1948 film by Julio Bracho

Unjustly accused of theft, the noble Raimundo is forced to leave his paternal home. A new incident, caused by the ambition of his brother José, causes Raimundo to be disowned by his girlfriend María and by his father, the just and strict Don Pepe. The only one who believes in Raimundo is his mother, Dona Lupita, a woman who suffers deeply because of the wrong decisions of her children.

Bernardo is in love with Adela and although she does not belong, he has always helped her family although they only care about money and not the virtues of man.

Julio Cesar (Enrique Herrera), writer of soap operas, is very upset nerves. Dr. Jimenez (Alberto Galán) recommends an institution that will give he a therapy to cure these scares. To avoid exposure to bad publicity, is camouflaged by the pseudonym Justiniano Conquian . By chance, a taxidermist (Joaquin Pardavé) also named. His case is different: it is a millionaire heir heritage potential, but will only be legally recognized if it meets a peculiar condition in the will, having to spend a whole month in the gloomy castle Conquian, competing with other heirs of fortune. Dr. Jimenez is bribed by a cousin of Justinian to send the false Conquian scares Castle into thinking that is the sanatorium.

A political revolutionary fights against injustice, his adoring wife by his side. But only in her death does he realize the depth of her love for him and their country. A dramatic romance from the 23 film library of the most iconic classic Mexican film and recording star, Pedro Infante.

Pedro Gonzalez first gets into trouble as part of a criminal gang and then works honourably to become rich. Money is his undoing allowing him to become a womanizer and drinker, almost losing his wife. Finally he rejoins her, they have a son and he pays for his mistakes.

1948 film by Ismael Rodríguez

In Fact it isn't the first one, there have been at least 6 before this one, but is intended to be because this movie has a great history in it. The novel was the first best seller of Mexico, and also this movie was an American Super Production (in that time). It also is the mother of a legend of Mexican dramas, and the fichera's movies. Considered as a jewel, Santa makes you understand why Mexican cinematographers made a whole genre of it, the kind of teatrical drama, whores as incredible "pure woman", and Mexico as a producer of their films. Any comments, u can emailme.