Calamity Jane tries to help Buffalo Bill Cody and Wild Bill Hickock stop an Indian war.

The owner of a tavern is pressured by the local mob to go into business with them, and figures it's better all around if he does that rather than cause trouble. However, when he starts to see what kind of place his nice little neighborhood bar is turning into, and when one of the mob's goons tries to rape his daughter, he decides to fight them.

Spanning nearly 40 years from 1925 to 1964, two Texas farm boys; straight-arrow Gid and laid-back Johnny fight over the affections of the beautiful and headstrong Molly Taylor, who consistently refuses to marry either of them.

A formidable presence both in front of and behind the camera, German auteur Erich von Stroheim is the subject of this in-depth documentary. Renowned for villainous roles as well as for his meticulous filmmaking approach, von Stroheim had a prolific decades-spanning career, which is detailed in interviews and photographs. Most notably, clips of his most celebrated works and even some of his lesser-known productions are presented.

Los Angeles is paralysed with terror when a lovesick murderer takes to the streets with a pair of garden shears

Engineer-turned-executive Fred Staples is excited to start his new job at the big firm that acquired his factory. But before long, he realizes he’s being groomed to replace Bill Briggs, a friendly long-timer who’s lost favor with the cruel CEO, Walter Ramsey. Rather than fire Briggs, Ramsey sabotages and humiliates him in an effort to force his resignation — and make the reticent Staples his new right-hand man.

A father and son lawyer duo take a variety of cases that often deal with the important issues of the day.

A mysterious epidemic has struck an Old West frontier town and young girls are falling deathly ill. Doc Carter, his lovely daughter Dolores, and preacher Dan Young have their hands full caring for the infirm. When one of the patients dies unexpectedly, Dan notices two puncture wounds on her neck. His investigation leads him to the strange gunslinger Drake Robey, who always seems to be slower on the draw than his opponents, but who—despite being outdrawn, and even shot—always manages to survive these deadly encounters. Dan soon discovers that Drake also has an aversion to crucifixes, sleeps in coffins, and cannot tolerate sunlight...

A student-teacher relationship goes way beyond the classroom, including pre-historic times.

Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”

A newspaper publisher, wanting to prove a point about the insufficiency of circumstantial evidence, talks his possible son-in-law Tom into a hoax in an attempt to expose ineptitude of the city's hard-line district attorney. The plan is to have Tom plant clues leading to his arrest for killing a female nightclub dancer. Once Tom is found guilty, he is to reveal the setup and humiliate the DA.

In 1947, four German judges who served on the bench during the Nazi regime face a military tribunal to answer charges of crimes against humanity. Chief Justice Haywood hears evidence and testimony not only from lead defendant Ernst Janning and his defense attorney Hans Rolfe, but also from the widow of a Nazi general, an idealistic U.S. Army captain and reluctant witness Irene Wallner.

The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.