"Abu Nawas" is a trendy café and popular hangout for artists, communists and gay Iraqi exiles in London, it's close to the Salafist Mosque. When Nasseer, a fanatic religious youth and nephew of poet Taufiq, attacks his uncle's friends he sets into action a course of events that will turn everyone's life upside down.

Lauren和Ned订婚了，他们恋爱了，他们只有十天的时间找到Lauren的母亲，她已经在澳大利亚偏远的北方某处捣乱了，让她的父母团聚并完成他们梦寐以求的婚礼。

　　《电影史话》的导演马克·卡曾斯于2018年完成了这部长达14个小时的影片，旨在就电影摄影机背后的女性遗产展开一场对话。影片无关男权压迫，而是一次浏览女性电影历史的“欢乐旅程”。内容涵盖40个不同主题的章节，包括开场、置景、科幻、爱情、死亡和剪辑等等。这些片段涵盖了六大洲的一百三十三位导演，从爱丽丝·盖伊·布莱奇早期的无声作品到俄罗斯导演琪拉·穆拉托娃，美国民粹主义者多萝西·阿兹纳和凯瑟琳·毕格罗……

I saw this film by a total accident and I'm happy to have seen it. The film isn't perfect but its very good and has a nice kind of morale. Niceland is basically about a young man (or an old boy) Jet living a joyful life working at a factory with his girlfriend who he's deeply in love with and vice versa. But shortly after they decide to get married and live together happily ever after her cat, who she has a weird affection for, dies. The girlfriend falls into depression which could (strangely enough) lead to her death and the only way to give her a purpose to live and save her is to tell her the meaning of life. So Jet goes on a journey to discover the meaning of life and thats when he meets Max, a strange man living in a junkyard who claims to know the answer...
Niceland is a pretty surreal film and I wouldn't necessarily call it Icelandic or even British but instead if anything I would probably call it "Nicelandic" especially because I have no idea where its supposed to happen and it felt like a new kind of style. To begin with the film was very fun and entertaining but after a while it got kinda slow but before the film reached its climax it went up hill again and I noticed it had a good point and was trying to say something (although I don't want to reveal what). Gary Lewis and Martin Compston are both very good as are the other actors. Out of ten I would give it a rating somewhere between 7.3 to 7.7 although I can't really imagine what kind of feedback it will get.

When prodigal son Alexander returns to his homeland in rural Australia, he not only brings with him beautiful English wife Deborah , but a whole lot of baggage that seems to weigh down the perception of his past. Settling into the dusty sheep station where his loyal and hardworking family have lived for generations, it is not long before the interminable flies and heat of the harsh sunburnt land get to the couple, sparking a spectacular movement of discontent. Frustrated by the arrogance and distraction of their new lodgers, Jack and Sally, take umbrage at the suggestion that they sell up the farm and move on, determined to defend their estate by any and all means possible. And when local doctor and resident playboy Max joins the mix, he instantly becomes drawn to the flirtatious Deborah, compelled to make regular house calls, raising scandalous suspicion within the otherwise conservative community.

蒂姆·温顿的小说《云街》是澳大利亚的经典小说之一。有人曾做了这样的一个比较，《云街》在澳大利亚的地位犹如乔治·奥威尔的《1984》和哈珀·李的《杀死一只知更鸟》在英美的地位。在2003年的“澳大利亚作家民意调查”（ABC/Australian Society of Authors poll）中，《云街》居于澳大利亚人最喜爱的澳大利亚作品榜首。基于《云街》在澳大利亚的经典地位，澳大利亚影秀（Australia Showtime）发起了一项改编澳大利亚经典的活动，《云街》便是此次经典改编的对象，由此《云街》由小说走向了屏幕。早在2002年“澳大利亚影秀”就开始关注对于《云街》改编的演员物色，2008年与澳大利亚最为资深的影片制作公司“屏幕时间”联手真正开始到改编《云街》的制作当中，此项改编活动被命名为“澳大利亚经典作品的影视改编”。马修·沙维尔被任命为导演，基于此前他在执导影片中屡获大奖的精彩表现。
在《云街》影视化过程中，澳大利亚影秀调配了众多电影制作的专家，从演员试镜、人物服饰、影片布景、拍摄选址等方面做了科学详尽的论证。云街不仅仅是一个街道的名字，也是小说中那个象征着澳洲大陆这个大社区的房子的名字，兰姆一家和皮克斯一家合住的居所。这所房子将温顿小说的社区意识书写的淋漓尽致。因此，在电影改编当中，这所房子的“屏幕化”占据着及其重要的地位，也是影片从头至尾的一个重要背景场所。马里（Stuart Murry）认为“与影片中的神秘的建筑相反的是，云街里的世界更加完美的呈现了人们的个体以及社区身份”。（Murry， 2003：83）温顿在云街这所房子的屏幕形象设计上和制片人格雷格·汉瑞克（Greg Haddrick）密切合作，旨在让小说的屏幕化获得最佳的艺术表现效果，这个艺术效果是温顿小说艺术影响力的延伸。云街这所房子从选址到建设过程花费了八周时间，云街这条街道就坐落在小说中提到的真实西澳附近的地域，从而这种澳大利亚风貌在影片当中得以再现。
温顿本人也积极投身于其小说的改编当中，出任电影版《云街》的剧作者。温顿一丝不苟致力于《云街》剧本语言的改写之中，这在很多作家看来是不可思议之事。小说家同意将其小说改编成电影实属常见，但是在绝大多数情况下作家本人不会充当改编剧的剧作者，作家有警惕性地与其小说改编保持一种距离，从而保护其小说这个相对封闭而又独立的艺术体的艺术性。美籍印度裔女作家裘帕·拉希丽（Jhumpa Lahiri）就曾表示她的小说《同名人》与其电影版是相互独立的艺术体。在这一论点上，温顿以一个崭新且高昂的姿态拥抱其小说与电影版作品为一个有机统一的整体。温顿的先锋姿态引人关注的，更值得评论界来品评。其举动和意蕴包含着深刻的人文精神和社会责任意识。

When Bentham DeQuetteville falls to his death from a roof after seeing a headless horseman, his aristocratic family seem more concerned about their forthcoming Civil War re-enactment than the incident. As Barnaby and Jones try to find out the truth behind the ghostly figure, their investigation uncovers shocking secrets about the DeQuettevilles.

人们在名叫库拉斯贝利的小镇上，发现了一座埋在地底的古代教堂。少女卡茜来小镇游玩，在途中被艺术家沙蒙的妻子玛丽奥撞倒，暂时失去记忆，卡茜只好暂住在沙蒙家。不久之后，卡茜被一些奇怪的现象弄得心神不灵--无声无息的跟踪者，半夜狗叫声，卡茜眼前出现各种幻觉……

该片讲述了一个具有神力的疯狂保姆来到一个平凡家庭中发生的趣事。

克拉丽斯·克里夫（菲比·黛内芙 饰）是20世纪20年代英国工业中区的一个活泼的年轻工厂工人。她的创造力和野心驱使她从一个工厂转到另一个工厂，而她与寡居的母亲安（凯瑞·福克斯 饰）和最小的妹妹多特（达茜·肖 饰）共同生活的家庭经济由此受到影响。她对颜色和形状的创意层出不穷，也承担着越来越多的风险，但她却能在工厂里领先一步，并以她的才华和创新打动了古怪的工厂老板（马修·古迪 饰）。
在著名艺术设计师弗莱德·里奇韦（大卫·莫瑞瑟 饰）的指导下，以及工厂老板和工厂女工的支持下，克拉丽斯设计出了前所未有的装饰艺术“Bizarre”系列。在大萧条时期，她确保了工厂的生存，也确保了她成为最伟大的装饰艺术设计师之一与家喻户晓的未来。

一位律师在查证的过程中，无意间在一名政客家中发现了另一宗政治案件的惊天证据，而他也随之陷入了这场“风暴”之中……

The beginning of the end of the apartheid era in South Africa is seen through the perspectives of three female friends: Sophie, who is of English descent; Aninka, who is an Afrikaner; and Thoko, who is black.

威廉（Chris Leavins 饰）离开自己的家乡已经是年之久了，这一次，为了参加姐姐的婚礼，他回到了阔别已久的故土。曾经，年幼的威廉对自己充满了自卑，现如今，他早已脱胎换骨，成长为了壮硕而又英俊的青年。
刚刚回到家没多久，威廉就感受到了萦绕在这里的诡异气氛，姐姐的行为举止非常异常，而姐姐的未婚夫弗莱彻（Joel S. Keller 饰），竟然是威廉曾经青梅竹马的玩伴。威廉和弗莱彻之间的关系远不止如此，两人在懵懂的青春期里还发生过肉体上的关系，无奈这段感情被威廉的祖母撞破了，遂截然而知。当威廉再度面对自己过去的阴云时，会做出怎样的反应呢？

Sarah Phelps’ gripping drama tells the story of World War One’s front line medics – their hopes, fears, triumphs and tragedies. The tented field hospital in which they work is a frontier; between the battlefield and home front, but also between the old rules, hierarchies and a new way of thinking.
Oona Chaplin (The Hour, Quantum Of Solace), Hermione Norris (Spooks, Cold Feet), Suranne Jones (Scott And Bailey, The Secret Of Crickley Hall), Kevin Doyle (Downton Abbey, Scott And Bailey), Kerry Fox (Shallow Grave, An Angel At My Table) and Marianne Oldham (WPC 56) star as the dedicated team of doctors, nurses and women volunteers working together to help the sick and injured.
Together they embody an attitude of endurance, supreme courage and hope. Above any enmities or rivalries, they will all come to share a common bond as they experience the horror, the danger, the adrenalin, the joys and, most of all, the death-defying intoxication of simply being alive in the face of mortal danger.

Mandy is a mother, a writer, a nihilist. Mandy is a modern woman in a crisis. Raising a son in the midst of a female revolution, mining the pain of her parents’ separation and professionally writing about a love that no longer exists, she falls upon a troubled man, Pete, who’s searching for a sense of worth, belonging and ‘restored’ Male identity.

如果没有遇到特伦斯，托尼可能还会继续他自由自在的流浪生活，然而，命运把他带到了动物保护者特伦斯与他哥哥乔治的家，开始了与狮为伴的奇异生活。开始，托尼对这种生活并不在意，但是，随着和狮子们日益频繁的接触，托尼领悟了乔治兄弟所从事工作的非凡意义，并且和身边的狮子们产生了深厚的感情。当然，托尼也注意到了偷猎者的觊觎的目光，于是，他决定说服乔治到坦桑尼亚建立新的野生动物保护时，可是，当他们的行动还没有付诸实施，乔治已经倒在了偷猎者的枪口下……

汤姆（马修·古迪 Matthew Goode 饰）是一家海鲜餐厅的厨师，他放荡不羁，孤僻易怒，常常把不同的女人带回家。因为眷恋着妻子的一头卷发，他偏爱和戴着卷发的女人上床。他和儿子住在一起，这个曾经十分幸福的家庭，因为妻子莎拉（博亚娜·科维奇 Bojana Novakovic 饰）的病逝而变得支离破碎。莎拉去世后，按照她的意愿将视网膜移植给一个病人。
汤姆常常从不同的片段中回忆起挚爱的妻子，包括与莎拉二人相处的情景，一家三口温馨的日常生活，以及治疗癌症的那一段痛苦时期。这些不断变换的画面，出现在失去妻子的汤姆面前。导演表示，本片灵感来自于个人经历，他独具风格的拍摄手法表现在摒弃了惯用的平铺直述的拍片方式上，他以不断更换的场景，来表现失去和追忆，以及对于抑郁的宣泄。

一个年轻女孩在一场夺走她儿时朋友生命的房屋大火中幸存下来，患有健忘症，她开始了一条痛苦的康复之路。

James has served time for drowning a little boy when he was a child, although the body was never found in the river. A visit from his victim's mother upon parole sends him on a quest to find the truth. With little time and danger at every turn, James risks his freedom and his life to uncover the trail of sins that might give closure to the grieving mother.

在行刺巴勒斯坦恐怖首领艾马卡密尔时，情报人员东尼身受重伤，伙伴雷纳中弹身亡。正当以色列情报单位相信他们已经成功地将卡密尔伏法时，东尼却认为上次中枪身亡的是他的替身，而非卡密尔本人。不久，东尼的伙伴接二连三被心狠手辣的手段所谋杀，东尼相信这是卡密尔乔装成其他人，再度在国际间为非作歹。现在，他决定要以自己的方式为死去的同伴，以牙还牙，以眼还眼！