly, Leo's mother died. This may mean the suspension of the wedding, a year of mourning and, perhaps, another relief, so that Leo and Loli hide the corpse of the old betrothal until after the wedding...

After the death of General Franco, the Leguineche family leaves their estate of Los Tejadillos, where they have remained for decades in voluntary exile, with the purpose of returning to Madrid to actively participate in the social events of the aristocracy and to get closer to the closest circle of the Spanish monarch. The obsession of the old marquis is centered on getting in touch with the most illustrious surnames, to ascend socially and to resume the pomp and courtly life that his family lost a long time ago. To this end, he decides to move into an old palace he owns, located in the center of the capital, but not before overcoming the difficulties posed by his wife, who deeply hates both her husband and her son. To regain control of the palace, the Marquis of Leguineche tries to handicap his wife, arguing an incurable mental illness, and then undertake a reform of the place in order to adapt it to aristocratic life.

In the Headquarters of the T.I.A. (Terminal Intelligence Agency), someone has stolen Professor Bacterio's most dangerous invention, the D.O.T. (Demoralizer of Troops), an artifact that ends up in the hands of a very short, wacky dictator who is ready to use it for criminal purposes. The T.I.A Chief, though, is firm in his resolve: if he wants to get the D.O.T. back, he must NOT count on his agents Mortadelo & Filemon. But when the crime fighting duo discover that the T.I.A. has engaged a cocky and slimy detective from outside the agency, they decide to act at their own risk, even if that risk involves all of Humanity.

1975 film by Pedro Olea